
Part 1: "From Rockaway to MIT", "String Beans", p. 25
Surely You're Joking, Mr. Feynman! (1985)
As quoted in Durrell: The Authorised Biography (1999) http://books.google.com/books?id=iyRFAAAAYAAJ&q="Look+at+it+this+way+Anyone+who+has+got+any+pleasure+at+all+from+living+should+try+to+put+something+back+life+is+like+a+superlative+meal+and+the+world+is+the+maitre+d'hotel+What+I+am+doing+is+the+equivalent+of+leaving+a+reasonable+tip"Gerald by Douglas Botting
Context: A sparrow can be as interesting as a bird of paradise, the behaviour of a mouse as interesting as that of a tiger. Our planet is beautifully intricate, brimming over with enigmas to be solved and riddles to be unravelled.
Many people think that conservation is just about saving fluffy animals – what they don’t realise is that we’re trying to prevent the human race from committing suicide … We have declared war on the biological world, the world that supports us … At the moment the human race is in the position of a man sawing off the tree branch he is sitting on.
Look at it this way. Anyone who has got any pleasure at all from living should try to put something back. Life is like a superlative meal and the world is the maître d'hôtel. What I am doing is the equivalent of leaving a reasonable tip. … I'm glad to be giving something back because I've been so extraordinarily lucky and had such great pleasure from it.
Part 1: "From Rockaway to MIT", "String Beans", p. 25
Surely You're Joking, Mr. Feynman! (1985)
Source: It's Not Easy Being Green: And Other Things to Consider
Source: What is Philosophy? (1964), pp. 16-17
“We rarely find anyone who can say he has lived a happy life, and who, content with his life, can retire from the world like a satisfied guest.”
Inde fit ut raro, qui se vixisse beatum
dicat et exacto contentus tempore vita
cedat uti conviva satur, reperire queamus.
Satires (c. 35 BC and 30 BC)
Source: Earthsea Books, Tehanu (1990), Chapter 8, "Hawks"
Source: The World As I See It
What Is A Jazz Composer? (1971)
Context: Now, whether there is feeling or not depends upon what your environment or your association is or whatever you may have in common with the player. If you feel empathy for his personal outlook, you naturally feel him musically more than some other environmental and musical opposite who is, in a way. beyond you.
I, myself, came to enjoy the players who didn't only just swing but who invented new rhythmic patterns, along with new melodic concepts. And those people are: Art Tatum, Bud Powell, Max Roach, Sonny Rollins, Lester Young, Dizzy Gillespie and Charles Parker, who is the greatest genius of all to me because he changed the whole era around. But there is no need to compare composers. If you like Beethoven, Bach or Brahms, that's okay. They were all pencil composers. I always wanted to be a spontaneous composer. I thought I was, although no one's mentioned that. I mean critics or musicians. Now, what I'm getting at is that I know I'm a composer. I marvel at composition, at people who are able to take diatonic scales, chromatics, 12-tone scales, or even quarter-tone scales. I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.
L.A. Times 5/1/94, "He Didn't Ask for All This".