“To say that a poet is justified in employing a disintegrating form in order to express a feeling of disintegration, is merely a sophistical justification for bad poetry, akin to the Whitmanian notion that one must write loose and sprawling poetry to 'express' the loose and sprawling American continent. In fact, all feeling, if one gives oneself (that is, one's form) up to it, is a way of disintegration; poetic form is by definition a means to arrest the disintegration and order the feeling; and in so far as any poetry tends toward the formless, it fails to be expressive of anything.”

— Yvor Winters

The Influence of Meter on Poetic Convention, Section V : The Heroic Couplet and its Recent Rivals
Primitivism and Decadence : A Study of American Experimental Poetry (1937)

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Yvor Winters12

American poet and literary critic 1900–1968

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