R. A. Lafferty: Trending quotes

Roadstrum confronting a potential mutiny, in Ch. 5
Space Chantey (1968)
Context: Roadstrum had a way of putting it on a little thick himself.
"Be there a man among you who doubts my demesne or destiny, then I have fared in vain," he said. "I bare my throat to the treacherous steel —"
"All right, all right," the three tough crewmen capitulated. We're with you all the way and in everything. Only spare us the 'act.'"

The Day After the World Ended, notes for a speech at DeepSouthCon'79, New Orleans (21 July 1979), later published in It's Down the Slippery Cellar Stairs (1995)
Context: Science Fiction has long been babbling about cosmic destructions and the ending of either physical or civilized worlds, but it has all been displaced babble. SF has been carrying on about near-future or far-future destructions and its mind-set will not allow it to realize that the destruction of our world has already happened in the quite recent past, that today is "The Day After The World Ended". … I am speaking literally about a real happening, the end of the world in which we lived till fairly recent years. The destruction or unstructuring of that world, which is still sometimes referred to as "Western Civilization" or "Modern Civilization", happened suddenly, some time in the half century between 1912 and 1962. That world, which was "The World" for a few centuries, is gone. Though it ended quite recently, the amnesia concerning its ending is general. Several historiographers have given the opinion that these amnesias are features common to all "ends of worlds". Nobody now remembers our late world very clearly, and nobody will ever remember it clearly in the natural order of things. It can't be recollected because recollection is one of the things it took with it when it went...

Okla Hannali (1972)
Context: When very young, Hannali would sit on the black ground and chuckle till it was feared he would injure himself. Whatever came over him, prenatal witticism or ancestral joke, he seldom was able to hold his glee. In all his life he never learned to hold it in.

Source: Space Chantey (1968), Ch. 6
Context: "I am mistress of all the sciences. I go so far beyond all else that my work is called magic. I manipulate noumena, regarding monads as points of entry tangential to hylomorphism. As to the paradox of Primary Essence being contained in Quiddity, the larger in the smaller, I have my own solution. The difficulty is always in not confusing Contingency with Accidence. Do you understand me?"
"Sure. You're a witch."

It's Down the Slippery Cellar Stairs (1995)

Source: Arrive at Easterwine (1971), Ch. 6
Context: Gaetan had always had a terrible finality about him. Was this his great sin — that he was already completed? I will intercede for him tonight in my own not entirely mechanical way. To be completed is to be finished in so many ways! May that twinkling man Gaetan be undone a little and saved.

Source: The Flame is Green (1971), Ch. 5 : Muerte De Boscaje
Context: Things are set up as contraries that are not even in the same category. Listen to me: the opposite of radical is superficial, the opposite of liberal is stingy; the opposite of conservative is destructive. Thus I will describe myself as a radical conservative liberal; but certain of the tainted red fish will swear that there can be no such fish as that. Beware of those who use words to mean their opposites. At the same time have pity on them, for usually this trick is their only stock in trade.

Captain Roadstrum, Ch. 2
Space Chantey (1968)
Context: There are skies we have not seen yet! There are whole realms still unvisited by us. We will not be penned in even a giant's pen. We fly!

Epigraph (of "Epiktistes")
Arrive at Easterwine (1971)
Context: Oh, come along, reader of the High Journal; if you do not love words, how will you love the communication? How will you forgive me my tropes, communicate the love?

Source: Space Chantey (1968), Ch. 5
Context: "Strangers may not lodge complaints till they have been in residence here for ninety days," the Cacique said, "and no stranger has ever remained with us that long."
"My complaint won't hold for ninety days. I accuse you people of eating men."

Source: Space Chantey (1968), Ch. 8, Hondstarfer of Valhal, speaking of his work as a design engineer.
Context: "I'm doing pretty good. I'm a seminal genius, they say, and I have the most sophisticated tools ever devised to work with. And I do build some good things for them. I'm quite successful. I'll tell you something, though. In the daytime, with all those sophisticated tools, and particularly if someone's watching me, I just stall around. But at night — "
"Ah, at night! What do you do then, Hondstarfer?"
"Put away those damned sophisticated tools and get my stone hammers. That's when I build the good stuff. Don't give me away, though, Roadstrum.

