“Lying in bed, I abandoned the facts again and was back in Ambrosia.”
Billy Liar (1959), ch. 1
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Keith Waterhouse 6
British writer 1929–2009Related quotes

“Lady Madonna lying on the bed
Listen to the music playing in your head.”

“The happiest part of a man's life is what he passes lying awake in bed in the morning.”

“One does not abandon, even briefly, one's bed of nails, but is attached to it wherever one goes.”
Source: Darkness Visible (1990), VI
Context: There is a region in the experience of pain where the certainty of alleviation often permits superhuman endurance. We learn to live with pain in varying degrees daily, or over longer periods of time, and we are more often than not mercifully free of it. When we endure severe discomfort of a physical nature our conditioning has taught us since childhood to make accommodations to the pain’s demands — o accept it, whether pluckily or whimpering and complaining, according to our personal degree of stoicism, but in any case to accept it. Except in intractable terminal pain, there is almost always some form of relief; we look forward to that alleviation, whether it be through sleep or Tylenol or self-hypnosis or a change of posture or, most often, through the body’s capacity for healing itself, and we embrace this eventual respite as the natural reward we receive for having been, temporarily, such good sports and doughty sufferers, such optimistic cheerleaders for life at heart.
In depression this faith in deliverance, in ultimate restoration, is absent. The pain is unrelenting, and what makes the condition intolerable is the foreknowledge that no remedy will come — not in a day, an hour, a month, or a minute. If there is mild relief, one knows that it is only temporary; more pain will follow. It is hopelessness even more than pain that crushes the soul. So the decision-making of daily life involves not, as in normal affairs, shifting from one annoying situation to another less annoying — or from discomfort to relative comfort, or from boredom to activity — but moving from pain to pain. One does not abandon, even briefly, one's bed of nails, but is attached to it wherever one goes.

"The Absolute Collective", an essay first published in The Criterion on The Absolute Collective : A Philosophical Attempt to Overcome Our Broken State by Erich Gutkind, as translated by Marjorie Gabain
The Wisdom of the Heart (1941)
Context: All about us we see a world in revolt; but revolt is negative, a mere finishing-off process. In the midst of destruction we carry with us also our creation, our hopes, our strength, our urge to be fulfilled. The climate changes as the wheel turns, and what is true for the sidereal world is true for man. The last two thousand years have brought about a duality in man such as he never experienced before, and yet the man who dominates this whole period was one who stood for wholeness, one who proclaimed the Holy Ghost. No life in the whole history of man has been so misinterpreted, so woefully misunderstood as Christ's. If not a single Man has shown himself capable of following the example of Christ, and doubtless none ever will for we shall no longer have need of Christs, nevertheless this one profound example has altered our climate. Unconsciously we are moving into a new realm of being; what we have brought to perfection, in our zeal to escape the true reality, is a complete arsenal of destruction; when we have rid ourselves of the suicidal mania for a beyond we shall begin the life of here and now which is reality and which is sufficient unto itself. We shall have no need for art or religion because we shall be in ourselves a work of art. This is how I interpret realistically what Gutkind has set forth philosophically; this is the way in which man will overcome his broken state. If my statements are not precisely in accord with the text of Gutkind's thesis, I nevertheless am thoroughly in accord with Gutkind and his view of things. I have felt it my duty not only to set forth his doctrine, but to launch it, and in launching it to augment it, activate it. Any genuine philosophy leads to action and from action back again to wonder, to the enduring fact of mystery. I am one man who can truly say that he has understood and acted upon this profound thought of Gutkind's —“the stupendous fact that we stand in the midst of reality will always be something far more wonderful than anything we do."
“Dismissing the whole thing as the world’s aberration and not mine, I went back to bed.”
Part 2, Chapter 8 (p. 25)
Fiction, The Female Man (1975)