“From Helicon's harmonious springs
A thousand rills their mazy progress take.”
I. 1, Line 3 <br class="br"> The Progress of Poesy http://www.thomasgray.org/cgi-bin/display.cgi?text=pppo (1754)
“From Helicon's harmonious springs
A thousand rills their mazy progress take.”
I. 1, Line 3 <br class="br"> The Progress of Poesy http://www.thomasgray.org/cgi-bin/display.cgi?text=pppo (1754)
“Hands, that the rod of empire might have swayed,
Or waked to ecstasy the living lyre.”
St. 12 <br class="br"> Elegy Written in a Country Churchyard http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc (written 1750, publ. 1751)
The Epitaph, St. 3 <br class="br"> Elegy Written in a Country Churchyard http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc (written 1750, publ. 1751) <br class="br">Variant: No farther seek his merits to disclose, <br> Or draw his frailties from their dread abode, <br> (There they alike in trembling hope repose,) <br> The bosom of his Father and his God.
St. 6 <br class="br"> Ode on a Distant Prospect of Eton College http://www.thomasgray.org/cgi-bin/display.cgi?text=odec (written 1742–1750)
St. 5 <br class="br"> Ode on a Distant Prospect of Eton College http://www.thomasgray.org/cgi-bin/display.cgi?text=odec (written 1742–1750)
“Ye towers of Julius, London's lasting shame,
With many a foul and midnight murder fed.”
II. 3. lines 87-88
The Bard (1757)
III. 2, Line 4 <br class="br"> The Progress of Poesy http://www.thomasgray.org/cgi-bin/display.cgi?text=pppo (1754)
Source: Ode on the Pleasure Arising from Vicissitude http://www.thomasgray.org/cgi-bin/display.cgi?text=oopv (1754), Line 41
“Or ope the sacred source of sympathetic tears.”
III. 1, Line 12 <br class="br"> The Progress of Poesy http://www.thomasgray.org/cgi-bin/display.cgi?text=pppo (1754)
St. 16 <br class="br"> Elegy Written in a Country Churchyard http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc (written 1750, publ. 1751)
Source: Ode on the Pleasure Arising from Vicissitude http://www.thomasgray.org/cgi-bin/display.cgi?text=oopv (1754), Line 93
St. 1 <br class="br"> On the Death of a Favourite Cat http://www.thomasgray.org/cgi-bin/display.cgi?textodfc (1747)
St. 7 <br class="br"> On the Death of a Favourite Cat http://www.thomasgray.org/cgi-bin/display.cgi?text=odfc (1747)
"The Triumphs of Owen. A Fragment", from Mr. Evans's Specimens of the Welch Poetry (1764) http://www.thomasgray.org/cgi-bin/display.cgi?text=trow
St. 6 <br class="br"> Ode on a Distant Prospect of Eton College http://www.thomasgray.org/cgi-bin/display.cgi?text=odec (written 1742–1750)
“I shall be but a shrimp of an author.”
Letter to Horace Walpole http://www.thomasgray.org/cgi-bin/display.cgi?text=tgal0527 (February 25, 1768)
The Epitaph, St. 1 <br class="br"> Elegy Written in a Country Churchyard http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc (written 1750, publ. 1751)
“Save that from yonder ivy-mantled tow'r
The moping owl does to the moon complain.”
St. 3 <br class="br"> Elegy Written in a Country Churchyard http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc (written 1750, publ. 1751)
“What sorrow was, thou bad'st her know,
And from her own she learned to melt at others' woe.”
Hymn to Adversity http://www.thomasgray.org/cgi-bin/display.cgi?text=otad, St. 2 (1742)
Ode for Music http://www.thomasgray.org/cgi-bin/display.cgi?text=ocmu (1769), V, line 8