Source: The Flame is Green (1971), Ch. 9 : Oh, The Steep Roofs of Paris
Context: Beware of those who manufacture final answers as they go along, of those who will catch you on their catch-phrases and let you perish in the traps. All the final answers were given in the beginning. They stand shining, above and beyond us, but they are always there to be seen. They may be too bright for us, they may be too clear for us. Well then, we must clarify our own eyes. Our task is to grow out until we reach them.

Source: Space Chantey (1968), Ch. 7
Context: "This is the Improbable Club," said the President-Emeritus in a heavy muffled voice, "and you things have made an improbable entry. Many unqualified persons have attempted to crash this Club, but you have done it literally. Whether you will be able to qualify for our high membership is another thing. It will not matter. We accept, for a brief moment at least, all who come here as members. We will quickly measure you one way or another. We have no living ex-members. Sit you down, all, and unwind your ears. Remember, each topper must be topped."

On death and the nightly resurrection of the slain on Valhal, Ch. 2
Space Chantey (1968)
Context: Death is for a long time. Those of shallow thought say that it is forever. There is, at least, a long night of it. There is the forgetfulness and the loss of identity. The spirit, even as the body, is unstrung and burst and scattered. One goes down to death, and it leaves a mark on one forever.

Source: Archipelago (1979), Chapter Three, Pt. 5, A "ghost story" as narrated in its entirety by a character in the novel in a small ward gathering.
Context: "The perfect ghost story is the story of Possession," he said, "and that is hypnotism from beyond the grave. This is possible since hypnotism is by the will, and the will is immortal. A number of notable men have been possessed, and all of their lives seem to fit a pattern: the inconsequential early years, the hiatus when they stood where Faust stood, and the decision. And then the rise to power and influence and almost universal honor after they have made the deal. But it is not themselves, it is the devils within them that gain these things. They are the possessed men who do much of the running of the world, and theirs is the most frightening story that can be imagined. But those who watch the great men do not know that they are shells inhabited by ghosts."

Roadstrum, in Ch. 8
Space Chantey (1968)
Context: I will be double-damned to a better Hell than Hellpepper Planet if I will have my ending here in peace! Peace be not the end of my epic! An epic is already failed if it have an ending. I don't care how it ended the first time — it will not end the same now!

Source: The Flame is Green (1971), Ch. 9 : Oh, The Steep Roofs of Paris
Context: We ourselves become the bridges out over the interval that is the world and time. It is a daring thing to fling ourselves out over that void that is black and scarlet below and green and gold above. A bridge does not abandon its first shore when it grows out in spans towards the further one.

The Day After the World Ended, notes for a speech at DeepSouthCon'79, New Orleans (21 July 1979), later published in It's Down the Slippery Cellar Stairs (1995)
Context: In its flexibility and in its wide-open opportunities, this is the total Utopia. Anything that you can conceive of, you can do in this non-world. Nothing can stop you except a total bankruptcy of creativity. The seedbed is waiting. All the circumstances stand ready. The fructifying minerals are literally jumping out of the ground. And nothing grows. And nothing grows. And nothing grows. Well, why doesn't it?

Atlas, on bearing the burden of maintaining the worlds, in Ch. 4
Space Chantey (1968)
Context: I tried to tell you, but words will not convey it. One has to be inside it to comprehend the magnitude. … It was the beginning. It's the only thing there is. But it was haphazard for so many aeons that it spooks me to think about it. There were always three or four maintaining it, but there was no one person strong enough to take it all over. "Somewhere there must be someone strong enough to take it all over," I said to myself in a direful moment, but the strongest person I could think of was myself. I've been doing it ever since. … By my attention I hold it all in being. Nothing exists unless it is perceived. If perception fails for a moment, then that thing fails forever. … I hate to be misjudged. They say that I bear it all on my shoulders, as though I were a stud or a balk. It's not on my great shoulders, it is amazing head on my great shoulders that maintains all.