Vitruvius Quotes (203 quotes, page 2) | Quotes of famous people

“These are, of course, some things which, for utility's sake, must be made of the same size in a small theatre, and a large one: such as the steps, curved cross-aisles, their parapets, the passages, stairways, stages, tribunals, and any other things which occur that make it necessary to give up symmetry so as not to interfere with utility.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter VI, Sec. 7

“They make a fine purple colour by treating bilberry in the same way and mixing it with milk.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VII, Chapter XIV, Sec. 2

Way

“For neither talent without instruction nor instruction without talent can produce the perfect craftsman.”
Neque enim ingenium sine disciplina aut disciplina sine ingenio perfectum artificem potest efficere.

Vitruvius book De architectura

Neither natural ability without instruction nor instruction without natural ability can make the perfect artist.
Morris Hicky Morgan translation
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 3; translation by Frank Granger

Perfection

“It was a wise and useful provision of the ancients to transmit their thoughts to posterity by recording them in treatises, so that they should not be lost, but, being developed in succeeding generations through publications in books, should gradually attain in later times, to the highest refinement of learning.”

Vitruvius book De architectura

Introduction, Sec. 1
De architectura (The Ten Books On Architecture) (~ 15BC), Book VII

Books , Learning , Time

“As regards the efficacy of the art and the theories of it, I promise and expect that in these volumes I shall undoubtedly show myself of very considerable importance not only to builders but also to all scholars.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 17

Art

“Burn shavings and splinters of pitch pine, and when they turn to charcoal, put them out, and pound them into mortar with size. This will make a pretty black for fresco painting.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VII, Chapter X, Sec. 3

Painting

“Consequently, limestone when taken out of the kiln… though its bulk remains the same as before, it is found to have lost about a third of its weight owing to the boiling out of the water. Therefore, its pores being thus opened and its texture rendered loose, it readily mixes with sand, and hence the two materials cohere as they dry, unite with the rubble, and make a solid structure.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter V, Sec. 3

Water

“Philosophy treats of physics where a more careful knowledge is required because the problems which come under this head are numerous… So the reader of Ctesibius or Archimedes and the other writers of treatises of the same class will not be able to appreciate them unless he has been trained in these subjects by the philosophers.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 7

Knowledge , Problem , Training

“As for principles of law, he should know those which are necessary in the case of buildings having party walls, with regard to water dripping from the eaves, and also the laws about drains, windows, and water supply. And other things of this sort should be known to architects, so that… they may be careful not to leave disputed points for the householders to settle after the works are finished, and so that in drawing up contracts the interests of both employer and contractor may be wisely safe-guarded.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 10

Law , Water , Drawing

“There will be no propriety in the spectacle of an elegant interior approached by a low mean entrance.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 6

“6 A wall is called isodomum when all the courses are of equal height; pseudisodomum, when the rows of courses do not match but run unequally. Both kinds are strong: first, because the rubble itself is of close texture and solid, unable to suck the moisture out of the mortar, but keeping it in its moist condition for a very long period; secondly, because the beds of the stones, being laid smooth and level to begin with, keep the mortar from falling, and, as they are bonded throughout the entire thickness of the wall, they hold together for a very long period.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 6

Strong

“Astronomers… have a common ground for discussion with musicians in the harmony of the stars and musical concords in tetrads and triads of the fourth and the fifth, and with geometricians in the subject of vision; and in all other sciences many points, perhaps all, are common so far as the discussion of them is concerned. But the actual undertaking of works which are brought to perfection by the hand and its manipulation is the function of those who have been specially trained to deal with a single art.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 16

Art , Music , Star , Science

“The oak… has not the efficacy of the fir, nor the cypress that of the elm.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 5

“Taking courage and looking forward from the standpoint of higher ideas born of the multiplication of the arts, they gave up huts and began to build houses with foundations, having brick or stone walls, and roofs of timber and tiles; next, observation and application led them from fluctuating and indefinite conceptions to definite rules of symmetry. Perceiving that nature had been lavish in the bestowal of timber and bountiful in stores of building material, they… embellished them with luxuries.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 7

