
“A fixed point of view becomes possible with print and ends the image as a plastic organism.”
Source: 1960s, The Gutenberg Galaxy (1962), p. 144
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“A fixed point of view becomes possible with print and ends the image as a plastic organism.”
Source: 1960s, The Gutenberg Galaxy (1962), p. 144
Quote of Naum Gabo, 1950; as cited in: Eidos: a journal of painting, sculpture and design. Nr.1, p. 31
1936 - 1977
“Beyond ego, beyond personality, beyond awareness, he moved”
Neuromancer (1984)
Context: He came in steep, fueled by self-loathing. When the Kuang program met the first of the defenders, scattering the leaves of light, he felt the shark thing lose a degree of substantiality, the fabric of information loosening. And then — old alchemy of the brain and its vast pharmacy — his hate flowed into his hands. In the instant before he drove Kuang's sting through the base of the first tower, he attained a level of proficiency exceeding anything he'd known or imagined. Beyond ego, beyond personality, beyond awareness, he moved, Kuang moving with him, evading his attackers with an ancient dance, Hideo's dance, grace of the mind-body interface granted him, in that second, by the clarity and singleness of his wish to die.
The Great Rules of Algebra (1968)
Context: Although a long series of rules might be added and a long discourse given about them, we conclude our detailed consideration with the cubic, others being merely mentioned, even if generally, in passing. For as positio refers to a line, quadratum to the surface, and cubum to a solid body, it would be very foolish for us to go beyond this point. Nature does no permit it.
“It was beyond embarrassing or humiliating or even mortifying. It was ego-slaying!”
Source: Sammy Keyes and the Wild Things
Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 25
1945 - 1970, A Report on the Wall' 1970
NOW interview (2004)
Context: Art has always been my salvation. And my gods are Herman Melville, Emily Dickinson, Mozart. I believe in them with all my heart. And when Mozart is playing in my room, I am in conjunction with something I can't explain — I don't need to. I know that if there's a purpose for life, it was for me to hear Mozart. Or if I walk in the woods and I see an animal, the purpose of my life was to see that animal. I can recollect it, I can notice it. I'm here to take note of. And that is beyond my ego, beyond anything that belongs to me, an observer, an observer.