“An original artist is unable to copy. So he has only to copy in order to be original.”

—  Jean Cocteau

Le Coq et l’Arlequin (1918)

Adopted from Wikiquote. Last update June 3, 2021. History

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Jean Cocteau photo
Jean Cocteau 123
French poet, novelist, dramatist, designer, boxing manager … 1889–1963

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“We don't even have copies of the copies of the originals, or copies of the copies of the copies of the originals. What we have are copies made later—much later.”

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Context: It is one thing to say that the originals were inspired, but the reality is that we don't have the originals—so saying they were inspired doesn't help me much, unless I can reconstruct the originals. Moreover, the vast majority of Christians for the entire history of the church have not had access to the originals, making their inspiration something of a moot point. Not only do we not have the originals, we don't have the first copies of the originals. We don't even have copies of the copies of the originals, or copies of the copies of the copies of the originals. What we have are copies made later—much later. In most instances, they are copies made many centuries later. And these copies all differ from one another, in many thousands of places. As we will see later in this book, these copies differ from one another in so many places that we don't even know how many differences there are. Possibly it is easiest to put it in comparative terms: there are more differences among our manuscripts than there are words in the New Testament.

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“History, it is easily perceived, is a picture-gallery containing a host of copies and very few originals.”

Original text: On voit que l'histoire est une galerie de tableaux où il y a peu d'originaux et beaucoup de copies.
Variant translation: History is a gallery of pictures in which there are few originals and many copies.
Old Regime (1856), p. 88 http://books.google.com/books?id=N50aibeL8BAC&pg=PA88&vq=%22history,+it+is+easily+perceived%22&source=gbs_search_r&cad=1_1
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“The present age… prefers the sign to the thing signified, the copy to the original, fancy to reality, the appearance to the essence… for in these days illusion only is sacred, truth profane.”

Aber freilich für diese Zeit, welche das Bild der Sache, die Kopie dem Original, die Vorstellung der Wirklichkeit, den Schein dem Wesen vorzieht … denn heilig ist ihr nur die Illusion, profan aber die Wahrheit.
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“Bad artists copy. Good artists steal.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Compare: "Immature poets imitate; mature poets steal." T. S. Eliot, in Philip Massinger, in The Sacred Wood (1920)
Disputed
Variant: Good artists copy, great artists steal.

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“Good artists copy; great artists steal.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

This is a favorite phrase of Jobs, but he is (mis)quoting Pablo Picasso. "Lesser artists borrow; great artists steal" is similarly attributed to Igor Stravinsky, but both sayings may well originate in T. S. Eliot's dictum http://en.wikisource.org/wiki/The_Sacred_Wood/Philip_Massinger: "Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different. The good poet welds his theft into a whole of feeling which is unique, utterly different than that from which it is torn."
Misattributed

Pablo Picasso photo

“Good artists copy, great artists steal.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Compare: "Immature poets imitate; mature poets steal." T. S. Eliot, in Philip Massinger, in The Sacred Wood (1920)
Disputed

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