Art , Idea , Courage , Nature

“water from clay pipes is much more wholesome than that which is conducted through lead pipes, because lead is found to be harmful for the reason that white lead is derived from it, and this is said to be hurtful to the human system.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VIII, Chapter VI, Sec. 10

Water , Hurt

“It is no secret that the moon has no light of her own, but is, as it were, a mirror, receiving brightness from the influence of the sun.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book IX, Chapter II, Sec. 3

Secret , Light , Sun

“Of course, we need not be surprised if artistic excellence goes unrecognized on account of being unknown; but there should be the greatest indignation when, as often, good judges are flattered by the charm of social entertainments into an approbation which is a mere a pretence.”

Vitruvius book De architectura

Introduction, Sec. 3
De architectura (The Ten Books On Architecture) (~ 15BC), Book III

“If our designs for private houses are to be correct, we must at the outset take note of the countries and climates in which they are built.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VI, Chapter I, Sec. 1

Housing , Country

“Bedrooms and libraries ought to have an eastern exposure, because their purposes require the morning light, and also because books in such libraries will not decay.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VI, Chapter IV, Sec. 1

Books , Light

“If one of these elements, heat, becomes predominant in any body whatsoever, it destroys and dissolves all the others with its violence. …Again if too much moisture enters the channels of a body, and thus introduces disproportion, the other elements, adulterated by the liquid, are impaired, and the virtues of the mixture dissolved. This defect, in turn, may arise from the cooling properties of moist winds and breezes blowing upon the body. In the same way, increase or diminution of the proportion of air or of the earthy which is natural to the body may enfeeble the other elements.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter IV, Sec. 6

Way , Nature

“In order that the mortar in the joints may not suffer from frosts, drench it with oil-dregs every year before winter begins. Thus treated, it will not let the hoarfrost enter it.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VII, Chapter I, Sec. 6

Suffering , Winter

“Pitsand used in masonry dries quickly, the stucco coating is permanent, and the walls can support vaultings. I am speaking of sand fresh from the sandpits. For if it lies unused too long after being taken out, it is disintegrated by exposure to sun, moon, or hoar frost, and becomes earthy. So when mixed in masonry, it has no binding power on the rubble, which consequently settles and down comes the load which the walls can no longer support.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IV, Sec. 3

Support , Sun

“Fir: it contains a great deal of air and fire with very little moisture and the earthy, so that, as its natural properties are of the lighter class, it is not heavy. Hence, its consistence being naturally stiff, it does not easily bend under the load, and keeps its straightness when used in the framework. But it contains so much heat that it generates and encourages decay, which spoils it; and it also kindles fire quickly because of the air in its body, which is so open that it takes in fire and so gives out a great flame.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 6

Nature

“A liberal education forms… a single body. Those, therefore, who from tender years receive instruction in the various forms of learning, recognize the same stamp on all the arts, and an intercourse between all studies, and so they more readily comprehend them all.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 12

Education , Art , Study , Learning

“Hence, as the line of sight to the upper part is the longer, it makes that part look as if it were leaning back. But when the members are inclined to the front, as described above, they will seem the beholder to be plumb and perpendicular.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book III, Chapter V, Sec. 13

Parting

“If then, at this great distance, our human vision can discern that sight, why, pray, are we to think that the divine splendor of the stars can be cast into darkness?”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book IX, Chapter I, Sec. 12

Star , Thinking

“Propriety is that perfection of style which comes when a work is authoritatively constructed on approved principles. It arises from prescription, from usage, or from nature.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 5

Nature , Perfection

“The diseases which are hard to cure in neighborhoods… are catarrh, hoarseness, coughs, pleurisy, consumption, spitting of blood, and all others that are cured not by lowering the system but by building it up. They are hard to cure, first, because they are originally due to chills; secondly, because the patient's system being already exhausted by disease, the air there, which is in constant agitation owing to winds and therefore deteriorated, takes all the sap of life out of their diseased bodies and leaves them more meager every day. On the other hand, a mild, thick air, without drafts and not constantly blowing back and forth, builds up their frames by its unwavering steadiness, and so strengthens and restores people who are afflicted with these diseases.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI, Sec. 3

