Vincent Van Gogh: Doing (page 2)

“. You would also be mistaken if you [Theo] thought that I would do well to follow your advice literally, of becoming an engraver of bill-headings and visiting cards, or a bookkeeper or a carpenter's apprentice, - or else to devote myself to the baker's trade, - or many similar things.... that other people advise me.”

Vincent Van Gogh

In his letter to brother Theo, from Wasmes, Belgium, 15 October 1879; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 132), p. 19
1870s

People

“Theo, your brother has preached for the first time last Sunday in God's dwelling.... it is a delightful thought that in the future wherever I shall come I shall preach the gospel; to do that well, one must have the gospel in one's heart, may the Lord give it to me.”

Vincent Van Gogh

In a letter to Theo, from Isleworth England, Autumn 1876, (letter 79); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 18
1870s

God , Time , Future , Heart

“Well, right now it seems that things are going very badly for me, have been doing so for some considerable time, and may continue to do so well into the future. But it is possible that everything will get better after it has all seemed to go wrong. I am not counting on it, it may never happen, but if there should be a change for the better I should regard that as a gain, I should rejoice, I should say, at last! So there was something after all!”

Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

Change , Time , Future

“.. How I paint I do not know myself. I sit down with a white board before the spot that strikes me, I look at what is before me, I say to myself that white board must become something, I come back dissatisfied - I put it away, and when I have rested a little I go to look at it with a kind of fear. Then I am still dissatisfied, because I have still too closely in my mind that splendid nature..”

Vincent Van Gogh

Quote in a letter of Vincent to Theo, from The Hague (Netherlands), Summer 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 228), p. 30
1880s, 1882

Fear , Nature , Painting

“.. I went to live in my studio on the first of May [? ]... I have not had a hot dinner more than perhaps six or seven times since. I have lived then and I do so here, not having money for dinner, because the work costs me too much and I have trusted too much on my being strong enough to hold out. Now I have made it worse by smoking a great deal, which I do the more because then one does not feel an empty stomach so much... My opinion is that one must not think that the people whose health is damaged, quite or partly, are no good for painting... It fell so unexpectedly on me, I had been feeling weak and feverish, but I went on notwithstanding, but I began to feel worried when more and more teeth broke off, and I began to look more and more ill.”

Vincent Van Gogh

Quote in his letter to brother Theo from Antwerp, Belgium, Febr. 1886; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 449), p 24
1880s, 1886

Money , People , Health , Feeling

“Believe me, I work, I drudge, I grind all day long and I do so with pleasure, but I should get very much discouraged if I could not go on working as hard or even harder... I feel, Theo, that there is a power within me, and I do what I can to bring it out and free it. It is hard enough, all the worry and bother with my drawings, and if I had too many other cares and could not pay the models I should lose my head.”

Vincent Van Gogh

quote in his letter to brother Theo, from The Hague, The Netherlands in Jan. 1882; as quoted in Vincent van Gogh, Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 20 (letter 171)
1880s, 1882

Pleasure , Feeling , Drawing

“I have [drawings of] about twelve figures of diggers and men who are working in a potato field, and I wonder if I could not make something of it, you have still a few, for instance, a man who fills a bag with potatoes. Well, I do not know for sure, but sooner or later I shall accomplish that, for I looked at it so attentively this summer, and here in the dunes I could make a good study of the earth and the sky, and then boldly put in the figures.”

Vincent Van Gogh

Quote in letter 169, from The Hague, January, 1882; as cited in Vincent van Gogh, Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, catalog-page: Dutch Period: - 4. Potato Diggers
1880s, 1882

Men , Study , Summer , Drawing

“If, therefore, you've already considered that Signac and the others who are doing pointillism often make very beautiful things with it - Instead of running those things down, one [Bernhard] should respect them and speak of them sympathetically, especially when there's a falling out. Otherwise one becomes a narrow sectarian oneself, and the equivalent of those who think nothing of others and believe themselves to be the only righteous ones. This extends even to the academic painters, because take, for example, a painting by Fantin-Latour — and above all his entire oeuvre. Well then — there's someone who hasn't rebelled, and does that prevent him, that indefinable calm and righteousness that he has, from being one of the most independent characters in existence?”

