“The art of life is not controlling what happens to us, but using what happens to us”
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 266.
Source: The Life of Poetry (1949), p. 150
Context: The continuity of film, in which the writer deals with a track of images moving at a given rate of speed, and a separate sound-track which is joined arbitrarily to the image-track, is closer to the continuity of poetry than anything else in art. But the heaviness of the collective work on a commercial film, the repressive codes and sanctions, unspoken and spoken, the company-town feeling raised to its highest, richest, most obsessive-compulsive level in Hollywood, puts the process at the end of any creative spectrum farthest from the making of a poem.
At the same time, almost anything that can be said to make the difficulties of poetry dissolve for the reader, or even to make the reader want to deal with those "difficulties," can be said in terms of film. These images are like the action sequences of a well-made movie — a good thriller will use the excitement of timing, of action let in from several approaches, of crisis prepared for emotionally and intellectually, so that you can look back and recognize the way of its arrival; or, better, feel it coming until the moment of proof arrives, meeting your memory and your recognition.
The cutting of films is a parable in the motion of any art that lives in time, as well as a parable in the ethics of communication.
“Great art is the contempt of a great man for small art.”
Notebook L (1945) edited by Edmund Wilson
Quoted, Notebooks
Source: Wouldn't Take Nothing for My Journey Now
“The small become the great, the great the small;
The right thing happens to the happy man.”
"The Right Thing," ll. 7-9
The Far Field (1964)
Context: God bless the roots! — Body and soul are one!
The small become the great, the great the small;
The right thing happens to the happy man.
“God, grant us men to see in a small thing principles which are common things both small and great.”
Deus, dona hominibus videre in parvo communes notitias rerum parvarum atque magnarum.
Deus, dona hominibus videre in parvo communes notitias rerum parvarum atque magnarum.
http://books.google.com/books?id=lM5PQRHMNFwC&q=%22Deus+dona+hominibus+videre+in+parvo+communes+notitias+rerum+parvarum+atque+magnarum%22&pg=PR19#v=onepage
XI, 23
Confessions (c. 397)
Source: A Portrait of the Artist as a Young Man
“Chance and chance alone has a message for us… Only chance can speak to us.”
Source: The Unbearable Lightness of Being (1984), Part Two: Soul and Body, pg 48
