Jozef Israëls: Quotes about painting

Jozef Israëls was Dutch painter. Explore interesting quotes on painting.
Jozef Israëls: 66   quotes 1   like

“As I hear, you are the possessors of one of my favorite paintings 'The children on the beach' and I can tell you that few pictures by me, have so much figures, busy in the subject. Therefore I mean that this picture is an unicum and I hope you will give it a good light and place in your gallery.”

Jozef Israëls

Israels in his letter to Amercian art-sellers Moulton & Ricketts, 27 June 1910; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 188
Quotes of Jozef Israels, after 1900

Children , Hope , Business , Light

“Actually I don't have any painting at home…. they take away everything from me, almost before it's finished… That Jewish scribe there, is sold to [Dutch art-seller] Buffa, and it isn't finished at all yet. And this 'Kolen lossen' is also sold… Then I have here 'The Mowers' - just set up… And that drawing here, will be a good piece too!.. That will become a large painting: a 'Jewish Wedding' - at the moment the groom puts the ring on the finger of his bride…. you can't see very much yet, do you? (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls

version in Dutch (citaat van Jozef Israëls, in het Nederlands): Ik heb eigenlijk niets in huis.. ..ze halen de boel bij me weg, haast nog voordat het àf is.. .Die Joodsche Wetschrijver daar, is aan Buffa verkocht, en hij is nog lang niet hàlf af. En die 'Kolen lossen' is ook al weg.. Dàn heb ik daar ' De Maaiers', pas opgezet.. .En die teekening hier, die zal óók wel goed worden!.. .Dat wordt een groot schilderij: een 'Joodsche Bruiloft', - het moment dat de bruidegom zijn bruid den ring aan den vinger steekt.. .Je ziet [er] nog niet veel àn, vin-je wel?.
Quote of Israëls, 1901-02; as cited by N.H. Wolf, in 'Bij onze Nederlandsche kunstenaars. IV. - Jozef Israëls, Grootmeester der Nederlandsche Schilders', in Wereldkroniek, 8 Feb. 1902
Wolf was visiting Israëls in his studio in The Hague as preparation for his coming article on the old artist
Quotes of Jozef Israels, after 1900

Art , Home , Wedding , Drawing

“.. I would like to ask your advice as a friend, namely whether you believe I should submit my painting 'Ouden en Jongen' [Old and Young ones'] to Brussels [exhibition] or not. I thought it was a nice painting, but now I read in the Handelsblad that it is so bad. What is truth about that. Please do me the favor to sent me some words sans facon [straight forward], what is your opinion about this.”

Jozef Israëls

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls' brief, in het Nederlands): .Ik wou echter als vriend van u nl:Johannes Bosboom een raad hebben dit namelijk of gij oordeelt dat ik mijne schilderij 'Ouden en Jongen' naar Brussel [tentoonstelling] zal zenden of niet. Ik dacht dat het een aardig schilderij was, maar nu las ik in het Handelsblad dat het zo slecht is. Wat is daarvan aan. Doe mij svp het genoegen mij hierop een woordje sans facon [zonder omwegen] te dienen, hoe gij het voor u zelf vindt.
Quote from his letter to J. Bosboom, from Bloemendaal, 27 June 1866 (HGA, input no. OV2, schildersbrieven (painter-letters)
Quotes of Jozef Israels, 1840 - 1870

Truth , Reading , Painting

“I take advantage of a painting that I now have at the Paris' exhibition. 3 orphan girls who are sewing in an interior room. I have sold [it] there for a nice price and have heard some interesting reviews published about it. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls

version in original Dutch (citaat van Jozef Israëls' brief, in het Nederlands): Ik heb nogal plaizier van eene schilderij die ik thans op de parijsche tentst. Heb. 3 weesmeisjes die in een binnekamer zitten te naaijen. Ik heb [het] daar voor een mooije prijs verkocht en hier en daar interessante kritieken over hooren uitbrengen.
In a letter to A.C. Vosmaer, June 1866; ARA - Tweede afdeling, Archief Vosmaer, input no. 249
Quotes of Jozef Israels, 1840 - 1870

Girl , Painting

“He [the painter J. A. Kruseman in Amsterdam] is very amicable with his students without exposing his mastery to disdain. I sometimes see him painting from time to time. And I almost visit daily his studio. You must know that his students don't work in the same room where the big man is staying... Sometimes one or two days pass that he doesn't see our work, he let follow the students their own way most of the time... Thanks God he tells me I have feeling and talent.”

