Susan Sontag: Quotes about art

Susan Sontag was American writer and filmmaker, professor, and activist. Explore interesting quotes on art.
Susan Sontag: 336   quotes 33   likes

“Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, comformable.”

Susan Sontag book Against Interpretation

"Against Interpretation" (1964), p. 8
Against Interpretation and Other Essays (1966)

Art

“Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.”

Susan Sontag

"The Imagination of Disaster" from Against Interpretation and Other Essays (1966), p. 212
Against Interpretation and Other Essays (1966)

Art , Science

“To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That's what lasts. That's what continues to feed people and give them an idea of something better.”

Susan Sontag

"Susan Sontag Finds Romance," interview by Leslie Garis, The New York Times (2 August 1992)
Context: To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That's what lasts. That's what continues to feed people and give them an idea of something better. A better state of one's feelings or simply the idea of a silence in one's self that allows one to think or to feel. Which to me is the same.

People , Art , Literature , Idea

“Art today is a new kind of instrument, an instrument for modifying consciousness and organizing new modes of sensibility.”

Susan Sontag

"One culture and the new sensibility", p. 296
Against Interpretation and Other Essays (1966)
Context: Art today is a new kind of instrument, an instrument for modifying consciousness and organizing new modes of sensibility. And the means for practicing art have been radically extended.... Painters no longer feel themselves confined to canvas and paint, but employ hair, photographs, wax, sand, bicycle tires, their own toothbrushes and socks. Musicians have reached beyond the sounds of the traditional instruments to use tampered instruments and (usually on tape) synthetic sounds and industrial noises.

Art

“From now to the end of consciousness, we are stuck with the task of defending art.”

Susan Sontag book Against Interpretation

"Against Interpretation" (1964), p. 5
Against Interpretation and Other Essays (1966)
Context: None of us can ever retrieve that innocence before all theory when art knew no need to justify itself, when one did not ask of a work of art what it said because one knew (or thought one knew) what it did. From now to the end of consciousness, we are stuck with the task of defending art. We can only quarrel with one or another means of defense. Indeed, we have an obligation to overthrow any means of defending and justifying art which becomes particularly obtuse or onerous or insensitive to contemporary needs and practices.
This is the case, today, with the very idea of content itself. Whatever it may have been in the past, the idea of content is today mainly a hindrance, a nuisance, a subtle or not so subtle philistinism.

Art

“Interpretation is the revenge of the intellect upon art.”

Susan Sontag

Source: Against Interpretation and Other Essays (1966), p. 7

Art , Revenge

“Art is seduction, not rape.”

Susan Sontag
Art

“What the overemphasis on the idea of content entails is the perennial, never consummated project of interpretation. And, conversely, it is the habit of approaching works of art in order to interpret them that sustains the fancy that there really is such a thing as the content of a work of art.”

Susan Sontag book Against Interpretation

"Against Interpretation" (1964), p. 5
Against Interpretation and Other Essays (1966)

Art , Idea

“The notion of art as the dearly purchased outcome of an immense spiritual risk, one whose cost goes up with the entry and participation of each new player in the game”

Susan Sontag book Styles of Radical Will

“The Pornographic Imagination,” p. 45
Styles of Radical Will (1966)

Art , Game

“The tradition of portrait painting, to embellish or idealize the subject, remains the aim of everyday and of commercial photography, but it has had a much more limited career in photography considered as art. Generally speaking, the honors have gone to the Cordelias.”

Susan Sontag book On Photography

"The Heroism of Vision", p. 105
On Photography (1977)

Art , Painting

“Since it is hardly likely that contemporary critics seriously mean to bar prose narratives that are unrealistic from the domain of literature, one suspects that a special standard is being applied to sexual themes. … There is nothing conclusive in the well-known fact that most men and women fall short of the sexual prowess that people in pornography are represented as enjoying; that the size of organs, number and duration of orgasms, variety and feasibility of sexual powers, and amount of sexual energy all seem grossly exaggerated. Yes, and the spaceships and the teeming planets depicted in science-fiction novels don’t exist either. The fact that the site of narrative is an ideal topos disqualifies neither pornography or science-fiction from being literature. … The materials of the pornographic books that count as literature are, precisely, one of the extreme forms of human consciousness. Undoubtedly, many people would agree that the sexually obsessed consciousness can, in principle, enter into literature as an art form. … But then they usually add a rider to the agreement which effectively nullifies it. They require that the author have the proper “distance” from his obsessions for their rendering to count as literature. Such a standard is sheer hypocrisy, revealing one again that the values commonly applied to pornography are, in the end, those belonging to psychiatry and social affairs rather than to art. (Since Christianity upped that ante and concentrated on sexual behavior as the root of virtue, everything pertaining to sex has been a “special case” in our culture, evoking particularly inconsistent attitudes.) Van Gogh’s paintings retain their status as art even if it seems his manner of painting owed less to a conscious choice of representational means than to his being deranged and actually seeing reality the way he painted it. … What makes a work of pornography part of the history of art rather than of trash is not distance, the superimposition of a consciousness more conformable to that of ordinary reality upon the “deranged consciousness” of the erotically obsessed. Rather, it is the originality, thoroughness, authenticity, and power of that deranged consciousness itself, as incarnated in a work.”

Susan Sontag book Styles of Radical Will

“The Pornographic Imagination,” pp. 45-47
Styles of Radical Will (1966)

Women , Men , People , Books

“Modernist tasks and liberties have stirred up a canny diffidence among painters of the largest accomplishment when pressed to talk about their art. It appears unseemly, or naive, to have much to say about the pictures or to attach to them any explicit "program." No more theories expounding an ideal way of painting. And, as statements wither and with them counter-statements, hardly anything in the way of provocation either. Decorum suggests that artists sound somewhat trapped when being drawn out, and venturing a few cagey glimpses of intention.”

Susan Sontag

"About Hodgkin," from Howard Hodgkin Paintings edited by Michael Auping (1995), p. 105,

Art , Way , Appearance , Painting

“If within the last century art conceived as an autonomous activity has come to be invested with an unprecedented stature—the nearest thing to a sacramental human activity acknowledged by secular society—it is because one of the tasks art has assumed is making forays into and taking up positions on the frontiers of consciousness (often very dangerous to the artist as a person) and reporting back what’s there.”

Susan Sontag book Styles of Radical Will

“The Pornographic Imagination,” p. 45
Styles of Radical Will (1966)

Art , Personality

“In place of a hermeneutics we need an erotics of art.”

Susan Sontag book Against Interpretation

"Against Interpretation" (1964), p. 14
Against Interpretation and Other Essays (1966)

Art

“The destiny of photography has taken it far beyond the role to which it was originally thought to be limited: to give more accurate reports on reality (including works of art). Photography is the reality; the real object is often experienced as a letdown.”

Susan Sontag book On Photography

"Photographic Evangels", p. 147
On Photography (1977)

Art , Reality

“In contrast to the asexual chasteness of official communist art, Nazi art is both prurient and idealizing. A utopian aesthetics (physical perfection; identity as a biological given) implies an ideal eroticism: sexuality converted into the magnetism of leaders and the joy of followers. The fascist ideal is to transform sexual energy into a "spiritual" force, for the benefit of the community.”

Susan Sontag

"Fascinating Fascism" (1974), published in The New York Review of Books (6 February 1975) and reprinted in Sontag's Under the Sign of Saturn (1980), p. 93

Art , Communication , Joy , Perfection