Quotes about nature and animals (page 8)

“Colours no longer looked as brilliant to me as they use to do [Monet's sight was beginning to fail], I no longer painted shades of light so correctly. Reds looked muddy to me, pinks insipid, and the intermediate or lower notes in the colour scale escaped me. As for forms, I could see them as clear as ever, and render them as decisively. At first I tried pertinacity. How many times I have remained for hours near the little bridge, exactly were we are now, in the full glare of the sun, sitting on my camp-stool, under my sunshade, forcing myself to resume my interrupted task and to recapture the freshness my palette had lost! A waste of effort. What I painted was more and more mellow.... and (when) I compared it with what I used to do in the old days. I would fall into a frantic rage, and I slashed all my pictures with my penknife.”

Claude Monet (1840–1926) French impressionist painter

remark by Monet – between 1900 and 1920 – on his 'Water lilies' paintings; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 131-132
1900 - 1920

“[looking at the dead body of his first wife Camille, 5 Sept 1879], watching her tragic forehead, almost mechanically observing the colors which death was imposing on her rigid face. Blue. Blue, yellows, grey, what do I know?... How natural to to want to reproduce the last image of her, who was leaving us for ever. But even before the idea came to me to record her beloved features, something in me automatically responded tot the shocks of colours. I just seem to be compelled in an unconsciousness activity, the one I engage in every day, like an animal turning in its mill.”

Claude Monet (1840–1926) French impressionist painter

Quote in Monet's letter, September 1879; as cited in The Private Lives of the Impressionists Sue Roe; Harper Collins Publishers, New York, 2006, p. 209
1870 - 1890

“I was born undisciplined. Never, even as a child, could I be made to obey a set rule. What little I know I learned at home. School was always like a prison to me, I could never bring myself to stay there, even four hours a day, when the sun was shining and the sea was so tempting, and it was such fun scrambling over cliffs and paddling in the shallows. Such, to the great despair of my parents, was the unruly but healthy life I lived until I was fourteen or fifteen. In the meantime I somehow picked up the rudiments of reading, writing and arithmetic, with a smattering of spelling. And there my schooling ended. It never worried me very much because I always had plenty of amusements on the side. I doodled in the margins of my books, I decorated our blue copy paper with ultra-fantastic drawings, and I drew the faces and profiles of my schoolmasters as outrageously as I could, distorting them out of all recognition.”

Claude Monet (1840–1926) French impressionist painter

in Denis Rouart (1972) Claude Monet, p. 21 : About his youth
after Monet's death

“These palms are driving me crazy; the motifs are extremely difficult to seize, to put on canvas; it's so bushy everywhere, although delightful to the eye... I would like to do orange and lemon trees silhouetted against the blue sea, but cannot find them as I would like.”

Claude Monet (1840–1926) French impressionist painter

in a letter from Bordighera to friends in Paris, Jan. 1884; as cited in: Joslyn Art Museum, ‎Holliday T. Day, ‎Hollister Sturges (1987), Joslyn Art Museum: Paintings and Sculpture from the European and American Collections, p. 100
1870 - 1890

“I have gone back to some things that can't possibly be done: water, with weeds waving at the bottom. It is a wonderful sight, but it drives one to crazy to try to paint it. But that is the kind of thing I am always a tackling.”

Claude Monet (1840–1926) French impressionist painter

Quote in Monet's letter to art-critic and his friend Gustave Geffroy, 22 June 1890; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 129
1890 - 1900

“I perhaps owe having become a painter to flowers.”

Claude Monet (1840–1926) French impressionist painter

“I want to paint the way a bird sings.”

Claude Monet (1840–1926) French impressionist painter

Variant: I would like to paint the way a bird sings.
Source: Monet By Himself

“I must have flowers, always, and always.”

Claude Monet (1840–1926) French impressionist painter

Variant: I must have flowers, always and always.

“do not view mountains from the scale of human thought”

Dogen (1200–1253) Japanese Zen buddhist teacher

“Fate presented itself to some like a chinese fan--one side black, the other side gilded with flowers.”

