Elvis Costello citations

Elvis Costello est un auteur-compositeur-interprète anglais d'origine irlandaise.

Elvis Costello est l'un des premiers membres de la scène Pub rock — apparue au milieu des années 1970 — et a été plus tardivement associé aux mouvements punk rock et new wave, avant de s'affirmer comme artiste véritablement original à partir des années 1980. Artiste éclectique, un critique a écrit à son sujet : « Costello, encyclopédie vivante de la Pop, peut réinventer le passé à sa propre image ».

Costello a remporté de nombreuses récompenses au cours de sa carrière, notamment un Grammy Award, et a été nommé deux fois aux Brit Awards dans la catégorie du meilleur chanteur. En 2003, Elvis Costello and the Attractions ont été acceptés dans le Rock and Roll Hall of Fame. En 2004, Rolling Stone a mis Costello à la 80e place de sa liste des 100 plus grands artistes de tous les temps. Wikipedia  

✵ 25. août 1954
Elvis Costello photo
Elvis Costello: 47   citations 0   J'aime

Elvis Costello: Citations en anglais

“What's so funny 'bout Peace, Love, & Understanding?”

Though Costello's cover became a hit, "(What's So Funny 'Bout) Peace, Love, and Understanding", was actually written by Nick Lowe.
Misattributed
Contexte: As I walk through
This wicked world
Searchin' for light in the darkness of insanity,
I ask myself
Is all hope lost?
Is there only pain and hatred, and misery?
And each time I feel like this inside,
There's one thing I wanna know:
What's so funny 'bout Peace, Love, & Understanding?

“Obviously the people that I admired, like the Beatles, were really into rock'n'roll, but it was already a little past rock'n'roll when I started listening and making my own choices about music.”

dig interview (2004)
Contexte: Obviously the people that I admired, like the Beatles, were really into rock'n'roll, but it was already a little past rock'n'roll when I started listening and making my own choices about music. I've been lucky to listen to lots of different types of music.

“I kind of liked the dare of it. Of course we weren't to know that within a month of my first album actually being issued Elvis Presley would die, and it would actually be a talking point. … Let me put it this way — people don't forget you with that name.”

On using the name "Elvis" as a stage name in The First 10 Years Podcast Series http://www.elviscostello.com/media.aspx - Episode Two
Contexte: I had a lot of problems with my name … my first name Declan is really not very well known outside of Ireland, MacManus is a name they could never spell... if you think about the names of '76, '77 … I got off kind of lightly — with a name you could live with, you know, in time. … I kind of liked the dare of it. Of course we weren't to know that within a month of my first album actually being issued Elvis Presley would die, and it would actually be a talking point. … Let me put it this way — people don't forget you with that name. It's sort of receded as — and this may sound terribly disrespectful and heretical — but as Elvis Presley has receded as a musical force, people make much less of a case about it. Elvis is a sort of cultural figure but there is no direct line between the music of Elvis Presley and the music of today. There is none whatsoever, he's no influence whatsoever, that I can detect, on music made today. Other than people who consciously retro in styling themselves after his ideas. There is no direct impact in the way that you can hear the influence of The Beatles or Stevie Wonder or numerous other people.

“Oh I used to be disgusted
and now I try to be amused.”

(The Angels Wanna Wear My) Red Shoes
Song lyrics, My Aim Is True (1977)
Contexte: Oh I used to be disgusted
and now I try to be amused.
But since their wings have got rusted,
you know, the angels wanna wear my red shoes.

“There's always something that's smoldering somewhere”

The Other End (of the Telescope), written by Elvis Costello and Aimee Mann
Song lyrics, All This Useless Beauty (1996)
Contexte: There's always something that's smoldering somewhere
I know it don't make a difference to you
But oh! It sure made a difference to me
You'll see me off in the distance, I hope
At the other end
At the other end of the telescope.

“I had a lot of problems with my name … my first name Declan is really not very well known outside of Ireland, MacManus is a name they could never spell …”

On using the name "Elvis" as a stage name in The First 10 Years Podcast Series http://www.elviscostello.com/media.aspx - Episode Two
Contexte: I had a lot of problems with my name … my first name Declan is really not very well known outside of Ireland, MacManus is a name they could never spell... if you think about the names of '76, '77 … I got off kind of lightly — with a name you could live with, you know, in time. … I kind of liked the dare of it. Of course we weren't to know that within a month of my first album actually being issued Elvis Presley would die, and it would actually be a talking point. … Let me put it this way — people don't forget you with that name. It's sort of receded as — and this may sound terribly disrespectful and heretical — but as Elvis Presley has receded as a musical force, people make much less of a case about it. Elvis is a sort of cultural figure but there is no direct line between the music of Elvis Presley and the music of today. There is none whatsoever, he's no influence whatsoever, that I can detect, on music made today. Other than people who consciously retro in styling themselves after his ideas. There is no direct impact in the way that you can hear the influence of The Beatles or Stevie Wonder or numerous other people.

