Madeleine L'Engle: Trending quotes

Source: A Wrinkle in Time

The Crosswicks Journal, The Irrational Season (1977)
Context: I am convinced that each work of art, be it a great work of genius or something very small, has its own life, and it will come to the artist, the composer or the writer or the painter, and say, "Here I am: compose me; or write me; or paint me"; and the job of the artist is to serve the work. I have never served a work as I would like to, but I do try, with each book, to serve to the best of my ability, and this attempt at serving is the greatest privilege and the greatest joy that I know.

Source: The Joys of Love

A Wrinkle in Time (1962)

Acceptance Speech for the Margaret Edwards Award (1998)
Context: I've always believed that there is no subject that is taboo for the writer. It is how it is written that makes a book acceptable, as a work of art, or unacceptable and pornographic. There are many books circulating today, for the teen-ager as well as the grown up, which would not have been printed in the fifties. It is still amazing to me that A Wrinkle In Time was considered too difficult for children. My children were seven, ten, and twelve while I was writing it, and they understood it. The problem is not that it's too difficult for children, but that it's too difficult for grown ups. Much of the world view of Einstein's thinking wasn't being taught when the grown ups were in school, but the children were comfortably familiar with it.

Section 1.10 <!-- p. 32 -->
Source: The Crosswicks Journal, A Circle of Quiet (1972)
Context: We do have to use our minds as far as they will take us, yet acknowledging that they cannot take us all the way.
We can give a child a self-image. But is this a good idea? Hitler did a devastating job at that kind of thing. So does Chairman Mao. … I haven't defined a self, nor do I want to. A self is not something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming.

Walking on Water (1980)

Source: A Wrinkle in Time

Source: A Ring of Endless Light (1980)

Source: A Wrinkle in Time: With Related Readings

Source: A Wrinkle in Time: With Related Readings

A Wrinkle in Time (1962)

The Rock That is Higher: Story as Truth (1993)
Context: We are all strangers in a strange land, longing for home, but not quite knowing what or where home is. We glimpse it sometimes in our dreams, or as we turn a corner, and suddenly there is a strange, sweet familiarity that vanishes almost as soon as it comes…

The Expanding Universe (1963)
Context: I heard a famous author say once that the hardest part of writing a book was making yourself sit down at the typewriter. I know what he meant. Unless a writer works constantly to improve and refine the tools of his trade they will be useless instruments if and when the moment of inspiration, of revelation, does come. This is the moment when a writer is spoken through, the moment that a writer must accept with gratitude and humility, and then attempt, as best he can, to communicate to others.
A writer of fantasy, fairly tale, or myth must inevitably discover that he is not writing out of his own knowledge or experience, but out of something both deeper and wider. I think that fantasy must possess the author and simply use him. I know that this is true of A Wrinkle in Time. I can’t possibly tell you how I came to write it. It was simply a book I had to write. I had no choice. And it was only after it was written that I realized what some of it meant.
Very few children have any problem with the world of the imagination; it’s their own world, the world of their daily life, and it’s our loss that so many of us grow out of it.

Section 1.16 <!-- p. 50 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Context: Detachment and involvement: the artist must have both. The link between them is compassion. It has taken me over fifty years to get a glimmer of what this means.