José Rizal (1861–1896) Filipino writer, ophthalmologist, polyglot and nationalist

Noli me Tangere

“Water shapes its course according to the nature of the ground over which it flows; the soldier works out his victory in relation to the foe whom he is facing. Therefore, just as water retains no constant shape, so in warfare there are no constant conditions. He who can modify his tactics in relation to his opponent and thereby succeed in winning, may be called a heaven-born captain.”

Sun Tzu (-543–-495 BC) ancient Chinese military general, strategist and philosopher from the Zhou Dynasty

Lionel Giles translation
Source: The Art of War, Chapter VI · Weaknesses and Strengths

“When torrential water tosses boulders, it is because of its momentum. When the strike of a hawk breaks the body of its prey, it is because of timing.”

Sun Tzu (-543–-495 BC) ancient Chinese military general, strategist and philosopher from the Zhou Dynasty

Source: The Art of War, Chapter V · Forces

“Dogs never bite me. Just humans.”

Marilyn Monroe (1926–1962) American actress, model, and singer

As quoted in "A Beautiful Child" in Music for Chameleons (1980) by Truman Capote

“From my rotting body, flowers shall grow and I am in them and that is eternity.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Quote in Sustainable Landscape Construction: A Guide to Green Building Outdoors (2007) by William Thompson and Kim Sorvig, p. 30
after 1930

“The Sea
Will be the Sea
Whatever the drop's philosophy.”

Attar of Nishapur (1145–1230) Persian Sufi poet

As quoted in The Sun at Midnight : The Revealed Mysteries of the Ahlul Bayt Sufis (2003) by Laurence Galian

“People mistake L. Ron Hubbard and his Scientology. They see the apparency, and not the actuality. By design. Scientology does not work as stated; but as intended. As intended by its creator L Ron Hubbard. To keep the Doorway open. To remain in the realm of the Great Beast. To feed the hunger of the Will. His Will. When he emptied the purse of man and the heart of women; it seeks onward and outward. Appetite. Forever appetite. Scientology is the snare. The passion flower. the Cloak of Lights. The glow of power. A power always wanting. Always needing. The Will never satisfied.”

Ronald DeWolf (1934–1991) American critic of Scientology

The Telling of Me, by Me (1981)

“Mathematicians have constructed a very large number of different systems of geometry, Euclidean or non-Euclidean, of one, two, three, or any number of dimensions. All these systems are of complete and equal validity. They embody the results of mathematicians' observations of their reality, a reality far more intense and far more rigid than the dubious and elusive reality of physics. The old-fashioned geometry of Euclid, the entertaining seven-point geometry of Veblen, the space-times of Minkowski and Einstein, are all absolutely and equally real. …There may be three dimensions in this room and five next door. As a professional mathematician, I have no idea; I can only ask some competent physicist to instruct me in the facts.
The function of a mathematician, then, is simply to observe the facts about his own intricate system of reality, that astonishingly beautiful complex of logical relations which forms the subject-matter of his science, as if he were an explorer looking at a distant range of mountains, and to record the results of his observations in a series of maps, each of which is a branch of pure mathematics. …Among them there perhaps none quite so fascinating, with quite the astonishing contrasts of sharp outline and shade, as that which constitutes the theory of numbers.”

G. H. Hardy (1877–1947) British mathematician

"The Theory of Numbers," Nature (Sep 16, 1922) Vol. 110 https://books.google.com/books?id=1bMzAQAAMAAJ p. 381

“Accustom yourself to look first to the dreadful consequences of failure; then fix your eye on the glorious prize which is before you; and when your strength begins to fail, and your spirits are well nigh exhausted, let the animating view rekindle your resolution, and call forth in renewed vigour the fainting energies of your soul.”

William Wilberforce (1759–1833) English politician

“When you do something noble and beautiful and nobody noticed, do not be sad. For the sun every morning is a beautiful spectacle and yet most of the audience still sleeps.”

John Lennon (1940–1980) English singer and songwriter

“To pray is to take notice of the wonder, to regain the sense of the mystery that animates all beings, the divine margin in all attainments. Prayer is our humble answer to the inconceivable surprise of living. It is all we can offer in return for the mystery by which we live. Who is worthy to be present at the constant unfolding of time?”

Abraham Joshua Heschel (1907–1972) Polish-American Conservative Judaism Rabbi

"The Holy Dimension", p. 341
Moral Grandeur and Spiritual Audacity: Essays (1997)