William Gibson cytaty
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William Ford Gibson – amerykański pisarz science fiction, twórca cyberpunku.

W wieku dziewiętnastu lat – uciekając przed poborem – opuścił Stany Zjednoczone i osiadł w Kanadzie. Obecnie mieszka w Vancouver, w prowincji Kolumbia Brytyjska.

Jest nazywany ojcem cyberpunku – nowego gatunku literatury science fiction, wizjonerem, który stworzył słowo „cyberprzestrzeń” i opisał koncepcję internetu i wirtualnej rzeczywistości na długo przed powstaniem tych technologii.[potrzebny przypis]Jego książki to mieszanka przeróżnych folklorów, miejskich legend i wiedzy technicznej. Są one studium nad świadomością społeczną i popkulturą.

William Gibson jest też twórcą licznych opowiadań, powieści, esejów, artykułów rodzajowych, scenariuszy filmowych i telewizyjnych; m.in. jest autorem scenariuszy do filmów Obcy 3 i Johnny Mnemonic oraz do dwóch odcinków serialu Z Archiwum X: Kill Switch oraz First Person Shooter Wikipedia  

✵ 17. Marzec 1948   •   Natępne imiona উইলিয়াম গিবসন
William Gibson Fotografia
William Gibson: 132   Cytaty 4   Polubienia

William Gibson słynne cytaty

„Dwa razy przymierz, zanim raz utniesz.”

Neuromancer (1984)

William Gibson cytaty

William Gibson: Cytaty po angielsku

“The street finds its own uses for things.”

William Gibson Burning Chrome

Burning Chrome (1982)

“And, for an instant, she stared directly into those soft blue eyes and knew, with an instinctive mammalian certainty, that the exceedingly rich were no longer even remotely human.”

William Gibson książka Count Zero

Źródło: Count Zero (1986), Ch. 2, Marly's sensory link conversation interview with Herr Virek.

“The NET is a waste of time, and that's exactly what's right about it.”

Name of an article http://www.voidspace.org.uk/cyberpunk/gibson_wasteoftime.shtml he wrote for New York Times Magazine (14 July 1996)

“Secrets… are the very root of cool.”

William Gibson książka Spook Country

Źródło: Spook Country

“He took a duck in the face at 250 knots.”

William Gibson książka Pattern Recognition

Źródło: Pattern Recognition

“A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he'd taken and the corners he'd cut in Night City, and he'd still see the matrix in his sleep, bright lattices of logic unfolding across that colorless void…”

William Gibson książka Neuromancer

Źródło: Neuromancer (1984)
Kontekst: A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he'd taken and the corners he'd cut in Night City, and he'd still see the matrix in his sleep, bright lattices of logic unfolding across that colorless void… The Sprawl was a long strange way home over the Pacific now, and he was no console man, no cyberspace cowboy. Just another hustler, trying to make it through. But the dreams came on in the Japanese night like livewire voodoo, and he'd cry for it, cry in his sleep, and wake alone in the dark, curled in his capsule in some coffin hotel, his hands clawed into the bedslab, temperfoam bunched between his fingers, trying to reach the console that wasn't there.

“Things aren't different. Things are things.”

William Gibson książka Neuromancer

Źródło: Neuromancer

“Time is money, but also money is money.”

William Gibson książka Pattern Recognition

Źródło: Pattern Recognition

“The present tense made him nervous.”

Źródło: Sprawl trilogy, Neuromancer (1984), Chapter 3 (Case)

“Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts…”

William Gibson książka Neuromancer

Źródło: Neuromancer (1984)
Kontekst: Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts… A graphic representation of data abstracted from banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding...

“I took Punk to be the detonation of some slow-fused projectile buried deep in society's flank a decade earlier, and I took it to be, somehow, a sign.”

"Since 1948" (6 November 2002) http://www.williamgibsonbooks.com/source/source.asp
Kontekst: I took Punk to be the detonation of some slow-fused projectile buried deep in society's flank a decade earlier, and I took it to be, somehow, a sign. And I began, then, to write.
And have been, ever since.
Kontekst: In 1977, facing first-time parenthood and an absolute lack of enthusiasm for anything like "career," I found myself dusting off my twelve-year-old's interest in science fiction. Simultaneously, weird noises were being heard from New York and London. I took Punk to be the detonation of some slow-fused projectile buried deep in society's flank a decade earlier, and I took it to be, somehow, a sign. And I began, then, to write.
And have been, ever since.

“I'd buy him a drink, but I don't know if I'd loan him any money.”

When asked what he would say about the man who wrote Neuromancer.
No Maps for These Territories (2000)

“Seated each afternoon in the darkened screening room, Halliday came to recognize the targeted numerals of the Academy leader as sigils preceding the dream state of a film.”

A sentence that he worked on for years earlier in his career, which eventually went nowhere. Troubled by inexperience in "actually getting the characters to move," he spent so much time on it that he can still remember every word more than 20 years later.
No Maps for These Territories (2000)

“They sat around accessing media all day and talking about it, and nothing ever seemed to get done.”

William Gibson książka All Tomorrow's Parties

Źródło: All Tomorrow's Parties‎ (2003), Ch. 7 : Sharehouse, p. 33

“The future is not google-able.”

Comments at A Clean Well-Lighted Place for Books, San Francisco, California (5 February 2004)

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