Jordan Peterson: Good

Jordan Peterson is Canadian clinical psychologist, cultural critic, and professor of psychology. Explore interesting quotes on good.
Jordan Peterson: 404 quotes240 likes

“The human race is trying to work out: 'well, what's the ultimate sacrifice?' It's something like that. The ultimate sacrifice of value. Well, the Passion story - and I told you was foreshadowing - is that there is a supreme sacrifice demanded on the part of the Mother, and there's a supreme sacrifice demanded on the part of the Father, all at the same time. That makes the supreme sacrifice possible. And hypothetically, that's the one that renews. That's the sacrifice that renews and redeems. It's a hell of an idea, man. And the things about it is: I don't know if it's true. But I know that its opposite is false. And generally the opposite of something that's false is true. If the mother doesn't make the sacrifice, then you get the horrible Oedipal situation in the household, which is its own catastrophic hell. If the maternal sacrifice isn't there, then that doesn't work. If the paternal sacrifice isn't there - if the father isn't willing to put his son out into the world, then that's a non-starter because the kid doesn't grow up. And if the son isn't willing to do that, then who the hell is going to shoulder the responsibility. So if those three things don't happen, it's chaos, it's cataclysmic, it's hell. If they do happen, is it the opposite of that? Well, maybe you could say it depends on the degree to which they happen. And it's a continuum. How thoroughly can they happen? Well, we don't know, because you might say, 'How good of a job do you do of encouraging your children to live in truth?”

Jordan Peterson

Well, that's part of the answer to this question. And the answer likely is: well, you don't do as good a job of it as you could. So it works out quite well, but you don't know how well it could work if you did it really well, or spectacularly well, or ultimately well or something like that. You don't know."
Bible Series V: Cain and Abel: The Hostile Brothers
Concepts

“"What's common across all human experience across all time? That's what Jung essentially meant by an archetype. We tend to think that what we see with our senses is real. And of course that's true, but what we see with our senses is what's real that works in the time frame that we exist in. So we see things that we can touch and pick up - we see tools, essentially, that are useful for our moment to moment activities. We don't see the structures of eternity, and we especially don't see the abstract structures of eternity. We have to imagine those with our imagination. Well that's partly what those stories are doing. They're saying that there are forms of stability that transcend our capacity to observe, which is hardly surprising. We know that if we are scientists, because we are always abstracting out things that we can't immediately observe. But there are moral, or metaphysical, or phenomenological realities that have the same nature. You can't see them in your life by observing them with your senses, but you can imagine them with your imagination, and sometimes the things that you imagine with your imagination are more real than the things that you see. Numbers are like that, for example. There are endless things like that. Same with fiction. A good work of fiction is more real than the stories from which it was derived. Otherwise it has no staying power. It's distilled reality. And some would say "it never happened," but it depends on what you mean by "happened." If it's a pattern that repeats in many many places, with variation, you can abstract out the central pattern. So the pattern never purely existed in any specific form, but the fact that you pulled a pattern out from all those exemplars means that you've extracted something real. I think the reason that the story of Adam and Eve has been immune to being forgotten is because it says things about the nature of the human condition that are always true."”

Jordan Peterson

Concepts

“A good work of fiction is more real than the stories from which it was derived. Otherwise it has no staying power. It's distilled reality. And some would say "it never happened," but it depends on what you mean by "happened."”

Jordan Peterson

If it's a pattern that repeats in many, many places, with variation, you can abstract out the central pattern. So the pattern never purely existed in any specific form, but the fact that you pulled a pattern out from all those exemplars means that you've extracted something real. I think the reason that the story of Adam and Eve has been immune to being forgotten is because it says things about the nature of the human condition that are always true.
Other

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

“Partly what you need to do is decide what your highest value is. It's the star. What are you aiming for? You can decide. But there are some criteria. It should be good for you in a way that facilitates your moving forward. Maybe it should be good for you in a way that's also good for your family, as well as for the larger community. It should cover the domain of life. There's constraints on what you should regard as a value, but within those constraints you have the choice. You have choice. The thing is that people will carry a heavy load if they get to pick the load. And they think, 'well, I won't carry any load.' Ok, fine, but then you'll be like the slead dog that has nothing to pull. You'll get bored. People are pack animals. They need to pull against a wait. And that's not true for everyone. It's not true for conscientious people. For the typical person, they'll eat themselves up unless they have a load. This is why there's such an opiate epidemic among so many dispossessed white, middle aged, unemployed men in the U. S. They lose their job, and then they're done. They despise themselves. They develop chronic pain syndromes and depression. And the chronic pain is treated with opiates. That's what we're doing. And you should watch when you talk to young men about responsibility. They're so thrilled about it. It just blows me away. Really?! That's what the counter-culture is? Grow up and do something useful. Really? I can do that? Oh, I'm so excited by that idea. No one ever mentioned that before. Rights, rights, rights, rights. Jesus. It's appalling. People have had enough of that. And they better have, because it's a non-productive mode of being. Responsibility, man. That's where the meaning in life is.”

Jordan Peterson

Concepts

“The moral relativists ask: what do you mean by should? Here's how you should act: Act in a way so that things are good for you like they would be for someone you're taking care of. But they have to be good for you in a way that's also good for your family, and they have to be good for you and your family also in a way that's good for society (and maybe even good for the broader environment if you can manage that), so it's balanced at all those levels. And it has to be good for you, your family, and society right now, AND next week, AND next month, AND a year from now, AND ten years from now. It's this harmonious balancing of multiple layers of Being simultaneously, and that's a Darwinian reality, I would say. Your brain is actually attuned to tell you when you are doing that. And the way it tells you is that it reveals that what you're doing is meaningful. That's the sign. Your nervous system is adapted to do this. It's adapted to exist on the edge between order and chaos. Chaos is where things are so complex that you can't handle it, and order is where things are so rigid that it's too restrictive. In between that, there's a place. It's a place that's meaningful. It's where you're partly stabilized, and partly curious. You're operating in a manner that increases your scope of knowledge, so you're inquiring and growing, and at the same time you're stabilizing and renewing you, your family, society, nature; now, next week, next month, and next year. When you have an intimation of meaning, then you know you're there.""Lies and deception destroy people's lives. When they start telling the truth and acting it out, things get a lot better.”

Jordan Peterson

Concepts

“What does opening your eyes and realizing your vulnerability have to do with the knowledge of good and evil?”

Jordan Peterson

Here's the key: You know you're vulnerable. No other animal knows that. You know what hurts you, because you're vulnerable. And now that you know what hurts you, you can figure out what hurts someone else. And as soon as you know what can hurt someone as, and you can use that, then you have the knowledge of good and evil. Well it's a pretty good trick that the snake pulled because it doesn't seem like the thing that we would have exactly wanted if we knew what the consequence was going to be. As soon as a human being is self conscious and aware of his nakedness, then he has the capacity for evil. That's introduced into the world right at that point."
Concepts