“Men! Dead or alive, they could be exactly the same.”
Source: Dead Reckoning
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Charlaine Harris 128
American writer 1951Related quotes

Death-And After http://books.google.co.in/books?id=0tIQ-MGW6F8C&pg=PA19, p. 19

On Literature, Revolution, Entropy and Other Matters (1923)
Context: It is an error to divide people into the living and the dead: there are people who are dead-alive, and people who are alive-alive. The dead-alive also write, walk, speak, act. But they make no mistakes; only machines make no mistakes, and they produce only dead things. The alive-alive are constantly in error, in search, in questions, in torment.
The same is true of what we write: it walks and it talks, but it can be dead-alive or alive-alive. What is truly alive stops before nothing and ceaselessly seeks answers to absurd, "childish" questions. Let the answers be wrong, let the philosophy be mistaken — errors are more valuable than truths: truth is of the machine, error is alive; truth reassures, error disturbs. And if answers be impossible of attainment, all the better! Dealing with answered questions is the privilege of brains constructed like a cow's stomach, which, as we know, is built to digest cud.

“If I could predict what my day would exactly look like, I would feel a little bit dead.”
Source: Antifragile: Things That Gain from Disorder (2012), p. 63

Source: From an interview with VIBE, " Caught Up http://books.google.co.uk/books?id=hSYEAAAAMBAJ&pg=PA68&lpg=PA68&dq=%22It+can+never+be+bad+to+have+a+foundation+as+a+man%22+usher&source=bl&ots=znEcU5UzFB&sig=nSA9TRsN-0VmlAwizQ_1eicZRP0&hl=en&sa=X&ei=ow81T8e2JOet0QWamd2xAg&ved=0CCUQ6AEwAQ#v=onepage&q=%22It%20can%20never%20be%20bad%20to%20have%20a%20foundation%20as%20a%20man%22%20usher&f=false" (July 2008), p. 65-71.

“The live dead-man is dead as a producer and alive insofar as he consumes”
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Saint Genet, Actor and Martyr (1952)

“A dead man in Spain is more alive than a dead man anywhere in the world.”
Un muerto en España está más vivo como muerto que en ningún sitio del mundo.
"Theory and Play of the Duende" from A Poet in New York (1940)