Life , People , Disease , Affliction

“The word "universe" means the general assemblage of all nature, and it also means the heaven that is made up of the constellations and the courses of the stars.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book IX, Chapter I, Sec. 2

Star , Nature , Universe

“The reason why lime makes a solid structure on being combined with water and sand seems to be this: that rocks, like all other bodies, are composed of the four elements. Those which contain a larger proportion of air, are soft; of water, are tough from the moisture; of earth, hard; and of fire, more brittle. Therefore, if limestone, without being burned, is merely pounded up small and then mixed with sand and so put into the work, the mass does not solidify nor can it hold together. But if the stone is first thrown into the kiln, it loses its former property of solidity by exposure to the great heat of the fire, and so with its strength burnt out and exhausted it is left with its pores open and empty. Hence, the moisture and air in the body of the stone being burned out and set free, and only a residuum of heat being left lying in it, if the stone is then immersed in water, the moisture, before the water can feel the influence of the fire, makes its way into the open pores; then the stone begins to get hot, and finally, after it cools off, the heat is rejected from the body of the lime.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter V, Sec. 2

Way , Feeling , Lying , Water

“The steps in front must be arranged so that there shall always be an odd number of them; for thus the right foot, with which one mounts the first step, will also be the first to reach the level of the temple itself.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book III, Chapter IV, Sec. 4

“All these soft kinds [of stone] have the advantage that they can be easily worked as soon as they have been taken from the quarries. Under cover, they play their part well; but in open and exposed situations the frost and rime make them crumble, and they go to pieces. On the seacoast, too, the salt eats away and dissolves them, nor can they stand great heat either.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VII, Sec. 2

Parting

“If the city is on the sea, we should choose ground close to the harbor as the place where the forum is to be built; but if inland, in the middle of the town.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VII "The Sites for Public Buildings" Sec. 1

Sea

“All machinery is derived from nature, and is founded on the teaching and instruction of the revolution of the firmament.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book X, Chapter I, Sec. 4

Nature

“They drew near, and observing that they were very comfortable standing before the warm fire, they put on logs and, while thus keeping it alive, brought up other people to it, showing them by signs how much comfort they got from it. In that gathering of men, at a time when utterance of sound was purely individual, from daily habits they fixed upon articulate words just as these had happened to come; then, from indicating by name things in common use, the result was that in this chance way they began to talk, and thus originated conversation with one another.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I "The Origin of the Dwelling House" Sec. 1

Men , People , Way , Chance

“Since such very powerful kings have not disdained walls built of brick, although… they might often have had them not only of masonry or dimension stone but even of marble, I think that one ought not to reject buildings made of brick-work, provided that they are properly "topped."”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 16

Thinking

“When the juices of trees have no means of escape, they clot and rot in them, making the trees hollow and good for nothing.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 4

Tree

“All the gifts which fortune bestows she can easily take away; but education, when combined with intelligence, never fails, but abides steadily on to the very end of life.”

Vitruvius book De architectura

Introduction, Sec. 3
De architectura (The Ten Books On Architecture) (~ 15BC), Book VI

Life , Education , Intelligence

“On the top of the wall lay a structure of burnt brick, about a foot and a half in height, under the tiles and projecting like a coping. …when the tiles on the roof are broken or thrown down by the wind so that rain-water can leak through, this burnt brick coating will prevent the crude brick from being damaged, and the cornice-like projection will throw off the drops beyond the vertical face, and thus the walls, though of crude brick structure, will be preserved intact.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 18

Water

“Owing to this favor I need to have no fear of want to the end of my life, and being thus laid under obligation I began to write this work for you, because I saw that you have built and are now building extensively, and that in future also you will take care that our public and private buildings shall be worthy to go down to posterity by the side of your other splendid achievements.”

