
“So far I’m not seeing a lot of difference between me and a carnival con-man.”
Source: The Golden Lily
As quoted in the Introduction by Burton H. Wolfe
The Satanic Bible (1969)
“So far I’m not seeing a lot of difference between me and a carnival con-man.”
Source: The Golden Lily
“I wanted the whole thing to sound like a carnival.”
As quoted in in Uncut (July 2008) http://www.uncut.co.uk/the-waterboys/the-making-of-the-waterboys-the-whole-of-the-moon-feature
Context: I recorded "…Moon" on my own with a drum machine, then brought musicians in as they were needed. It's about a person who has a spectacular, meteor-like rise, but burns out or dies young. Though the song ain't about him, the nearest equivalent would be Hendrix. Adding a list of all the things the hero/heroine saw raised the emotional temperature. The final chorus now had an extra fatefulness. To express this I inserted "you came like a comet, blazing your trail", then a "comet", a firework sample from a BBC sound effects record. That sweetly collided with Anthony's sax solo, so that it sounds as if the sax erupts from the comet itself. Magic like that just happens. … The Beatles' "Penny Lane" influenced the trumpet break — the sudden injection of super-fresh, bright and clear horns, a sound of optimism and clarity. Bowie's "Fame" inspired the final descending vocal, thought up and sung by Karl. I wanted the whole thing to sound like a carnival.
Source: An Unquiet Mind: A Memoir of Moods and Madness
“It's a fine line between Saturday night and Sunday morning.”
Book Three, Part I “Snake’s Road”, Chapter 2 (p. 323)
The Birthgrave (1975)
“God put us here on this carnival ride, we close our eyes never knowing where it will take us next.”
From the booklet of Carnival Ride.
“The economic game is not supposed to be rigged like some shady ring toss on a carnival midway.”
[Pigs at the Trough, 1st edition, 2003, Crown Publishers, New York, ISBN 1-4000-4771-4, unspecified page, unspecified chapter]