Christopher Isherwood cytaty

Christopher William Bradshaw Isherwood – brytyjsko-amerykański powieściopisarz i dramaturg.

Znany jest przede wszystkim jako autor opowiadań o Berlinie z wczesnych lat 30. XX wieku. Powieści Isherwooda z tego okresu są silne oparte o jego doświadczenia. Wielu jego sławnych przyjaciół pojawia się w nich pod różnymi nazwiskami, m.in. W.H. Auden, Stephen Spencer oraz Virginia Woolf.

„Jestem jak aparat fotograficzny z otwartą przesłoną, aparat całkiem bierny, taki który nie myśli, tylko rejestruje. Rejestruje mężczyznę golącego się w oknie naprzeciwko i kobietę w kimonie, zajętą myciem włosów. Kiedyś to wszystko będzie musiało zostać wywołane, zdjęcia starannie odbite, utrwalone” .

Teksty Isherwooda Pan Norris się przesiada i Pożegnanie z Berlinem stały się podstawą scenariusza filmu Kabaret w reżyserii Boba Fosse’a. Wśród innych jego dzieł wymienia się nieprzetłumaczoną na język polski powieść autobiograficzną Christopher And His Kind, na podstawie której BBC wyprodukowało film pod tym samym tytułem; oraz Samotnego mężczyznę, zaadaptowanego na ekrany przez Toma Forda w 2009 roku.

Był homoseksualistą. Od 1953 aż do śmierci Isherwooda jego partnerem był Don Bachardy . Wikipedia  

✵ 26. Sierpień 1904 – 4. Styczeń 1986   •   Natępne imiona کریستوفر ایشروود, Քրիսթոֆեր Իշերվուդ
Christopher Isherwood Fotografia
Christopher Isherwood: 35   Cytatów 0   Polubień

Christopher Isherwood: Cytaty po angielsku

“There is no home here. There is no security in your mansions or your fortresses, your family vaults or your banks or your double beds. Understand this fact, and you will be free. Accept it, and you will be happy.”

"Los Angeles" p. 162
Exhumations (1966)
Kontekst: An afternoon drive from Los Angeles will take you up into the high mountains, where eagles circle above the forests and the cold blue lakes, or out over the Mojave Desert, with its weird vegetation and immense vistas. Not very far away are Death Valley, and Yosemite, and Sequoia Forest with its giant trees which were growing long before the Parthenon was built; they are the oldest living things in the world. One should visit such places often, and be conscious, in the midst of the city, of their surrounding presence. For this is the real nature of California and the secret of its fascination; this untamed, undomesticated, aloof, prehistoric landscape which relentlessly reminds the traveller of his human condition and the circumstances of his tenure upon the earth. "You are perfectly welcome," it tells him, "during your short visit. Everything is at your disposal. Only, I must warn you, if things go wrong, don't blame me. I accept no responsibility. I am not part of your neurosis. Don't cry to me for safety. There is no home here. There is no security in your mansions or your fortresses, your family vaults or your banks or your double beds. Understand this fact, and you will be free. Accept it, and you will be happy."

“Christopher, like many other writers, was shockingly ignorant of the objective world, except where it touched his own experience.”

Christopher Isherwood książka Christopher and His Kind

Źródło: Christopher and His Kind (1976), p. 192
Kontekst: Christopher, like many other writers, was shockingly ignorant of the objective world, except where it touched his own experience. When he had to hide his ignorance beneath a veneer, he simply consulted someone who could supply him with the information he needed.

“You’ve got to think, to discriminate, to exercise your own free will and judgment. And you must do this, I repeat, without tension, quite rationally and calmly. For if you give way to fury against the hypnotists, if you smash the radio and tear the newspapers to shreds, you will only rush to the other extreme and fossilize into defiant eccentricity.”

