Berthe Morisot cytaty

Berthe Morisot – malarka francuska, czołowa przedstawicielka impresjonizmu. Pochowana na Cmentarzu Passy.

Pochodziła z zamożnej rodziny mieszczańskiej, jej matka była krewną Jean-Honoré Fragonarda. Od dziecka uczyła się rysunku, była uczennicą Jean-Baptiste-Camille Corota. Rodzina Berthy należała do kręgu przyjaciół Edouarda Maneta. Jego brat Eugene Manet został mężem Berthy. Młoda malarka nauczyła się wiele od Maneta, i szczególnie w jej wczesnych obrazach da się zauważyć wyraźny wpływ jej mentora. Później jednak zwróciła się ku impresjonizmowi i regularnie wystawiała swe dzieła na wystawach organizowanych przez impresjonistów. Jej prace odznaczające się spokojem i delikatnością przedstawiały najczęściej kobiety podczas codziennych zajęć. Wikipedia  

✵ 14. Styczeń 1841 – 2. Marzec 1895
Berthe Morisot Fotografia
Berthe Morisot: 36   Cytatów 0   Polubień

Berthe Morisot: Cytaty po angielsku

“There is constant sun, good weather all the time, the ocean like a slab of slate - there is nothing less picturesque than this combination.”

2 quotes on weather, in a letter to her sister Edma, Summer 1873; as cited in The Correspondence of Berthe Morisot, with her family and friends, Denish Rouart - newly introduced by Kathleen Adler and Tamer Garb; Camden Press London 1986, p. 43
1871 - 1880

“The love of art…. reconciles us to our lined faces and white hear. [Berthe Morisot was 40 years then]”

quote in a letter to a friend, c. 1881; as cited in The Correspondence of Berthe Morisot, with her family and friends, Denish Rouart - newly introduced by Kathleen Adler and Tamer Garb; Camden Press London 1986, p. 117
1881 - 1895

“.. the glimpse of the dome of St. Paul's through the forest of yellow masts, the whole thing bathed in a golden haze.”

In a letter to her sister Edma, August 1875; as quoted in The Correspondence of Berthe Morisot, with her family and friends Denish Rouart - newly introduced by Kathleen Adler and Tamer Garb; Camden Press London 198, p. 105
Berthe is describing the embankment of river Thames
1871 - 1880

“I say, 'I should like to die', but that's not true at all, I should like to get younger.... youth and old age are similar in more ways than one, and they are the two moments in life when one can feel one's own soul which would be a proof that it exists.”

quote in Berthe's notebook, after the death of her husband Eugène Manet, 1892; cited in Berthe Morisot, ed. Delafond and Genet-Bondeville, 1997, p. 70
1881 - 1895

“His [ Edouard Manet's] paintings, as they always do, produce the impression of a wild or even a somewhat unripe fruit. I do not in the least dislike them.”

Quote of Berthe 1864-65 in a letter to her sister Edma Morisot; as cited in Berthe Morisot, the first lady of Impressionism, Margaret Sehnan; Sutton Publishing (ISBN 0 7509 2339 3) 1996, p. 50
1860 - 1870

“Would you do us the great favour, you and Mademoiselle Geneviève, of coming to dine next Thursday? Monet will be there, Renoir also..”

short letter of Berthe to Stéphane Mallarmé, c. 1885-86; as cited in Vie de la Mallarmé, Henri Mondor, publisher Gallimard 1941, p. 501
at the Thursday-evening diners were frequently invited Berthe's relations; a. o. Monet, Degas, Renoir, Manet, Mallarmé etc..
1881 - 1895

“Your phrase: 'I am working hard at growing old', is absolutely me. What if you were always to speak in my place..”

Quote from her letter to her friend Mallarmé, 14 July 1891; as cited in The Correspondence of Berthe Morisot, ed. Denis Rouart; Camden, London 1986 / Kinston, R. I. Moyer Bell, 1989, p. 160
1881 - 1895

“.. scumbled froth.... capable of indicating a mouth, eyes, a nose with a single stroke of the brush, the rest of the face modeled by the perfect accuracy of these indications.”

Quote of her notebooks about rendering, 1885-86; as cited in Berthe Morisot, ed. Delafond and Genet-Bondeville, 1997, p. 46
1881 - 1895

“Corot spoiled the 'étude' [study] we admired so much when we saw it at his home, by redoing it in the studio.”

Quote in a letter to Edma, 1869, in Morisot's Correspondence, p. 32; as cited by Margaret Sehnan in Berthe Morisot, the first lady of Impressionism; Sutton Publishing, 1996 - (ISBN 0 7509 2339 3), p. 86
1860 - 1870

“My ambition is limited to capturing something transient.”

in Correspondence de Berthe Morisot, ed. Denis Rouart; Paris (1950)
undated quotes

“Music and painting should never be literary, a very subtle distinction according to Renoir. As soon as I try to represent an individual, their physiognomy and attitudes, I become a literary artist.”

Quote in a notebook, after having visited Renoir; as cited in Berthe Morisot, ed. Delafond and Genet-Bondeville, 1997, p. 54
undated quotes

“I am keen to earn some money.... beginning to lose all hope... What I see most clearly is that my situation in impossible from every point of view.”

quote in her letter to sister Edma, circa 1872/73, after Manet had forgotten to show one of her paintings to art-dealer Durand-Ruel; as cited in The Correspondence of Berthe Morisot, with her family and friends, Denish Rouart - newly introduced by Kathleen Adler and Tamer Garb; Camden Press London 1986, pp. 89-90
1871 - 1880

“He [ Manet ] begged me to go straight up and see his painting [ 'Le Balcon'] - Berthe was model for this painting], as he was rooted to the spot. I've never seen anyone in such a state, one minute he was laughing, the next insisting his picture was dreadful; in the next breath, sure it would be a huge success.”

quote from Berthe Morisot to her sister Edma Morisot, after visiting the Salon of Paris in 1869; as cited in The Correspondence of Berthe Morisot, with her family and friends, Denish Rouart with Adler and Garb; Camden Press London 1984, pp. 33-34
1860 - 1870

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