Jozef Israëls

translation from original Dutch text: Fons Heijnsbroek
version in original Dutch (citaat uit de brief van Jozef Israëls, in het Nederlands): Hij [de schilder J.A. Kruseman te Amsterdam] gaat zeer amical met zijn discipelen om zonder zijn meesterschap aan minachting bloot te stellen. Ik zie hem nu en dan wel eens schilderen. En kom in zijn atelier bijna dagelijksch. Gij moet namenlijk weten dat zijn leerlingen niet in dezelfde kamer zitten te werken waar de groote man zit.. .Soms gaan er wel een of 2 dage voorbij dat hij het werk niet komt zien, hij laat de leerlingen meest hun eigen manier volgen.. .Hij zegt mij Gode zij dank gevoel en dispositie toe..
In a letter of Jozef Israels from Amsterdam, 16 July 1843, to his friend, pharmacist Essingh in Groningen; from R.K.D. Archive, A.S. Kok, The Hague
Quotes of Jozef Israels, 1840 - 1870

God , Way , Feeling , Time

“Is there a difference between a Jewish sea and a non-Jewish sea? What is a Jewish way of painting? (translation from Dutch: Fons Heijnsbroek)”

Jozef Israëls

version in Dutch (citaat van Israëls, in het Nederlands): Is er een verschil tussen een joodse zee en een niet-joodse zee? Wat is een joodse manier van schilderen?
Quote of Israëls in a talk with N. Sokolov, c. 1910's; published in Ishim part 3. by Sokolov (written in Hebrew); Tel Aviv, 1935, pp. 151-169
Quotes of Jozef Israels, after 1900

Way , Painting , Sea

“In this Summer time of ours with Scheveningen on the shore the bathing time and the hot weather I did very few things.... was only busy calculating my studies [for later paintings] and to see what I should do.... an interior with some figures an outside Schevening shore scene a scene with sentiment of feeling or a picture quite after nature so natural as if it was the old dutch school [17th century].... I hope the next days will bring me a safe outcome from the turbulations in my head, all is so fine and beautiful to do..”

Jozef Israëls

original text by Israëls
In a letter from The Hague, 26 August 1872, to his friend and colleague George Reid in Edinburgh; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 363
Quotes of Jozef Israels, 1871 - 1900

School , Beauty , Hope , Feeling

“Take care for purity in the paint and not so stinky thick of grease, thin, thin, thin! And just on the light [parts in the painting] here and there a small push of thick [paint].... thick house-interiors are unpleasant - long drawing before you start and arrange pleasantly together all things before you start to paint - if the money does not bother you, it is always useful to visit Rott. [Rotterdam].”

Jozef Israëls

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls' brief, in het Nederlands): Zorg voor zuiverheid in de verf en niet zoo stinkerig dik van smeerderij, dun, dun, dun, en zo op het licht hier en daar een zetje dik[ke verf].. ..dikke binnenhuizen zijn onaangenaam - lang teekenen voor je begint en het prettig bij elkaar arrangeren voor gij aan het verwen gaat - als het geld u niet begroot, is het altijd nuttig om eens naar Rott. [Rotterdam!?] te gaan.
Quote of a letter by Jozef Israels to painter David de la Mar, 1867; as cited in Mythen van het Atelier, ed. Mayken Jonkman & Eva Geudeker; d'jonge Hond, Zwolle/The Hague, 2010 – ISBN 9789089102065 ( source online http://delamar.bntours.nl/!mad1832-bronnen.html)
Israels' painting technique did develop only rather slowly. In 1867 he still gave this rather traditional academic advice to the young painter nl:David de la Mar
Quotes of Jozef Israels, 1840 - 1870

Money , Light , Parting , Drawing

“.. isn't it stupid that what you were writing in your article is still understood by so few people. Among others there was somebody - I believe in the [magazine] 'Nieuws van de Dag' -, who thought the 'Old woman in front of the hearth' [painting of Israels]….- how beautifully painted - was as sickening subject. - Furthermore, Alberd. Thijm [Dutch art-critic and very critical of Israel's' often applied 'dejection'] was also raving strongly about my pulling down of the togs of the poor people. Well-roared, lion, I thought - well understood [ironic! ] for what reason I painted it.. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls

version in original Dutch (citaat van Jozef Israëls in Nederlands): ..is het niet gek dat wat gij zegt in uw stuk nog door zo weinig mensen begrepen wordt. Onder anderen was er iemand ik geloof in het 'Nieuws van den Dag', die de 'oude vrouw bij den haard' [in een schilderij van Israels].. ..hoe mooi ook geschilderd walgelijk zegge walgelijk van onderwerp vond. – Voorts is [kunst-criticus, erg kritisch op Israëls' vaak toegepaste 'neerslachtigheid'] ook erg aan 't malen geweest over mijn omhalen van de plunje van de arme lui. Goed gebruld leeuw dacht ik – goed begrepen [ironisch!] waarvoor het geschilderd is..
In a letter, 10 May 1885, to A.S. Kok in The Hague; in R.K.D. The Hague: Archive of A.S. Kok
Quotes of Jozef Israels, 1871 - 1900

People , Stupidity , Art , Painting

“.. the owner [of the painting 'When one grows old', 1883].... had to hear a lot of comments about it, they called it the apotheosis of a cape, the figure much too big for the frame, etc. etc. [deleted by Israëls:] so they advised him to exchange it for one of my other works.”