"Los Angeles", p. 161
Exhumations (1966)
Kontekst: To live sanely in Los Angeles (or, I suppose, in any other large American city) you have to cultivate the art of staying awake. You must learn to resist (firmly but not tensely) the unceasing hypnotic suggestions of the radio, the billboards, the movies and the newspapers; those demon voices which are forever whispering in your ear what you should desire, what you should fear, what you should wear and eat and drink and enjoy, what you should think and do and be. They have planned a life for you – from the cradle to the grave and beyond – which it would be easy, fatally easy, to accept. The least wandering of the attention, the least relaxation of your awareness, and already the eyelids begin to droop, the eyes grow vacant, the body starts to move in obedience to the hypnotist’s command. Wake up, wake up – before you sign that seven-year contract, buy that house you don’t really want, marry that girl you secretly despise. Don’t reach for the whisky, that won’t help you. You’ve got to think, to discriminate, to exercise your own free will and judgment. And you must do this, I repeat, without tension, quite rationally and calmly. For if you give way to fury against the hypnotists, if you smash the radio and tear the newspapers to shreds, you will only rush to the other extreme and fossilize into defiant eccentricity.

“As a homosexual, he had been wavering between embarrassment and defiance.”

Christopher Isherwood książka Christopher and His Kind

Źródło: Christopher and His Kind (1976), p. 334
Kontekst: As a homosexual, he had been wavering between embarrassment and defiance. He became embarrassed when he felt that he was making a selfish demand for his individual rights at a time when only group action mattered. He became defiant when he made the treatment of the homosexual a test by which every political party and government must be judged. His challenge to each one of them was: "All right, we've heard your liberty speech. Does that include us or doesn't it?"
The Soviet Union had passed this test with honors when it recognized the private sexual rights of the individual, in 1917. But, in 1934, Stalin's government had withdrawn this recognition and made all homosexual acts punishable by heavy prison sentences. It had agreed with the Nazis in denouncing homosexuality as a form of treason to the state. The only difference was that the Nazis called it "sexual Bolshevism" and the Communists "Fascist perversion."
Christopher — like many of his friends, homosexual and heterosexual — had done his best to minimize the Soviet betrayal of its own principles. After all, he had said to himself, anti-homosexual laws exist in most capitalist countries, including England and the United States. Yes — but if Communists claim that their system is juster than capitalism, doesn't that make their injustice to homosexuals less excusable and their hypocrisy even viler? He now realized that he must dissociate himself from the Communists, even as a fellow traveler. He might, in certain situations, accept them as allies but he could never regard them as comrades. He must never again give way to embarrassment, never deny the rights of his tribe, never apologize for its existence, never think of sacrificing himself masochistically on the altar of that false god of the totalitarians, the Greatest Good of the Greatest Number — whose priests are alone empowered to decide what "good" is.

“California is a tragic country — like Palestine, like every Promised Land.”

"Los Angeles", p. 159
Exhumations (1966)
Kontekst: California is a tragic country — like Palestine, like every Promised Land. Its short history is a fever-chart of migrations — the land rush, the gold rush, the oil rush, the movie rush, the Okie fruit-picking rush, the wartime rush to the aircraft factories — followed, in each instance, by counter-migrations of the disappointed and unsuccessful, moving sorrowfully homeward.

“Once I have refused to press that button because of Heinz, I can never press it.”

Christopher Isherwood książka Christopher and His Kind

Źródło: Christopher and His Kind (1976), p. 335
Kontekst: Suppose, Christopher now said to himself, I have a Nazi Army at my mercy. I can blow it up by pressing a button. The men in that Army are notorious for torturing and murdering civilians — all except for one of them, Heinz. Will I press the button? No — wait: Suppose I know that Heinz himself, out of cowardice or moral infection, has become as bad as they are and takes part in all their crimes? Will I press that button, even so? Christopher's answer, given without the slightest hesitation, was: Of course not.
That was a purely emotional reaction. But it helped Christopher think his way through to the next proposition. Suppose that Army goes into action and has just one casualty, Heinz himself. Will I press the button now and destroy his fellow criminals? No emotional reaction this time, but a clear answer, not to be evaded: Once I have refused to press that button because of Heinz, I can never press it. Because every man in that Army could be someone's Heinz and I have no right to play favorites. Thus Christopher was forced to recognize himself as a pacifist — although by an argument which he could only admit to with the greatest reluctance.

“If I fear anything, I fear the atmosphere of the war, the power which it gives to all the things I hate — the newspapers, the politicians, the puritans, the scoutmasters, the middle-aged merciless spinsters.”

