“Towards the end of 1958, I greatly increased.... the works done with what is called poor material. I felt the need to persist and go deeper with the entire message of what is insignificant, worn or dramatised by time... In fact, it was the most conscious resumption of subjects that had often attracted me. In my research, I had discovered this material, one I find loaded with strange suggestions, which is cardboard. A grey, anonymous material that won't be easily manipulated, for which very reason the slightest mark of the hand torments it and destroys it. But the piece of cardboard, the box, the lid, the tray.... dirty clothes (socks, T-shirt, underpants…), old furniture, everyday objects; not used as a representation or theme in the picture but as real bodies, objects.”
as quoted in 'Tàpies: From Within', June/November 2013 - Presse Release text, Museu Nacional d'Art de Catalunya (MNAC), pp. 7-8
1971 - 1980, Memòria Personal', 1977
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Antoni Tàpies 39
Catalan painter, sculptor and art theorist 1923–2012Related quotes

In 1957; p. 31
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"

“I have made a fiasco of my life, but I have had the right material to work with.”
My Heart's in the Highlands (1939)
Tomasz Vetulani o Holandii, niskim kraju http://www.nto.pl/apps/pbcs.dll/article?AID=/20110605/REPORTAZ01/762330357, nto.pl, 5 June 2011 (in Polish)

Herzog on Herzog (2002)

Source: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 264

On choosing a notebook for each novel that she writes in “An Interview with Tracy Chevalier” https://fictionwritersreview.com/interview/an-interview-with-tracy-chevalier/ in Fiction Writers Review (2019 Sep 23)

As quoted in "Carl Orff" by Everett Helm in The Musical Quarterly Vol. 41, No. 3 (July 1955)