“A poet is, before anything else, a person who is passionately in love with language.”
Squares and Oblongs, in Poets at Work (1948), p. 170
“A poet is, before anything else, a person who is passionately in love with language.”
Squares and Oblongs, in Poets at Work (1948), p. 170
Assessing St. Augustine's perspectives in "Augustus to Augustine", p. 37
Forewords and Afterwords (1973)
Context: Man … always acts either self-loving, just for the hell of it, or God-loving, just for the heaven of it; his reasons, his appetites are secondary motivations. Man chooses either life or death, but he chooses; everything he does, from going to the toilet to mathematical speculation, is an act of religious worship, either of God or of himself.
Lastly by the classical apotheosis of Man-God, Augustine opposes the Christian belief in Jesus Christ, the God-Man. The former is a Hercules who compels recognition by the great deeds he does in establishing for the common people in the law, order and prosperity they cannot establish for themselves, by his manifestation of superior power; the latter reveals to fallen man that God is love by suffering, i. e. by refusing to compel recognition, choosing instead to be a victim of man's self-love. The idea of a sacrificial victim is not new; but that it should be the victim who chooses to be sacrificed, and the sacrificers who deny that any sacrifice has been made, is very new.
Source: Spain (1937), Lines 81–92
As I Walked Out One Evening (1937)
"Notes on the Comic", p. 372
The Dyer's Hand, and Other Essays (1962)
"Hic et Ille", p. 104
The Dyer's Hand, and Other Essays (1962)
First published in book form in Look, Stranger! (1936; US title On this Island)
Source: Autumn Song (1936), Lines 17–20
Source: September 1, 1939 (1939), Lines 62–66
Lay your sleeping head, my love (1937), lines 1–2, written January 1937; also known as Lullaby.
Source: September 1, 1939 (1939), Lines 78–88; for a 1955 anthology text the poet changed this line to "We must love one another and die" to avoid what he regarded as a falsehood in the original.
After Reading a Child's Guide to Modern Physics (1961), lines 9–16