Diary entry, 20 January 1940, from The Diaries of Christopher Isherwood, vol I: 1939 - 1960, edited by Katherine Bucknell, p. 84<!-- >
Kontekst: If I fear anything, I fear the atmosphere of the war, the power which it gives to all the things I hate — the newspapers, the politicians, the puritans, the scoutmasters, the middle-aged merciless spinsters. I fear the way I might behave, if I were exposed to this atmosphere. I shrink from the duty of opposition. I am afraid I should be reduced to a chattering enraged monkey, screaming back hate at their hate.

“The images which remained in the memory are not in themselves terrible or rigorous”

As quoted in Isherwood : A Life (2004) by Peter Parker, pp. 40-41; this reminiscence is from the first draft of the biographical study Isherwood did of his parents (Huntington CI 1082: 81). The version published in Kathleen and Frank (1971), chapter 15, p. 285 differs slightly.
Kontekst: The images which remained in the memory are not in themselves terrible or rigorous: they are of boot-lockers, wooden desks, lists on boards, name-tags in clothes — yes, the name pre-eminently; the name which in a sense makes you nameless, less individual rather than more so: Bradshaw-Isherwood, C. W. in its place on some alphabetical list; the cold daily, hourly reminder that you are not the unique, the loved, the household’s darling, but just one among many. I suppose that this loss of identity is really much of the painfulness which lies at the bottom of what is called Homesickness; it is not Home that one cries for but one’s home-self.

“Its short history is a fever-chart of migrations”

"Los Angeles", p. 159
Exhumations (1966)
Kontekst: California is a tragic country — like Palestine, like every Promised Land. Its short history is a fever-chart of migrations — the land rush, the gold rush, the oil rush, the movie rush, the Okie fruit-picking rush, the wartime rush to the aircraft factories — followed, in each instance, by counter-migrations of the disappointed and unsuccessful, moving sorrowfully homeward.

“Horror is always aware of its cause; terror never is. That is precisely what makes terror terrifying.”

Great English Short Stories (1957), selected and introduced by Isherwood, p. 267 <!-- [Laurel TM 674623] -->
Kontekst: Horror is always aware of its cause; terror never is. That is precisely what makes terror terrifying.

“The only difference was that the Nazis called it "sexual Bolshevism" and the Communists "Fascist perversion."”

Christopher Isherwood książka Christopher and His Kind

Źródło: Christopher and His Kind (1976), p. 334
Kontekst: As a homosexual, he had been wavering between embarrassment and defiance. He became embarrassed when he felt that he was making a selfish demand for his individual rights at a time when only group action mattered. He became defiant when he made the treatment of the homosexual a test by which every political party and government must be judged. His challenge to each one of them was: "All right, we've heard your liberty speech. Does that include us or doesn't it?"
The Soviet Union had passed this test with honors when it recognized the private sexual rights of the individual, in 1917. But, in 1934, Stalin's government had withdrawn this recognition and made all homosexual acts punishable by heavy prison sentences. It had agreed with the Nazis in denouncing homosexuality as a form of treason to the state. The only difference was that the Nazis called it "sexual Bolshevism" and the Communists "Fascist perversion."
Christopher — like many of his friends, homosexual and heterosexual — had done his best to minimize the Soviet betrayal of its own principles. After all, he had said to himself, anti-homosexual laws exist in most capitalist countries, including England and the United States. Yes — but if Communists claim that their system is juster than capitalism, doesn't that make their injustice to homosexuals less excusable and their hypocrisy even viler? He now realized that he must dissociate himself from the Communists, even as a fellow traveler. He might, in certain situations, accept them as allies but he could never regard them as comrades. He must never again give way to embarrassment, never deny the rights of his tribe, never apologize for its existence, never think of sacrificing himself masochistically on the altar of that false god of the totalitarians, the Greatest Good of the Greatest Number — whose priests are alone empowered to decide what "good" is.

“The Nazis hated culture itself, because it is essentially international and therefore subversive of nationalism.”

Christopher Isherwood książka Christopher and His Kind

Źródło: Christopher and His Kind (1976), p. 65
Kontekst: The Nazis hated culture itself, because it is essentially international and therefore subversive of nationalism. What they called Nazi culture was a local, perverted, nationalistic cult, by which a few major artists and many minor ones were honored for their Germanness, not their talent.

