Will Eisner cytaty
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Will Eisner – amerykański twórca komiksów, uważany za jednego z najwybitniejszych. Pochodził z rodziny rosyjskich emigrantów.

W 1940 stworzył znany komiks The Spirit. Jego bohaterem uczynił detektywa, uznawanego za nieżyjącego, który ukrywa się na cmentarzu i nocami, zamaskowany, zwalcza przestępczość. Eisner publikował kolejne części komiksu do 1952. Pracował jednocześnie jako ilustrator podręczników wojskowych dla armii amerykańskiej.

W 1978 wydał książkę A Contract With God and Other Tenement Stories . Książka ta, częściowo oparta na wątkach autobiograficznych z dzieciństwa, uznawana jest za pierwszą przedstawicielkę nowego gatunku – tzw. powieści graficznej. W kolejnych latach Eisner stworzył jeszcze kilka utworów przypisywanych do tego gatunku, część z nich ukazała się w Polsce w publikacji Nowy Jork. Życie w Wielkim Mieście, inne to: Dropsie Avenue, To The Heart of the Storm. Ponadto zajmował się ilustrowaniem znanych powieści, m.in. Moby Dicka.

Uczył rysunku ilustracyjnego w nowojorskiej School of Visual Arts, publikował także książki o grafice.

W 1988 imię Eisnera nadano prestiżowej nagrodzie świata komiksu . Nagrody noszą popularną nazwę Eisnerów i wręczane są na Comic-Conie w San Diego.

Sam Eisner był laureatem wielu wyróżnień, m.in.: Grand Prix w Angoulême. Wikipedia  

✵ 6. Marzec 1917 – 3. Styczeń 2005
Will Eisner Fotografia
Will Eisner: 87   Cytatów 0   Polubień

Will Eisner: Cytaty po angielsku

“Rachkovsky: The tsar must have unquestionable’’’ evidence of a threat against the monarchy!”

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

“In 1848, driven by a revolution in Paris, King Louis Philippe abdicated and Louis Napoleon (a nephew of Napoleon Bonaparte) was elected president of France. Four years later, after a coup d’etat, Louis Napoleon styled himself Napoleon II, emperor of France.
napoleon III’s first act as emperor was to imprison his political opponents. He was a crafty monarch, and his ambition during his reign was to seek glory through military adventurism while the great mass of French peasants remained ina state of poverty and despair.
Initially, Napoleon III achieved a short-lived public popularity by trying to “modernize” France and liberalize its economy, but his legacy remains that of a dictator and conniving politician.
In 1870, fearful that Germany was expanding too fast, Napoleon III declared war against this neighbor. The French were quickly defeated, and Napoleon III became a prisoner of war. Upon release in 1871, he was exiled to England, where he lived until his death in 1873.
Maurice Joly was mindful of this growing tension between Germany and France. He had been born in 1821 of French parents. He was admitted to the Paris bar as an attorney and was a one-time member of the General Assembly. Joly devoted most of time to writing caustic essays on French politics. He joined many other severe critics of Napoleon III, who regarded him as a ruthless despot.
In 1864, Joly wrote a book called “The Dialogue in Hell between Machiavelli and Montesquieu.”…It intended to liken Napoleon III to the infamous Machiavelli, author of “The Prince,” a treatise on the acquisition of power. Holy intended to reveal the French dictator’s dark and evil plans.”

Will Eisner, pp. 7-8
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

“Graves: An obvious adaptation! Where the “Dialogue” uses ‘’’prince’’’, the “Protocols” uses ‘’’king.’’’”

Źródło: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.88

“Dialogue in Hell:
Seventeenth Dialogue”

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

“2001
San Diego, U. S. A.”

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

“Adolf Hitler, while spending three years in jail for the Beer Hall Putsch, writes his famous book “Mein Kampf.””

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

“International Jews.
In violent opposition to all this sphere of Jewish effort rise the schemes of the International Jews. The adherents of this sinister confederacy are mostly men reared up among the unhappy populations of countries where Jews are persecuted on account of their race. Most, if not all, of them have forsaken the faith of their forefathers, and divorced from their minds all spiritual hopes of the next world. This movement among the Jews is not new. From the days of Spartacus-Weishaupt to those of Karl Marx, and down to Trotsky (Russia) Bela Kun (Hungary), Rosa Luxemborg (Germany) and Emma Goldman (United States), this world-wide conspiracy for the overthrow of civilization and for the reconstitution of society on the basis of arrested development, of envious malevolence, and impossible equality, has been steadily growing. It played, as a modern writer, Mrs. Webster, has so ably shown, a definitely recognizable part in the tragedy of the French Revolution. It has been the mainspring of every subversive movement during the Nineteenth Century; and now at last this band of extraordinary personalities from the underworld of the great cities of Europe and America have gripped the Russian people by the hair of their heads and have become practically the undisputed masters of that enormous empire.
Graves: This was written by Winston Churchill, a highly regarded M. P. in England…so, I need hardly remind you that it will take strong evidence to prove the “Protocols” ‘’’a fake!’’’
Raslovlev: At an old bookshop I got a copy of “The Dialogue in Hell between Machiavelli and Montesquieu,” by Maurice Joly, 1864.
I examined what I had. It was obvious that the “Protocols of Zion” was copied from it.
Graves: How did you get this?
Raslovlev: I bought this book from a friend, formerly of the Okhrana, our secret agents in France. They ordered the plagiarism!
When the Bolsheviks came in, we left with what we could take out with us.
How much is it worth to you, or your paper, Mr. Graves?
Graves: Hmm…can’t say yet! …Is Geneva really the place of publication??
Raslovlev: I do know that the “Protocols of Zion: was intended to prove to the Tsar that the Revolt in Russia was a Jewish Plot…it was written by an Okhrana agent…a plagiarist, Mathieu Golovinski!
When it was first published in Russia round 1902, its publisher, Dr. Nilus, claimed it to be notes stolen from an 1897 Zionist congress by French agents!
Graves: But that congress was convened by Theodore Herzl to promote a Jewish state. It was not a secret meeting…Dr. Nilus’s claim is a lie!
Raslovlev: Yes, it is indeed! Let me show you…we will compare the “Protocols” with Joly’s Book.
Raslovlev: Set them side by side Graves, and you will see obvious plagiarism of Joly’s “dialogue!”
Graves: I see…be patient while I go through it…yes! Yes! Yes!”

Źródło: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 70-73

“Reporter: Ha! Ha! Ha!”

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

“Miller: It’s mythic New York. And that’s what Will drew. He and I really did share two profound loves: One was for New York, and the other was for beautiful women.”

Frank Miller in "Frank Miller: A 'Spirit'-ed Q&A" http://ew.com/article/2008/04/23/frank-miller-spirit-ed-qa/ by Nisha Goplan, Entertainment Weekly, (April 23, 2008).
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