“My sense of rhyme used to be more involved in my songwriting than it is… Still staying in the unconscious frame of mind, you can pull yourself out and throw up two rhymes first and work it back. You get the rhymes first and work it back and then see if you can make it make sense in another kind of way. You can still stay in the unconscious frame of mind to pull it off, which is the state of mind you have to be in anyway.”
Bob Dylan: The Song Talk Interview http://www.interferenza.com/bcs/interw/1991zollo.htm by Paul Zollo (1991)
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Bob Dylan 523
American singer-songwriter, musician, author, and artist 1941Related quotes
From the interview «Carlo Prevale: il DJ che trasmette emozioni con le sue canzoni!» http://www.prevale.net/news-and-releases.html, Corriereinformazione.it
Original: (it) [Come nascono le tue song?] Le mie song nascono dal nulla, spontanee, niente di studiato a tavolino, di solito è di notte che l'ispirazione mi porta delle buone idee... magari sono in qualsiasi punto del mio studio e canticchio, canticchio e poi esclamo: "Mmm carino questo motivo...". Se la mattina seguente il motivetto mi rimane in mente allora vuol dire che ha delle potenzialità! Il passo successivo è quello di buttare degli accordi con la tastiera e registrare una demo con la mia voce, sulla quale poi lavorarci tranquillamente.
[How are your songs born?] My songs come out of nothing, spontaneous, nothing studied at the table, usually it is at night that inspiration brings me good ideas ... maybe they are anywhere in my studio and I hum, hum and then exclaim: "Mmm cute this reason ... ".
Source: From the interview by Federico Valenti, «Carlo Prevale: il DJ che trasmette emozioni con le sue canzoni!», Corriereinformazione.it, August 22, 2010; on Prevale.net http://www.prevale.net/news-and-releases.html.
Comedians in Cars Getting Coffee (2012 — Present), Season 3 (2014)
"Haiku and Englyn" in The Toronto Daily Star (4 April 1959), republished in The Enthusiasms of Robertson Davies (1979) edited by Judith Skelton Grant, p. 241.
Source: The Heritage Universe, Resurgence (2002), Chapter 8, “Theories, Theories, Theories” (p. 84)
Alan Moore on Anarchism (2009)
Context: I suppose any form of art can be said to be propaganda for a state of mind. Inevitably, if you are creating a painting, or writing a story, you are making propaganda, in a sense, for the way that you feel, the way that you think, the way that you see the world. You are trying to express your own view of reality and existence, and that is inevitably going to be a political action—especially if your view of existence is too far removed from the mainstream view of existence. Which is how an awful lot of writers have gotten into terrible trouble in the past.
