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Vitruvius Quotes
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Marcus Vitruvius Pollio , commonly known as Vitruvius, was a Roman author, architect, civil engineer and military engineer during the 1st century BC, known for his multi-volume work entitled De architectura. His discussion of perfect proportion in architecture and the human body led to the famous Renaissance drawing by Leonardo da Vinci of Vitruvian Man.

By his own description Vitruvius served as an artilleryman, the third class of arms in the military offices. He probably served as a senior officer of artillery in charge of doctores ballistarum and libratores who actually operated the machines.

✵ 80 BC – 15 BC
Vitruvius photo
Vitruvius: 203 quotes3 likes

Vitruvius Quotes

“I will prefix the motives which originally gave rise to buildings and the development of inventions in this field, following in the steps of early nature and of those writers who have devoted treatises to the origins of civilization and the investigation of inventions. My exposition will, therefore, follow the instruction which I have received from them.”

Vitruvius book De architectura

Introduction, Sec. 5
De architectura (The Ten Books On Architecture) (~ 15BC), Book II

“The leaves of these [larch] trees are like those of the pine; timber from them comes in long lengths, is as easily wrought in joiner's work as is the clearwood of fir, and contains a liquid resin, of the color of Attic honey, which is good for consumptives.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 17

“Next comes the consideration of stone quarries from which dimension stone and supplies of rubble to be used in building are taken and brought together.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VII "Stone" Sec. 1

“The system of fortification by wall and towers may be made safest by the addition of earthen ramparts.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter V, Sec. 5

“From food and water, then, we may learn whether sites are naturally unhealthy or healthy.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter IV, Sec. 10

“It is not as a very great philosopher, nor as an eloquent rhetorician, nor as a grammarian trained in the highest principles of his heart, that I have striven to write this work, but as an architect who has had only a dip into those studies.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 17

“Pytheos made a mistake by not observing that the arts are each composed of two things, the actual work and the theory of it. One of these, the doing of the work, is proper to men trained in the individual subject, while the other the theory is common to all scholars.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 15

“For not all things are practicable on identical principles”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book X, Chapter XVI, Sec. 5

“One who in accordance with these notes will take pains in selecting his method of construction, may count upon having something that will last.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 8

“Thus by such victory, not by machines but in oppositions to the principle to the principles of machines, has the freedom of states been preserved by the cunning of architects.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book X, Chapter XVI, Sec. 12

“His strange appearance made the people turn round, and this led Alexander to look at him. In astonishment he gave orders to make way for him to draw near, and asked who he was. "Dinocrates," quoth he, "a Macedonian architect, who brings thee ideas and designs worthy of thy renown. I have made a design for the shaping of Mount Athos into the statue of a man, in whose left hand I have represented a very spacious fortified city, and in his right a bowl to receive the water of all the streams which are in that mountain, so that it may pour from the bowl into the sea."”

Vitruvius book De architectura

Introduction, Sec. 2
De architectura (The Ten Books On Architecture) (~ 15BC), Book II

“Architecture depends on Order, Arrangement, Eurythmy, Symmetry, Propriety, and Economy.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II "The Fundamental Principles of Architecture" Sec. 1

“Fresh pitsand, however, in spite of all its excellence in concrete structures, is not equally useful in stucco, the richness of which, when the lime and straw are mixed with such sand, will cause it to crack as it dries on account of the great strength of the mixture. But river sand, though useless in "signinum" on account of its thinness, becomes perfectly solid in stucco when thoroughly worked by means of polishing instruments.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IV, Sec. 3

“There are three departments of architecture: the art of building, the making of time-pieces, and the construction of machinery.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter III "The Departments of Architecture" Sec. 1

“In a word, the opinions of learned authors, though their bodily forms are absent, gain strength as time time goes on, and, when taking part in councils and discussions, have greater weight than those of any living men.”