Vitruvius book De architectura

Preface, Sec. 3 (dedication to Imperator Caesar)
De architectura (The Ten Books On Architecture) (~ 15BC), Book I

Life , Fear , Future

“At first they set up forked stakes connected by twigs and covered these walls with mud. Others made walls of lumps of dried mud, covering them with reeds and leaves to keep out the rain and the heat. Finding that such roofs could not stand the rain during the storms of winter, they built them with peaks daubed with mud, the roofs sloping and projecting so as to carry off the rain water.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 3

Water , Winter

“Apollo at Delphi, through the oracular utterance of his priestess, pronounced Socrates the wisest of men. Of him it is related that he said with sagacity and great learning that the human breast should have been furnished with open windows, so that men might not keep their feelings concealed, but have them open to the view. Oh that nature, following his idea, had constructed them thus unfolded and obvious to the view.”
Delphicus Apollo Socratem omnium sapientissimum Pythiae responsis est professus. Is autem memoratur prudenter doctissimeque dixisse, oportuisse hominum pectora fenestrata et aperta esse, uti non occultos haberent sensus sed patentes ad considerandum. Utinam vero rerum natura sententiam eius secuta explicata et apparentia ea constituisset!

Vitruvius book De architectura

Preface, Sec. 1
De architectura (The Ten Books On Architecture) (~ 15BC), Book III

Men , Feeling , Idea , Nature

“Thales thought that water was the primordial substance of all things. Heraclitus of Ephesus… thought that it was fire. Democritus and his follower Epicurus thought that it was the atoms, termed by our writers "bodies that cannot be cut up" or, by some "indivisibles." The school of the Pythagoreans added air and the earthy to the water and fire. Hence, although Democritus did not in a strict sense name them, but spoke only of indivisible bodies, yet he seems to have meant these same elements, because when taken by themselves they cannot be harmed, nor are they susceptible of dissolution, nor can they be cut up into parts, but throughout time eternal they forever retain an infinite solidity.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter II "On the Primordial Substance according to the Physicists" Sec. 1

School , Sense , Water , Time

“Bricks should be made in Spring or Autumn so that they may dry uniformly.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter III, Sec. 2

Spring , Autumn

“In the midst of all this great variety of subjects, an individual cannot attain to perfection in each, because it is scarcely in his power to take in and comprehend the general theories of them.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 13

Perfection

“Voice is a flowing breath of air, perceptible to the hearing by contact. It moves in an endless number of circular rounds, like the innumerably increasing circular waves which appear when a stone is thrown into smooth water, and which keep on spreading indefinitely from the centre unless interrupted by narrow limits, or by some obstruction which prevents such waves from reaching their end in due formation. When they are interrupted by obstructions, the first waves, flowing back, break up the formation of those which follow.”

Vitruvius book De architectura

Alternate translation: The voice is a flowing breath, made sensible to the organ of hearing by the movements it produces in the air. It is propagated in infinite numbers of circular zones, exactly as when a stone is thrown into a pool of standing water countless circular undulations are generated therein, which, increasing as they recede from the center, spread out over a great distance, unless the narrowness of the locality or some obstacle prevent their reaching their termination; for the first line or waves, when impeded by obstructions, throw by their backward swell the succeeding circular lines of waves into confusion. Quoted by Ernst Mach, The Science of Mechanics: A Critical and Historical Account of its Development (1893, 1960) Tr. Thomas J. McCormack
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 6

Water , Appearance

“Some people do indeed say that Eratosthenes could not have inferred the true measure of the earth. Whether true or untrue, it cannot affect the truth of what I have written on the fixing of the quarters from which the different winds blow.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI, Sec. 11

People , Truth

“Reflexion is careful and laborious thought, and watchful attention directed to the agreeable effect of one's plan. Invention, on the other hand, is the solving of intricate problems and the discovery of new principles by means of brilliancy and versatility.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 2

Problem

“This book does not show of what architecture is composed, but treats of the origin of the building art, how it was fostered, and how it made progress, step by step, until it reached its present perfection.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 8