Source: No One Belongs Here More Than You
The Great Movies II (2005), p. 94
Context: It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness.
Because he was funny, because he wore a porkpie had, Keaton's physical skills are often undervalued … no silent star did more dangerous stunts than Buster Keaton. Instead of using doubles, he himself doubled for his actors, doing their stunts as well as his own.
Being with You (1981)
Song lyrics, Solo
Love in a Village (1762), Act i, scene 2. Compare: "If naebody care for me, I'll care for naebody", Robert Burns, I hae a Wife o' my Ain; "I envy none, no, no, not I, And no one envies me", Charles Mackay, The King and the Miller.
"How Am I Different"
Song lyrics, Bachelor No. 2 or, the Last Remains of the Dodo (2000)