Vitruvius book De architectura

Introduction, Sec. 17
De architectura (The Ten Books On Architecture) (~ 15BC), Book IX

“There are also half bricks. …As the bricks are always laid so as to break joints, this lends strength and a not unattractive appearance to both sides of such walls.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter III, Sec. 4

“There are the breezes of early morning; for the sun on emerging from beneath the earth strikes humid air as he returns, and as he goes climbing up the sky he spreads it out before him, extracting breezes from the vapor that was there before the dawn.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI, Sec. 11

“Architects who have aimed at acquiring manual skill without scholarship have never been able to reach a position of authority to correspond to their pains, while those who relied only upon theories and scholarship were obviously hunting the shadow, not the substance. But those who have a thorough knowledge of both, like men armed at all points, have the sooner attained their object and carried authority with them.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 2

“When the morning breezes blow toward the town at sunrise, if they bring with them mists from marshes and, mingled with the mist, the poisonous breath of the creatures of the marshes to be wafted into the bodies of the inhabitants, they will make the site unhealthy.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter IV "The Site of a City" Sec. 1

“In fact, all kinds of men, and not merely architects, can recognize a good piece of work…”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VI, Chapter VIII, Sec. 10

“The architect should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I "The Education of the Architect" Sec. 1

“When his companions wished to return to their country, and asked him what message he wished them to carry home, he bade them say this: that children ought to be provided with property and resources of a kind that could swim with them even out of a shipwreck.”

Vitruvius book De architectura

Introduction, Sec. 1
De architectura (The Ten Books On Architecture) (~ 15BC), Book VI

“The difference between "machines" and "engines" is obviously this, that machines need more workmen and greater power to make them take effect, as for instance ballistae and the beams of presses. Engines, on the other hand, accomplish their purpose at the intelligent touch of a single workman,…”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book X, Chapter I, Sec. 3

“The fact is that pictures which are unlike reality ought not be approved, and even if they are technically fine, this is no reason why they should offhand be judged to be correct, if their subject is lacking in the principles of reality carried out with no violations.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VII, Chapter V, Sec. 4

“There are… many… names for winds derived from localities or from the squalls which sweep from rivers or down mountains.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI, Sec. 10

“The design of a temple depends on symmetry, the principles of which must be most carefully observed by the architect.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book III, Chapter I, Sec. 1

“In the states of Maxilua and Callet, in Further Spain, as well as in Pitane in Asia Minor, there are bricks which, when finished and dried, will float on being thrown into water. The reason why they can float seems to be that the clay of which they are made is like pumice-stone. So it is light, and also it does not, after being hardened by exposure to the air, take up or absorb liquid. …They have therefore great advantages; for they are not heavy to use in building and, once made, they are not spoiled by bad weather.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter III, Sec. 4

“Hence, water ought by no means to be conducted in lead pipes, if we want to have it wholesome. That the taste is better when it comes from clay pipes may be proved by everyday life, for though our tables are loaded with silver vessels, yet everybody uses earthenware for the sake of purity of taste.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VIII, Chapter VI, Sec. 11

“Towns should be laid out not as an exact square nor with salient angles, but in circular form, to give a view of the enemy from many points. Defense is difficult where there are salient angles because the angle protects the enemy rather than the inhabitants.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter V, Sec. 2

“The elm and the ash… when put in shape for use in buildings… are tough and having no stiffness… soon bend. But when they become dry with age, or are allowed to lose their sap… they get harder, and from their toughness supply a strong material for dowels to be used in joints and other articulations.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 11

“As for philosophy, it makes an architect high-minded and not self-assuming, but rather renders him courteous, just, and honest without avariciousness. This is very important, for no work can be rightly done without honesty and incorruptibility.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 7

“For we must not build temples according to the same rules to all gods alike, since the performance of the sacred rites varies with the various gods.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book IV, Chapter VIII, Sec. 6

“There are two styles of walls "opus reticulatum," now used by everybody and the ancient style called "opus incertum." Of these, the reticulatum looks better, but its construction makes it likely to crack… On the other hand, in the opus incertum, the rubble lying in courses and imbricated, makes a wall which though not beautiful, is stronger.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII "Methods of Building Walls" Sec. 1

“Marshes that are stagnant and have no outlets either by rivers or ditches, like the Pomptine marshes, merely putrefy as they stand, emitting heavy, unhealthy vapors. A case of a town built in such a spot was Old Salpia in Apulia… Year after year there was sickness, until finally the suffering inhabitants came with a public petition to Marcus Hostilius and got him to agree to seek and find them a proper place to which to remove their city.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter IV, Sec. 12

“Cold winds are disagreeable, hot winds enervating, moist winds unhealthy.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI "The Directions of the Streets with Remarks on the Winds" Sec. 1

“The proper form of economy must be observed in building houses for each and every class.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 9

“Every hot spring has healing properties because it has been boiled with foreign substances, and thus acquires a new useful quality.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VII, Chapter III, Sec. 4

“Order gives due measure to the members of a work considered separately, and symmetrical agreement to the proportions of the whole. It is an adjustment according to quantity. By this I mean the selection of modules from the members of the work itself and, starting from these individual parts of members, constructing the whole work to correspond.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 2

“An architect ought to be an educated man so as to leave a more lasting remembrance in his treatises.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 4

“I have therefore thought that it would be a worthy and very useful thing to reduce the whole of this great art to a complete and orderly form of presentation, and then in different books to lay down and explain the required characteristics of different departments.”

