“I do this not selfishly, but humbly and truly. It is alike your interest, and mine, and all men's, however long we have dwelt in lies, to live in truth.”
1840s, Essays: First Series (1841), Self-Reliance
Context: I must be myself. I cannot break myself any longer for you, or you. If you can love me for what I am, we shall be the happier. If you cannot, I will still seek to deserve that you should. I will not hide my tastes or aversions. I will so trust that what is deep is holy, that I will do strongly before the sun and moon whatever inly rejoices me, and the heart appoints. If you are noble, I will love you; if you are not, I will not hurt you and myself by hypocritical attentions. If you are true, but not in the same truth with me, cleave to your companions; I will seek my own. I do this not selfishly, but humbly and truly. It is alike your interest, and mine, and all men's, however long we have dwelt in lies, to live in truth. Does this sound harsh to-day? You will soon love what is dictated by your nature as well as mine, and, if we follow the truth, it will bring us out safe at last.
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Ralph Waldo Emerson 727
American philosopher, essayist, and poet 1803–1882Related quotes

“If men are really humble, they will realize that they discover, but do not create, truth.”

“However you make your living is where your talent lies.”
"The Snows of Kilimanjaro," first published in Esquire (August 1936); later published in The Fifth Column and the First Forty-Nine Stories (1938)
“My truths do not last long in me, not as long as those that are not mine.”
Mis verdades duran poco en mí: menos que las ajenas.
Voces (1943)

“Truth sits upon the lips of dying men,
And falsehood, while I lived, was far from mine.”
"Sohrab and Rustum" (1853), lines 656-657

"Talk to an Art-Union (A Brooklyn fragment)" http://www.aol.bartleby.com/229/4011.html (1839); later delivered as a lecture at the Brooklyn Art Union (31 March 1851) and printed in the Brooklyn Daily Advertizer (3 April 1851)
Context: It is a beautiful truth that all men contain something of the artist in them. And perhaps it is the case that the greatest artists live and die, the world and themselves alike ignorant what they possess. Who would not mourn that an ample palace, of surpassingly graceful architecture, fill’d with luxuries, and embellish’d with fine pictures and sculpture, should stand cold and still and vacant, and never be known or enjoy’d by its owner? Would such a fact as this cause your sadness? Then be sad. For there is a palace, to which the courts of the most sumptuous kings are but a frivolous patch, and, though it is always waiting for them, not one of its owners ever enters there with any genuine sense of its grandeur and glory.
I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.

Excerpt from the foreword in Girl Boss: Running the Show Like the Big Chicks, by Stacy Kravetz (1999)
1990s
Context: Another miraculous result of playing Scully has been all the incredible young women I have been blessed to meet along the way--women who have shared that they have received strength from Scully, that because of Scully's strength they have been afraid but done it anyway. These have been women from all walks of life: women from low-income neighborhoods who have persevered despite all odds to study hard and pursue their dreams, enabling them to enter into better schools and work environments; women who have illness and physical challenges who have gotten better and stronger because they believe they can. I truly believe that we can overcome any hurdle that lies before us and create the life we want to live. I have seen it happen time and time again.