Jozef Israëls

translation from the original Dutch: Fons Heijnsbroek
version in Dutch (citaat van Jozef Israëls, in het Nederlands): ..de eigenaar [van het schilderij 'Als men oud wordt', 1883].. ..moest er veel over hooren, men noemde het de apotheose van een schoudermantel, de figuur veel te groot voor het kader, enz. enz. [doorgestreept door Israëls:] zoodat men hem aanried het liever tegen wat anders bij mij te ruilen.
Quote of Israëls in his manuscript he wrote in 1904 for Jan Veth; HGA (Haagsch Gemeente Archief), input No. OV2, (painter-letters)
Quotes of Jozef Israels, after 1900

Painting

“It certainly will please you to read that after my small painting ['First Love', c. 1856] what you have seen in Rotterdam, a large lithography is being made now by Lord Mouilleron, France's first lithographer… It becomes very beautiful. (translation from original Dutch text: Fons Heijnsbroek).”

Jozef Israëls

version in original Dutch (citaat uit de brief van Jozef Israëls in het Nederlands): Het zal u zeker plaisier doen te vernemen dat naar mijn schilderijtje ['Eerste Liefde', c. 1856] welke gij in Rotterdam gezien hebt eene groote lithografie vervaardigd wordt en wel door Heer Mouilleron, Frankrijks eerste lithograaf.. .Hij wordt zeer mooi.
Quote in his letter from Amsterdam, 1857, to publisher in The Hague; from LTK 1795, XIII nr. 140, University Library of Leiden
Mouilleron was making the lithography at the studio of Israëls on the Rozengracht in Amsterdam, under the eyes of the painter himself
Quotes of Jozef Israels, 1840 - 1870

Love , Beauty , Reading , Painting

“That's how it is
One day two paintings were hanging,
Right opposite each other
Really colorful and beautiful the one
And the other simple and honest
* That simplicity and truth are the characteristics
of science and of art.
Well, people can not understand that.
It was to the tinsel that they gave their favor.”

Jozef Israëls

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (kort gedicht van Jozef Israëls, in het Nederlands):
Zoo is het
Er hingen eens twee schilderijen,
Juist vlak tegenover elkaar
Regt kleurig en schitterend de eene
En d'ander eenvoudig en waar
** Dat eenvoud en waarheid het kenmerk
Van wetenschap is en van kunst
Och, dat kan het volk niet begrijpen
En [aan] 't klatergoud schonk het zijn gunst.
A short poem of Israëls, written in his letter from The Hague, 13 Dec. 1876 to art-seller Pilgeram & Lefèvre in London; from collection of Fondation Custodia, Institut Neérlandais Paris, input no. 1971-A 506
Quotes of Jozef Israels, 1871 - 1900

People , Truth , Beauty , Art

“.. it [his watercolor 'New Flower' ['Het Bloempje', 1880] is one of those pictures, I did my best to finish it highly, as the story is nice and pleasant [where] other pictures may be more necessarily rough or strong being paint in an other mood. But this new flower needed a tender hand and conspicuous attention for details.”

Jozef Israëls

Quote from his letter, 23 Nov 1906, to E.D. Libbey in Toledo (TMA); as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 306
E.D. Libbey was one of the initiators of the Toledo-museum; the watercolor was in his private collection till 1925
Quotes of Jozef Israels, after 1900

Flowers , Mood , Strong , Painting

“As the paintings the 'Night Watch' and the 'Staalmeesters' [famous works of Rembrandt ] are showed now it is clear to everyone that they have searched but, indeed messed with it, to enable these paintings to do what they can do [visually]. But you see, they did not find a good solution just because they appreciated the museum itself [a rather new building, then! ] higher than the paintings themselves. I told at the very first opening of the Rijksmuseum [1885] already everyone who wanted to listen to me: in this room, where the Night Watch' is hanging now, it can never comes to its full right…. There must be built for the 'Night Watch' and for the 'Staalmeesters' a separate room each…. [with] standing light and the paintings positioned on an easel or standard behind…. I just want to add here, that my own studio can serve as a very special model…. concerning the sizes and the lighting.”

Jozef Israëls

Quote from Israëls' letter to the Dutch Minister S. van Houten, 4 Nov. 1894; as cited in In het Rijksmuseum, Jan Veth (translation from the original Dutch: Fons Heijnsbroek); Holkema's Boekhandel http://docplayer.nl/42488824-In-het-rijksmuseum-door-jan-veth-met-twee-brieven-van-jozef-israels-holkema-s-boekhandel-i-4-november-mdcccxciv.html, Amsterdam, 1894, p. 10
During Israel's whole artistic life Rembrandt was his inspiration and had a strong impact on his own painting-style
Quotes of Jozef Israels, 1871 - 1900

Search , Light , Painting , Night

“That is always difficult [making a repetition of an sold painting] and can only become a potboiler. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls

version in original Dutch (citaat van Jozef Israëls in Nederlands): Dat is altijd lastig [een herhaling maken van een al verkocht schilderij] en kan slechts een potboiler [ding voor de verkoop] worden.
In a letter, 13 Dec. 1876, to art-sellers Pilgeram & Lefèvre in London; Foundation Custodia, Paris,input no. 1971-A.506
Israëls was asked to make a duplicate of his painting 'Karig Maal / The Frugal Meat', but refused it and proposed a painting with the same subject, a shoemaker figure, but now sitting at a cradle with his wife cutting bread in the background
Quotes of Jozef Israels, 1871 - 1900

Painting