“[I am searching] pure expression of that incomprehensible power, which works universally.”

1910's, Natural Reality and Abstract Reality', 1919

"The Summing Up: Meredith Dawe," Do What You Will (1970)

Also quoted in "Conversations with Samuel Beckett and Bram van Velde by Charles Juliet" by Nicholas Lezard, in The Guardian (23 January 2010) http://www.theguardian.com/books/2010/jan/23/conversations-samuel-beckett-van-velde
Three Dialogues (1949)

The Origins of Art (1966)
Other Quotes
Context: What I am searching for... is some formula that would combine individual initiative with universal values, and that combination would give us a truly organic form. Form, which we discover in nature by analysis, is obstinately mathematical in its manifestations—which is to say that creation in art requires thought and deliberation. But this is not to say that form can be reduced to a formula. In every work of art it must be re-created, but that too is true of every work of nature. Art differs from nature not in its organic form, but in its human origins: in the fact that it is not God or a machine that makes a work of art, but an individual with his instincts and intuitions, with his sensibility and his mind, searching relentlessly for the perfection that is neither in mind nor in nature, but in the unknown. I do not mean this in an other-worldly sense, only that the form of the flower is unknown to the seed.

Visions
Context: One Pentecost at dawn I had a vision. Matins were being sung in the church and I was there. And my heart and my veins and all my limbs trembled and shuddered with desire. And I was in such a state as I had been so many times before, so passionate and so terribly unnerved that I thought I should not satisfy my Lover and my Lover not fully gratify me, then I would have to desire while dying and die while desiring. At that time I was so terribly unnerved with passionate love and in such pain that I imagined all my limbs breaking one by one and all my veins were separately in tortuous pain. The state of desire in which I then was cannot be expressed by any words or any person that I know. And even that which I could say of it would be incomprehensible to all who hadn't confessed this love by means of acts of passion and who were not known by Love. This much I can say about it: I desired to consummate my Lover completely and to confess and to savour in the fullest extent--to fulfil his humanity blissfully with mine and to experience mine therein, and to be strong and perfect so that I in turn would satisfy him perfectly: to be purely and exclusively and completely virtuous in every virtue. And to that end I wished, inside me, that he would satisfy me with his Godhead in one spirit (1 Cor 6:17) and he shall be all he is without restraint. For above all gifts I could choose, I choose that I may give satisfaction in all great sufferings. For that is what it means to satisfy completely: to grow to being god with God. For it is suffering and pain, sorrow and being in great new grieving, and letting this all come and go without grief, and to taste nothing of it but sweet love and embraces and kisses. Thus I desired that God should be with me so that I should be fulfilled together with him.

Preface, p. 7-8
1910s, Art, 1912

Source: Aphorisms and Reflections (1901), p. 172

Breakfast of Champions (1973)
Context: It was Trout’s fantasy that somebody would be outraged by the footprints. This would give him the opportunity to reply grandly, "What is it that offends you so? I am simply using man’s first printing press. You are reading a bold and universal headline which says,'I am here, I am here, I am here.'"

From Diplomacy and Art http://diplomatartist.com/diplomacy-art/, a contributer article for Diplomat Artist, October 10, 2015