Vincent Van Gogh

Quote in Vincent's letter to Emile Bernard, from Paris, about December 1887; from letter 575 - vangoghletters http://vangoghletters.org/vg/letters/let575/letter.html]
1880s, 1887

Beauty , Thinking , Painting

“As well as the greatest optimist I see the lark soaring in the spring air, but I also see a young girl of about twenty, who might have been in good health, a victim to consumption, and who will perhaps drown herself before she dies of an illness. If one is always in respectable company among rather well-to-do bourgeois one does not notice this so much perhaps, but if one has dined for years on 'la vache enragee', as I did, one cannot deny that great misery is a fact that weighs down the scale.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Antwerp Belgium, Winter 1886; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 453), p. 38
1880s, 1886

Health , Girl , Spring

“As I feel a need to speak out frankly, I cannot hide from you that I am overcome by a feeling of great care, depression, a "je ne sais quoi" of discouragement and despair more than I can tell.
I take it so much to heart that I do not get on better with people in general; it quite worries me because on it depends so much my success in carrying out my work.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Autumn 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 328) p. 21
1880s, 1883

People , Feeling , Success , Heart

“Do you know what I long for sometimes? To make a trip to Brabant. I should love to draw the old churchyard at Nuenen, and the weavers. To make, for instance, during a month, studies of Brabant, and to come back [to The Hague] with a lot of them, for a large drawing of a peasant funeral for instance.”

Vincent Van Gogh

Quote of letter 295, from The Hague, 1883; as cited in Vincent van Gogh, Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, catalog-page: Dutch Period 2. - Weaver
1880s, 1883

Love , Study , Drawing

“The thing has already taken form in my mind before I start it. The first attempts are absolutely unbearable. I say this because I want you to know that if you see something worthwhile in what I am doing, it is not by accident but because of real direction and purpose.”

Vincent Van Gogh

As quoted in The Path of Least Resistance : Principles for Creating What You Want to Create (1984) by Robert Fritz, p. 181
Undated

“If I should find something it will probably be a position between clergy man and missionary in the suburbs of London among the working people. Do not speak to anybody about it yet.”

Vincent Van Gogh

In his letter to brother Theo from Welwyn, England, 17 June 1876; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 17 (letter 69)
as school teacher and lay preacher near London
1870s

People

“I fear that in a few years there may be a kind of 'panic', in this form: 'since Millet' we have sunk very low — the word decadence, now whispered or pronounced in veiled terms (see Herkomer), will then sound like an alarm bell. Many, like I myself, now keep quiet, because they already have the reputation of being awkward customers,5 and talking about it doesn't help. That — namely, talking — isn't what one needs to do — one must work, though with sorrow in the heart. Those who later cry out the loudest about decadence will themselves belong to it the most. I repeat: by this shall ye know them, [from: Matt. 7:16. ] by their work, and it won't be the most eloquent who say the truest things. See Millet himself, see Herkomer, they're certainly not orators, and speak almost reluctantly.”

Vincent Van Gogh

In his letter to Theo, from The Hague, 5 Nov. 1882 - original manuscript of letter no. 280 - at Van Gogh Museum, location Amsterdam - inv. b263 a-b V/1962, http://vangoghletters.org/vg/letters/let280/letter.html
1880s, 1882

Fear , Help , Heart , Cry

“Often I think of that excellent painter Monticelli,... when I come back myself from the mental labor of balancing the six essential colors.... sheer work and calculation, with one's mind utterly on the stretch, like an actor on the stage in a difficult part, with a hundred things at once to think of in a single half-hour.
Don't think that I would artificially keep up a feverish condition, but do understand that I am in the midst of a complicated calculation which results in quick succession in canvases quickly executed, but calculated long beforehand. So now, when anyone says that such and such is done too quickly, you can reply that they have looked at it too quickly.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, Summer 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 507) p. 32
1880s, 1888

