Mark Rothko (1903–1970) American painter
Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 142
after 1970, posthumous
Rothko, explaining Seitz his new way of painting during the mid-1940s
Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 142
after 1970, posthumous
Mark Rothko (1903–1970) American painter
Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 142
after 1970, posthumous
Helen Frankenthaler (1928–2011) American artist
Quote on the birth of a title of her art-work 'Jacob's Ladder'; from: MoMA Highlights, New York, The Museum of Modern Art, revised 2004, originally published in 1999, p. 219 http://www.moma.org/collection/object.php?object_id=78722 <br class="br">1990s - 2000s
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Boisgeloup, winter 1934
Richard Friedenthal, (1963, p. 258)
Quotes, 1930's, "Conversations avec Picasso," 1934–35
Fidel Castro (1926–2016) former First Secretary of the Communist Party and President of Cuba
On Jesus Christ, as quoted in Fidel and Religion (1985) by Frei Betto
Ezra Pound (1885–1972) American Imagist poet and critic
Addendum for C
Drafts and Fragments of Cantos CX-CXVII
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Boisgeloup, winter 1934
Richard Friedenthal, (1963, pp. 257-258).
Quotes, 1930's, "Conversations avec Picasso," 1934–35
Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher
On Poesy or Art (1818)
Daniel Abraham (1969) speculative fiction writer from the United States
Source: Leviathan Wakes (2011), Chapter 2 (p. 21)
Henry R. Towne (1844–1924) American engineer
Source: "The Engineer as an Economist," 1886, p. 428; Lead paragraph
Self cited in: Henry R. Towne in Foreword to the 1911 editions of: F.W. Taylor Shop management; a paper read before the American society of mechanical engineers New York. 1903/1911.
Context: The monogram of our national initials, which is the symbol for our monetary unit, the dollar, is almost as frequently conjoined to the figures of an engineer's calculations as are the symbols indicating feet, minutes, pounds, or gallons. The final issue of his work, in probably a majority of cases, resolves itself into a question of dollars and cents, of relative or absolute values. This statement, while true in regard to the work of all engineers, applies particularly to that of the mechanical engineer, for the reason that his functions, more frequently than in the case of others, include the executive duties of organizing and superintending the operations of industrial establishments, and of directing the labor of the artisans whose organized efforts yield the fruition of his work.