“Nonsense prevails, modesty fails
Grace and virtue turn into stupidity”

All This Useless Beauty
Song lyrics, All This Useless Beauty (1996)
Contexte: Nonsense prevails, modesty fails
Grace and virtue turn into stupidity
While the calendar fades almost all barricades to a pale compromise
And our leaders have feasts on the backsides of beasts
They still think they're the gods of antiquity
If something you missed didn't even exist
It was just an ideal — is it such a surprise?

“With all the will in the world
Diving for dear life
When we could be diving for pearls.”

Shipbuilding, written by Elvis Costello and Clive Langer
Song lyrics, Punch the Clock (1983)
Contexte: The boy said 'Dad they're going to take me to task
But I'll be back by Christmas'
It's just a rumour that was spread around town
Somebody said that someone got filled in
For saying that people get killed in
The result of this shipbuilding
With all the will in the world
Diving for dear life
When we could be diving for pearls.

“Obviously, when I started out, I had a little bit more curiosity than some”

dig interview (2004)
Contexte: Obviously, when I started out, I had a little bit more curiosity than some, and went seeking out the original artists, or in some cases searching up country music. I followed The Byrds a lot, and then when they did a country styled record it made me curious to know who these people were that they liked.

“As I walk through
This wicked world
Searchin' for light in the darkness of insanity,
I ask myself
Is all hope lost?”

Though Costello's cover became a hit, "(What's So Funny 'Bout) Peace, Love, and Understanding", was actually written by Nick Lowe.
Misattributed
Contexte: As I walk through
This wicked world
Searchin' for light in the darkness of insanity,
I ask myself
Is all hope lost?
Is there only pain and hatred, and misery?
And each time I feel like this inside,
There's one thing I wanna know:
What's so funny 'bout Peace, Love, & Understanding?

“The first song that most people picked up on, particularly in America, of mine, was a ballad, not a rock'n'roll song.”

dig interview (2004)
Contexte: The first song that most people picked up on, particularly in America, of mine, was a ballad, not a rock'n'roll song. It was 'Alison', and that's an R&B ballad. I don't think there's any other way to describe it.

“My sense of history in music is much greater than a lot of people's.”

dig interview (2004)
Contexte: My sense of history in music is much greater than a lot of people's. I listen a lot further back in the whole history of music. It's not just pop music of the last 20, 30, 40, 50 years. I'm listening to stuff from hundreds of years ago as well, because you can learn from everything.

“I don't feel any form of music is beyond me in the sense of that I don't understand it or I don't have some love for some part of it.”

dig interview (2004)
Contexte: I don't feel any form of music is beyond me in the sense of that I don't understand it or I don't have some love for some part of it. And if there's something in it that I can respond to, then there's something that I might be able to use as a composer. There are records of mine that have had smaller audiences and have provoked really drastic responses from people — particularly from critics — who maybe don't have quite enough time to live with the record or accept that a piece has its own integrity.

“You'll see me off in the distance, I hope
At the other end
At the other end of the telescope.”

The Other End (of the Telescope), written by Elvis Costello and Aimee Mann
Song lyrics, All This Useless Beauty (1996)
Contexte: There's always something that's smoldering somewhere
I know it don't make a difference to you
But oh! It sure made a difference to me
You'll see me off in the distance, I hope
At the other end
At the other end of the telescope.

“Sometimes you confuse me with Santa Claus
It's the big white beard I suppose.”

God's Comic YouTube video http://www.youtube.com/watch?v=N0N6TfU54o8
Song lyrics, Spike (1989)
Contexte: While you lie in the dark, afraid to breathe and
you beg and you promise
And you bargain and you plead
Sometimes you confuse me with Santa Claus
It's the big white beard I suppose.
Im going up to the pole, where you folks die of cold
I might be gone for a while if you need me.

“Writing about music is like dancing about architecture — it's a really stupid thing to want to do.”

This has commonly been paraphrased "Talking about music is like dancing about architecture." More info at "Alan P. Scott : Talking about music..." http://home.pacifier.com/~ascott/they/tamildaa.htm Also, Costello has denied http://quoteinvestigator.com/2010/11/08/writing-about-music/ having coined this, in an interview in Q magazine, tentatively attributing the quote instead to Martin Mull.
Misattributed

“Now I just don't know who to tell to go to hell
Who put the old devil in the distorted angel?”

Distorted Angel
Song lyrics, All This Useless Beauty (1996)

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