“The thing about writing in America—and I just recently understood this—is that writers in America have an arc. You enter writing as a career, you expect to be successful, and really it’s the wrong thing. It’s not a profession. A professional writer is a joke. You write because you can’t do anything else, and then you have another job. I’m always telling my students go to law school or become a doctor, do something, and then write. First of all you should have something to write about, and you only have something to write about if you do something. If you just sit there, and you’re a writer, you’re bound to write crap. A lot of American writing is crap. And a lot of American writers are professionals. Writing is not a profession. It’s a calling. It’s almost holy…”
On her views of writing in “Jamaica Kincaid: Does Truth Have a Tone?” https://www.guernicamag.com/does-truth-have-a-tone/ in Guernica (2013 Jun 17)
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Jamaica Kincaid 13
Antiguan-American novelist, essayist, gardener, and gardeni… 1949Related quotes
“You don't write because you want to say something, you write because you have something to say.”
Notebook E: Epigrams, Wisecracks, and Jokes https://books.google.com/books?id=NIhKY8SpAE4C&q=%22You%20don%27t%20write%20because%20you%20want%20to%20say%20something%3B%20you%20write%20because%20you%27ve%20got%20something%20to%20say.%22&pg=PA123#v=onepage, edited by Edmund Wilson (1945)
Quoted, The Crack-Up (1936)
On how he became a writer in “An Interview with Dany Laferrière” https://www.wordswithoutborders.org/dispatches/article/an-interview-with-dany-laferriere-jessie-chaffee (WWB Daily, 2016)
On why she revisits certain themes in “AN INTERVIEW WITH CELESTE NG, THE 2018 INDEPENDENT BOOKSTORE DAY AMBASSADOR” https://bookriot.com/2018/04/27/celeste-ng-interview/ in BookRiot (2018 Apr 27)
“If you can't write a decent short story because of the cold, write something else. Write anything.”
The Daring Young Man on the Flying Trapeze (1934), A Cold Day
Context: If you can't write a decent short story because of the cold, write something else. Write anything. Write a long letter to somebody.
The Paris Review interview (2010)
Context: Three things are in your head: First, everything you have experienced from the day of your birth until right now. Every single second, every single hour, every single day. Then, how you reacted to those events in the minute of their happening, whether they were disastrous or joyful. Those are two things you have in your mind to give you material. Then, separate from the living experiences are all the art experiences you’ve had, the things you’ve learned from other writers, artists, poets, film directors, and composers. So all of this is in your mind as a fabulous mulch and you have to bring it out. How do you do that? I did it by making lists of nouns and then asking, What does each noun mean? You can go and make up your own list right now and it would be different than mine. The night. The crickets. The train whistle. The basement. The attic. The tennis shoes. The fireworks. All these things are very personal. Then, when you get the list down, you begin to word-associate around it. You ask, Why did I put this word down? What does it mean to me? Why did I put this noun down and not some other word? Do this and you’re on your way to being a good writer. You can’t write for other people. You can’t write for the left or the right, this religion or that religion, or this belief or that belief. You have to write the way you see things.