Color , Understanding , Thinking , Success

“In Antwerp I did not even know what the Impressionists were, now I have seen them and though not being one of the club, yet I have much admired certain Impressionist pictures – Degas, nude figure – Claude Monet, landscape. And now for what regards what I myself have been doing, I have lacked money for paying models, else I had entirely given myself to figure painting but I have made a series of colour studies in painting simply flowers, red poppies, blue corn flowers and myosotys. White and rose roses, yellow chrysantemums – seeking oppositions of blue with orange, red and green, yellow and violet, seeking THE BROKEN AND NEUTRAL TONES to harmonise brutal extremes. Trying to render intense COLOUR and not a grey harmony.”

Vincent Van Gogh

Quote of Vincent van Gogh in his letter to Horace Mann Livens, from Paris, September or October 1886; from letter 569 - vangoghletters online http://vangoghletters.org/vg/letters/let569/letter.html
1880s, 1886

Money , Flowers , Study , Painting

“The work in question, painting the peasants, is such laborious work that the extremely weak would never even embark on it. And I have at least embarked on it... And I've grasped some solid and useful things in drawing and in painting, more firmly than you think, my dear friend. But I keep on making what I can't do yet in order to learn to be able to do it... We have in common with each other that we seek our subjects in the heart of the people, and then we have in common a need — either as an objective or as a means — to take our studies from reality.”

Vincent Van Gogh

Quote in his letter to Anthon van Rappard, from Nuenen, The Netherlands, September 1885, in 'Van Gogh Letters' http://vangoghletters.org/vg/letters/let528/letter.html
1880s, 1885

People , Question , Thinking , Reality

“.. I have painted a few studies of the figure… I send you [Theo] two sketches. The painting of the figure appeals to me very much, but it must ripen - I must learn to know the technique better - that which is sometimes called "la cuisine de l'art". In the beginning I shall have to do much scraping, and often to begin anew, but I feel that I learned from it and that gives me a new fresh view on the things.”

Vincent Van Gogh

Quote in a letter of Vincent to Theo, from The Hague (Netherlands), August 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 226), catalogus-page: Oil Paintings -Dutch Period: 'Scheveningen, Fisherwoman'
1880s, 1882

Feeling , Study , Learning , Painting

“When I was.... in the surroundings of pictures and things of art... I then had a violent passion for them... And I do not repent it, for even now, far from that land, I am often homesick for the land of pictures.”

Vincent Van Gogh

Now for more than five years already, I do not know exactly how long, I'm more or less without employment, wandering here and there.. .But you will ask what is your definite aim? That aim becomes more definite, will stand out slowly and surely, as the rough draft becomes a sketch and the sketch becomes a picture.. .. my only anxiety is: how can I be of use in the world, cannot I serve some purpose and be of any good, how can I learn more and study profoundly certain subjects?

In his letter to brother Theo, from Cuesmes, Belgium July 1880; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 133) p. 19
1880s, 1880

Passion , Art

“If only we try to live sincerely, it will go well with us, even though we are certain to experience real sorrow, and great disappointments, and also will probably commit great faults and do wrong things, but it certainly is true, that it is better to be high-spirited, even though one makes more mistakes, than to be narrow-minded and all too prudent. It is good to love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love, is well done.”

Vincent Van Gogh

Quote of Vincent's letter to Theo, from Amsterdam, 3 April 1878; a cited in The Letters of Vincent van Gogh to his Brother, 1872-1886 (1927) Constable & Co
As quoted in Wisdom for the Soul : Five Millennia of Prescriptions for Spiritual Healing (2006) by Larry Chang, p. 483
1870s
Variant: Love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is done well.

Love , Making love , Sincerity , Disappointment