
Once More Admired Than Bought, A Writer Finally Basks in Success (1990)
Financial Times [UK] (7 June 2003)
Once More Admired Than Bought, A Writer Finally Basks in Success (1990)
Said to the Swedish newspaper Aftonbladet (January 24, 2002).
(22 January 2005)
Unfit for Mass Consumption (blog entries), 2005
Context: [On test audiences and alternate endings on DVDs] Seeing these two endings, knowing that the studio most likely chose the one that would close the film after polling test audiences, makes me a little ill. What if I did that with my novels? What would you think of me, if I were to so subvert the act of storytelling and mythmaking in an effort to make more money (by, I might add, perverting democracy)? Okay, at the end of Low Red Moon, I can kill Chance, or I can let her live. Which ending do you prefer? Check the box, and let us know. Should Orpheus make it back to the surface without looking to see if Eurydice is truly following him, or should he look? Should the mouse pull the thorn from the lion's paw, or should he mind his own damned business? I can only hope that it is self-evident that this process is as alien and destructive to art as anything ever could be. Yes, I'm sure it makes people more money, and money is nice, but it has very little to do with telling good and true and useful stories.
http://www.entrepreneur.com/article/234222.
"Interview with F. A. Hayek", in Cato Policy Report (February 1983)
1980s and later
“Did I fall or was I pushed?
Did I fall or was I pushed?
And where's the blood?”
"Harrowdown Hill"
Lyrics, The Eraser (2006)
Speech in the European Parliament, 9 May 2012. Farage: We face the prospect of mass civil unrest, even revolution http://www.youtube.com/watch?v=hJ6_Ey_MJV4&list=PL25613E6F90B320EC&index=14&feature=plpp_video
2012
In a GLC debate on the Marshall Report into GLC powers, 1979, quoted in "Beyond Our Ken" (1985) by Andrew Forrester, Stewart Lansley and Robin Pauley, p. 43
Vision for Scotland in the European Union (December 12, 2007)