“They had left him for dead in the middle of a pool of blood in his own bedroom, his belly slit open like gaping barn doors, the hilt of the knife wedged against his sternum. But the only trouble was that he had stayed alive somehow, his life pumping out, managing to knock the telephone off the little table and dial me. Now he was looking up at me with seconds left and all he could do was force out the words, "Mike …there was no reason."”

Survival...Zero! (1970)

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Mickey Spillane59

American writer 1918–2006

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“"Why do you fight?"… He kept his wife, his kid, from dying. That was nothing. Less than nothing. If he had had money, if he could have left it to them, he would have been free to go and get killed. As if the universe had not treated him all his life with kicks in the belly, it now despoiled him of the only dignity he could ever possess — his death.”

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Ewing asked indolently.
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“raking a hand through his hair, he forced his attention to the text she'd left on the coffee table, refusing to dwell on the disconcerting fact that a part of him had taken one look at the lass in such proximity to his bed and said simply: Mine”

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“He realized that Florentine personified this kind of wretched life against which his whole being was in revolt. And in the same moment he understood the feeling that drew him toward her: she was his own poverty, his solitude, his sad childhood, his lonely youth. She was all that he had hated, all that he had left behind him, but also everything that remained intimately linked to him, the most profound part of his nature and the powerful spur of his destiny.”

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“The mirror by the door was not a mirror by the door, it was an altar where he stood for only a moment to put on his cap before going out. The red rocking chair was a rocking of his own hips as he sat in the kitchen. Still, there was nothing of his — his own — that she could find. It was as if she were afraid she had hallucinated him and needed proof to the contrary. His absence was everywhere, stinging everything, giving the furnishings primary colors, sharp outlines to the corners of rooms and gold light to the dust collecting on table tops. When he was there he pulled everything toward himself. Not only her eyes and all her senses but also inanimate things seemed to exist because of him, backdrops to his presence. Now that he had gone, these things, so long subdued by his presence, were glamorized in his wake.”

Toni Morrison book Sula

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“For rhetoric, he could not ope
His mouth, but out there flew a trope;
And when he happen'd to break off
I' th' middle of his speech, or cough,
H' had hard words,ready to show why,
And tell what rules he did it by;”

Samuel Butler (poet) Hudibras

Canto I, line 81
Hudibras, Part I (1663–1664)
Context: For rhetoric, he could not ope
His mouth, but out there flew a trope;
And when he happen'd to break off
I' th' middle of his speech, or cough,
H' had hard words, ready to show why,
And tell what rules he did it by;
Else, when with greatest art he spoke,
You'd think he talk'd like other folk,
For all a rhetorician's rules
Teach nothing but to name his tools.

“All in all he had not done badly out of the war, but the smells of it, the sights of it, and the cries of pain that attended it like the vultures, had sickened and soured him. Yes, he could fight well enough. And kill efficiently. He feared death, like other men, but could put that from his mind in battle, and he was no fool with a sword or knife. But several smoking ruins ago there had come a curious shift inside himself. He had lost his sense of purpose in the war; he supposed because it was not truly his own purpose but that of the King.”

Tanith Lee (1947–2015) British writer

Source: Short fiction, Companions on the Road (1975), Chapter 1, “Avillis” (p. 4)

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Mickey Spillane59

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