
Source: The End of Faith: Religion, Terror, and the Future of Reason
Stanza 13
The Cotter's Saturday Night (1786)
Source: The End of Faith: Religion, Terror, and the Future of Reason
(2nd October 1824) The Glen
The London Literary Gazette, 1824
“In my opinion, no feminism worthy of the name is not methodologically post-marxist.”
"Desire and Power: A Feminist Perspective" (1983), p. 60
Feminism Unmodified: Discourses on Life and Law (1987)
“There is no sociology worthy of the name which does not possess a historical character.”
Émile Durkheim, Debate on Explanation in History and Sociology (1908).
“There solid billows of enormous size,
Alps of green ice, in wild disorder rise.”
Epistle: "To the Earl of Dorset" (1709), line 21.
“Rise again
Rise again
That her name not be lost to the knowledge of men.”
The Mary Ellen Carter (1979)
Shane MacThomais, "90th Anniversary Commemoration Booklet 1831-1915" (Parnell Publications, Parnell Sq, Dublin), p. 2
Fiction, The Colour Out of Space (1927)
Context: West of Arkham the hills rise wild, and there are valleys with deep woods that no axe has ever cut. There are dark narrow glens where the trees slope fantastically, and where thin brooklets trickle without ever having caught the glint of sunlight. On the gentle slopes there are farms, ancient and rocky, with squat, moss-coated cottages brooding eternally over old New England secrets in the lee of great ledges; but these are all vacant now, the wide chimneys crumbling and the shingled sides bulging perilously beneath low gambrel roofs. The old folk have gone away, and foreigners do not like to live there. French-Canadians have tried it, Italians have tried it, and the Poles have come and departed. It is not because of anything that can be seen or heard or handled, but because of something that is imagined. The place is not good for imagination, and does not bring restful dreams at night.
“Few bipeds, from Adam's time down, have been worthy of the name of man.”
Peu de bipèdes depuis Adam ont mérité le nom d'homme.
"A Conversation in Innsbruck", p. 114
The Abyss (1968)