Vitruvius book De architectura

Introduction, Sec. 1
De architectura (The Ten Books On Architecture) (~ 15BC), Book IV

“When different and unlike things have been subjected to the action of fire and thus reduced to the same condition, if after this, while in a warm, dry state, they are suddenly saturated with water, there is an effervescence of the heat latent in the bodies of them all, and this makes them firmly unite and quickly assume the property of one solid mass.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VI, Sec. 4

“From astronomy we find the east, west, south, and north, as well as the theory of the heavens, the equinox, solstice, and courses of the stars. If one has no knowledge of these matters, he will not be able to have any comprehension of the theory of sundials.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 10

“But basilicas of the greatest dignity and beauty may also be constructed in the style of that one which I erected, and the building of which I superintended at Fano.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter I, Sec. 6

“And so, as they kept coming together in greater numbers into one place, finding themselves naturally gifted beyond the other animals in not being obliged to walk with faces to the ground, but upright and gazing upon the splendor of the starry firmament, and also in being able to do with ease whatever they chose with their hands and fingers, they began in that first assembly to construct shelters. Some made them of green boughs, others dug caves on mountain sides, and some, in imitation of the nests of swallows and the way they built, made places of refuge out of mud and twigs. Next, by observing the shelters of others and adding new details to their own inceptions they constructed better and better kinds of huts as time went on.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 2

“Then, too, the columns at the corners should be made thicker than the others by a fiftieth of their own diameter, because they are sharply outlined by the unobstructed air around them, and seem to the beholder more slender than they are.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book III, Chapter III, Sec. 11

“In the same manner the voice executes its movements in concentric circles; but while in the case of water the circles move horizontally on a plane surface, the voice not only proceeds horizontally, but also ascends vertically by regular stages. Therefore, as in the case of the waves formed in the water, so it is in the case of the voice: the first wave, when there is no obstruction to interrupt it, does not break up the second or the following waves, but they all reach the ears of the lowest and highest spectators without an echo.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 7

“To find the directions and quarters of the winds your method of procedure should be as follows. In the middle of the city place a marble amussium, laying it true by the level, or else let the spot be made so true by means of rule and level that no amussium is necessary. In the very center of that spot set up a bronze gnomon or "shadow tracker." At about the fifth hour in the morning, take the end of the shadow cast by this gnomon, and mark it with a point. Then, opening your compasses to this point which marks the length of the gnomon's shadow, describe a circle from the center. In the afternoon watch the shadow of your gnomon as it lengthens, and when it once more touches the circumference of this circle and the shadow in the afternoon is equal in length to that of the morning, mark it with a point. From these two points describe with your compasses intersecting arcs and through their intersection and the centre let a line be drawn to the circumference of the circle to give us the quarters of south and north…. and thus we have designed a figure equally apportioned among the eight winds.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI, Sec. 5-7

“Noting all these things with the great delight which learning gives, we cannot but be stirred by these discoveries when we reflect upon the influence of them one by one.”

Vitruvius book De architectura

Introduction, Sec. 14
De architectura (The Ten Books On Architecture) (~ 15BC), Book IX

“Music, also, the architect ought to understand so that he may have knowledge of the canonical and mathematical theory, and besides be able to tune ballistae, catapultae, and scorpiones to the proper key. For to the right and left in the beams are the holes in the frames through which the strings of twisted sinew are stretched by means of windlasses and bars, and these strings must not be clamped and made fast until they give the same correct note to the ear of the skilled workman.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 8

“Geometry… is of much assistance in architecture, and in particular it teaches us the use of the rule and compasses, by which especially we acquire readiness in making plans for buildings in their grounds, and rightly apply the square, the level, and the plummet. By means of optics… the light in buildings can be drawn from fixed quarters of the sky. …Difficult questions involving symmetry are solved by means of geometrical theories and methods.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 4