“Rosamond felt herself beginning to know a great deal of the world, especially in discovering what when she was in her unmarried girlhood had been inconceivable to her except as a dim tragedy in by-gone costumes— that women, even after marriage, might make conquests and enslave men. Still, vanity, with a woman’s whole mind and day to work in, can construct abundantly on slight hints, especially on such a hint as the possibility of indefinite conquests. How delightful to make captives from the throne of marriage with a husband as crown-prince by your side—himself in fact a subject— while the captives look up forever hopeless, losing their rest probably, and if their appetite too, so much the better!”

Jo nodded. No surprise there. Sex had sold stuff ever since stuff had been around.
Source: The Vastalimi Gambit (2013), Chapter 3

Source: Gadis Pantai

Ch 28
A Canticle for Leibowitz (1959), Fiat Voluntas Tua

Voltaire's Bastards (1992)

Source: The Lovely Bones

"Old Mortality" in Pale Horse (1939)
Context: I don't want any promises, I won't have false hopes, I won't be romantic about myself. I can't live in their world any longer, she told herself, listening to the voices back of her. Let them tell their stories to each other. Let them go on explaining how things happened. I don't care. At least I can know the truth about what happens to me, she assured herself silently, making a promise to herself, in her hopefulness, her ignorance.

Source: The Boy Crisis (2018), pp. 57

La jeune fille n'a qu'une coquetterie, et croit avoir tout dit quand elle a quitté son vêtement; mais la femme en a d'innombrables et se cache sous mille voiles; enfin elle caresse toutes les vanités, et la novice n'en flatte qu'une. Il s'émeut d'ailleurs des indécisions, des terreurs, des craintes, des troubles et des orages chez la femme de trente ans, qui ne se rencontrent jamais dans l'amour d'une jeune fille.Arrivée à cet âge, la femme demande à un jeune homme de lui restituer l'estime qu'elle lui a sacrifiée; elle ne vit que pour lui, s'occupe de son avenir, lui veut une belle vie, la lui ordonne glorieuse; elle obéit, elle prie et commande, s'abaisse et s'élève, et sait consoler en mille occasions, où la jeune fille ne sait que gémir.
Source: A Woman of Thirty (1842), Ch. III: At Thirty Years.

Original: Lei ha quella sensualità innata che cattura lo sguardo e non ti fa pensare ad altro, lei ha quel sorriso che la rende unica al mondo. È bello vedere la propria donna splendere di luce e vitalità, quindi fai in modo che la sua priorità sia sempre la felicità.
Source: prevale.net