“From the beginning of time,
in childhood, I thought
that pain meant
I was not loved.
It meant I loved.”
Louise Glück (1943–2023) American poet
Source: "First Memory", Ararat (1990)
Source: The Castle of Dark (1978), Chapter 12 “Lir: The Walled Town” (p. 102)
“From the beginning of time,
in childhood, I thought
that pain meant
I was not loved.
It meant I loved.”
Louise Glück (1943–2023) American poet
Source: "First Memory", Ararat (1990)
“None of it meant anything, and all of it was important.”
Sarah Dessen book The Truth About Forever
Source: The Truth About Forever
John Steinbeck book The Pearl
Source: The Pearl (1947), Ch. V
Context: He had said, "I am a man," and that meant certain things to Juana. It meant that he was half insane and half god. It meant that Kino would drive his strength against a mountain and plunge his strength against the sea. Juana, in her woman's soul, knew that the mountain would stand while the man broke himself; that the sea would surge while the man drowned in it. And yet it was this thing that made him a man, half insane and half god, and Juana had need of a man; she could not live without a man. Although she might be puzzled by these differences between man and woman, she knew them and accepted them and needed them. Of course she would follow him, there was no question of that. Sometimes the quality of woman, the reason, the caution, the sense of preservation, could cut through Kino's manness and save them all.
“don't be ashamed of
anything; I guess God meant it all
like
locks on
doors.”
Charles Bukowski (1920–1994) American writer
“My pain is constant and sharp… this confession has meant nothing”
Bret Easton Ellis book American Psycho
Source: American Psycho
Audre Lorde (1934–1992) writer and activist
"The Uses of Anger"
Sister Outsider: Essays and Speeches (1984)
George MacDonald (1824–1905) Scottish journalist, novelist
The Fantastic Imagination (1893)
Context: "But a man may then imagine in your work what he pleases, what you never meant!"
Not what he pleases, but what he can. If he be not a true man, he will draw evil out of the best; we need not mind how he treats any work of art! If he be a true man, he will imagine true things: what matter whether I meant them or not? They are there none the less that I cannot claim putting them there! One difference between God's work and man's is, that, while God's work cannot mean more than he meant, man's must mean more than he meant. For in everything that God has made, there is layer upon layer of ascending significance; also he expresses the same thought in higher and higher kinds of that thought: it is God's things, his embodied thoughts, which alone a man has to use, modified and adapted to his own purposes, for the expression of his thoughts; therefore he cannot help his words and figures falling into such combinations in the mind of another as he had himself not foreseen, so many are the thoughts allied to every other thought, so many are the relations involved in every figure, so many the facts hinted in every symbol. A man may well himself discover truth in what he wrote; for he was dealing all the time with things that came from thoughts beyond his own.
“Trust God that you are exactly where you are meant to be.”
Teresa of Ávila (1515–1582) Roman Catholic saint
“To be right with God has often meant to be in trouble with men.”
Aiden Wilson Tozer (1897–1963) American missionary
Source: Man: The Dwelling Place of God (1992), p. 114.