“He might, in certain situations, accept them as allies but he could never regard them as comrades.”

Christopher Isherwood książka Christopher and His Kind

Źródło: Christopher and His Kind (1976), p. 334
Kontekst: As a homosexual, he had been wavering between embarrassment and defiance. He became embarrassed when he felt that he was making a selfish demand for his individual rights at a time when only group action mattered. He became defiant when he made the treatment of the homosexual a test by which every political party and government must be judged. His challenge to each one of them was: "All right, we've heard your liberty speech. Does that include us or doesn't it?"
The Soviet Union had passed this test with honors when it recognized the private sexual rights of the individual, in 1917. But, in 1934, Stalin's government had withdrawn this recognition and made all homosexual acts punishable by heavy prison sentences. It had agreed with the Nazis in denouncing homosexuality as a form of treason to the state. The only difference was that the Nazis called it "sexual Bolshevism" and the Communists "Fascist perversion."
Christopher — like many of his friends, homosexual and heterosexual — had done his best to minimize the Soviet betrayal of its own principles. After all, he had said to himself, anti-homosexual laws exist in most capitalist countries, including England and the United States. Yes — but if Communists claim that their system is juster than capitalism, doesn't that make their injustice to homosexuals less excusable and their hypocrisy even viler? He now realized that he must dissociate himself from the Communists, even as a fellow traveler. He might, in certain situations, accept them as allies but he could never regard them as comrades. He must never again give way to embarrassment, never deny the rights of his tribe, never apologize for its existence, never think of sacrificing himself masochistically on the altar of that false god of the totalitarians, the Greatest Good of the Greatest Number — whose priests are alone empowered to decide what "good" is.

“I am a camera with its shutter open, quite passive, recording, not thinking.”

Christopher Isherwood książka Goodbye to Berlin

Źródło: "Berlin Diary" (1930) from Goodbye to Berlin (1939)

“Let's face it, minorities are people who probably look and act and think differently from us and have faults we don't have. We may dislike the way they look and act, and we may hate their faults. And it’s better if we admit to disliking and hating them, than if we try to smear over our feelings with pseudo-liberal sentimentality. If we’re frank about our feelings, we have a safety valve; and if we have a safety-valve, we’re actually less likely to start persecuting.... I know that theory is unfashionable nowadays. We all keep trying to believe that, if we ignore something long enough, it’ll just vanish––
‘Where was I? Oh yes... Well, now, suppose this minority does get persecuted – never mind why – political, economic, psychological reasons – there always is a reason, no matter how wrong it is – that’s my point. And, of course, persecution itself is always wrong; I’m sure we all agree there. But, the worst of it is, we now run into another liberal heresy. Because the persecuting majority is vile, says the liberal, therefore the persecuted minority must be stainlessly pure. Can’t you see what nonsense that is? What’s to prevent the bad from being persecuted by the worse? Did all the Christian victims in the arena have to be saints?’
‘And I’ll tell you something else. A minority has its own kind of aggression. It absolutely dares the majority to attack it. It hates the majority — not without a cause, I grant you. It even hates the other minorities – because all minorities are in competition: each one proclaims that its sufferings are the worst and its wrongs are the blackest. And the more they all hate, and the more they're all persecuted, the nastier they become! Do you think it makes people nasty to be loved? You know it doesn’t! Then why should it make them nice to be loathed?”

Christopher Isherwood książka A Single Man

pps. 53-54
A Single Man (1964)

“I doubt if one ever accepts a belief until one urgently needs it.”

Christopher Isherwood książka Christopher and His Kind

Źródło: Christopher and His Kind (1976), p. 306

“It seems to me that the real clue to your sex orientation lies in your romantic feelings rather than in your sexual feelings. If you are really gay, you are able to fall in love with a man, not just enjoy having sex with him.”

As quoted in "Christopher Isherwood Interview" with Winston Leyland (1973), from Conversations with Christopher Isherwood, ed. James J. Berg and Chris Freeman (2001) ISBN 1-57806-408-2, p. 106

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