
Mont Saint Michel and Chartres (1904)
Podcast Series 1 Episode 5
On Life
Mont Saint Michel and Chartres (1904)
Four Saints in Three Acts (1927)
Operas and Plays (1932)
Source: Everybody’s Autobiography (1937), Ch.3
“Saint Claire, the patron saint of the kick-me sign.”
Source: The Dead Girls' Dance
Matthew Stewart, The Courtier and the Heretic (2006)
Context: According to the seventeenth-century way of thinking, an atheist was by definition a decadent. If there was no God (or, at least, no providential, rewarding-and-punishing God of the sort worshipped in all the traditional religions), the reasoning went, then everything is permitted. So a non-beliver would be expected to indulge in all manner of sensual stimulation... to lie, cheat, and steal...
Spinoza, according to all seventeenth-century interpreters, rejected all the traditional ideas about God; he was indesputably a heretic. Yet his manner of living was humble and apparently free of vice. Then, as now, the philosopher seemed a living oxymoron: he was an ascetic sensualist, a spiritual materialist, a sociable hermit, a secular saint. How could his life have been so good, the critics asked, when his philosophy was so bad?<!--p.73
“To know to know to love her so.
Four saints prepare for saints.”
Four Saints in Three Acts (1927)
Operas and Plays (1932)
“A saint is a sinner who loves; it's that simple!”
Attributed to Catherine Doherty in Inflamed by Love by Jean Fox
Attributed