John Ruskin: Use

“Nature is painting for us, day after day, pictures of infinite beauty if only we have the eyes to see them.”

John Ruskin

Beauty , Nature , Painting

“Every increased possession loads us with new weariness.”

John Ruskin

“God is a kind Father. He sets us all in the place where He wishes us to be employed; and that employment is truly "our Father's business."”

John Ruskin

He chooses work for every creature which will be delightful to them, if they do it simply and humbly. He gives us always strength enough, and sense enough, for what He wants us to do; if we either tire ourselves, or puzzle ourselves, it is our own fault. And we may always be sure, whatever we are doing, that we cannot be pleasing Him, if we are not happy ourselves.

P. 123
Dictionary of Burning Words of Brilliant Writers (1895)

Business , God

“The entire vitality of art depends upon its being either full of truth, or full of use”

John Ruskin

Lecture IV
Lectures on Art (1870)
Context: The entire vitality of art depends upon its being either full of truth, or full of use; and that, however pleasant, wonderful, or impressive it may be in itself, it must yet be of inferior kind, and tend to deeper inferiority, unless it has clearly one of these main objects, — either to state a true thing, or to adorn a serviceable one.

Truth , Art , Dependency

“Sunshine is delicious, rain is refreshing, wind braces us up, snow is exhilarating; there is really no such thing as bad weather, only different kinds of good weather.”

John Ruskin

Beauty , Peaceful , Weather

“But now, having no true business, we pour our whole masculine energy into the false business of money-making; and having no true emotion, we must have false emotions dressed up for us to play with”

John Ruskin

Sesame and Lilies.
Context: When men are rightly occupied, their amusement grows out of their work, as the colour-petals out of a fruitful flower;—when they are faithfully helpful and compassionate, all their emotions become steady, deep, perpetual, and vivifying to the soul as the natural pulse to the body. But now, having no true business, we pour our whole masculine energy into the false business of money-making; and having no true emotion, we must have false emotions dressed up for us to play with, not innocently, as children with dolls, but guiltily and darkly.

Money , Business , Falseness

“When we build, let us think that we build for ever.”

John Ruskin book The Seven Lamps of Architecture

Source: The Seven Lamps of Architecture (1849), Chapter VI: The Lamp of Memory, section 10.

Thinking

“There are, indeed, two forms of discontent: one laborious, the other indolent and complaining. We respect the man of laborious desire, but let us not suppose that his restlessness is peace, or his ambition meekness. It is because of the special connection of meekness with contentment that it is promised that the meek shall "inherit the earth." Neither covetous men, nor the Grave, can inherit anything; they can but consume. Only contentment can possess.”

John Ruskin book Modern Painters

Volume V, part IX, chapter XI (1860).
Modern Painters (1843-1860)

Men , Peace

“In old times, men used their powers of painting to show the objects of faith; in later times, they used the objects of faith that they might show their powers of painting.”

John Ruskin book The Stones of Venice

Volume II, chapter IV, section 103.
The Stones of Venice (1853)

Men , Faith , Time , Painting

“Suppose any person to be put in possession of a large estate of fruitful land, with rich beds of gold in its gravel; countless herds of cattle in its pastures; houses, and gardens, and storehouses full of useful stores; but suppose, after all, that he could get no servants? In order that he may be able to have servants, some one in his neighbourhood must be poor, and in want of his gold — or his corn. Assume that no one is in want of either, and that no servants are to be had. He must, therefore, bake his own bread, make his own clothes, plough his own ground, and shepherd his own flocks. His gold will be as useful to him as any other yellow pebbles on his estate. His stores must rot, for he cannot consume them. He can eat no more than another man could eat, and wear no more than another man could wear. He must lead a life of severe and common labour to procure even ordinary comforts; he will be ultimately unable to keep either houses in repair, or fields in cultivation; and forced to content himself with a poor man's portion of cottage and garden, in the midst of a desert of waste land, trampled by wild cattle, and encumbered by ruins of palaces, which he will hardly mock at himself by calling "his own."”

John Ruskin book Unto This Last

Essay II: "The Veins of Wealth," section 29.
Unto This Last (1860)

Life , Housing , Personality , Clothes

“Inequalities of wealth, unjustly established, have assuredly injured the nation in which they exist during their establishment; and, unjustly directed, they injure it yet more during their existence. But inequalities of wealth justly established, benefit the nation in the course of their establishment; and, nobly used, aid it yet more by their existence.”

John Ruskin book Unto This Last

Essay II: page 280.
Unto This Last (1860)

Wealth

“And besides; the problem of land, at its worst, is a bye one; distribute the earth as you will, the principal question remains inexorable, —Who is to dig it? Which of us, in brief word, is to do the hard and dirty work for the rest, and for what pay?</b”

John Ruskin

Sesame and Lilies, lecture II: Lilies http://www.fullbooks.com/Sesame-and-Lilies3.html

Question , Problem

“All violent feelings have the same effect. They produce in us a falseness in all our impressions of external things, which I would generally characterize as the "Pathetic Fallacy."”

John Ruskin book Modern Painters

Volume III, part IV, chapter XII (1856).
Modern Painters (1843-1860)
Variant: All violent feelings have the same effect. They produce in us a falseness in all our impressions of external things, which I would generally characterize as the pathetic fallacy.

Feeling , Falseness

“You think it a great triumph to make the sun draw brown landscapes for you! That was also a discovery, and some day may be useful. But the sun had drawn landscapes before for you, not in brown, but in green, and blue, and all imaginable colours, here in England. Not one of you ever looked at them, then; not one of you cares for the loss of them, now, when you have shut the sun out with smoke, so that he can draw nothing more, except brown blots through a hole in a box. There was a rocky valley between Buxton and Bakewell, once upon a time, divine as the vale of Tempe; you might have seen the Gods there morning and evening, — Apollo and all the sweet Muses of the Light — walking in fair procession on the lawns of it, and to and fro among the pinnacles of its crags. You cared neither for Gods nor grass, but for cash (which you did not know the way to get); you thought you could get it by what the Times calls "Railroad Enterprise." You Enterprised a Railroad through the valley — you blasted its rocks away, heaped thousands of tons of shale into its lovely stream. The valley is gone, and the gods with it; and now, every fool in Buxton can be at Bakewell in half-an-hour, and every fool in Bakewell at Buxton; which you think a lucrative process of exchange — you Fools Everywhere.”

John Ruskin book Fors Clavigera

Fors Clavigera, letter v (1 May 1871).
Fors Clavigera (1871-1878 and 1880-1884)

Love , God , Fools , Way

“Other men used their effete faiths and mean faculties with a high moral purpose. The Venetian gave the most earnest faith, and the lordliest faculty, to gild the shadows of an antechamber, or heighten the splendours of a holiday.”

John Ruskin book Modern Painters

Volume V, part IX, chapter III, section 52 (1860).
Modern Painters (1843-1860)

Men , Faith , Holiday

“Without perfect sympathy with the animals around them, no gentleman's education, no Christian education, could be of any possible use.”

John Ruskin

At the annual meeting of the Royal Society for the Prevention of Cruelty to Animals (1877), in Arrows of the Chase, vol. 2 (in The Complete Works of John Ruskin, vol. 23 https://books.google.it/books?hl=it&id=Gpc3AAAAYAAJ), p. 129.

Education , Animals , Perfection

“In all base schools of art, the craftsman is dependent for his bread on originality; that is to say, on finding in himself some fragment of isolated faculty, by which his work may be distinct from that of other men. We are ready enough to take delight in our little doings, without any such stimulus; — what must be the effect of the popular applause which continually suggests that the little thing we can separately do is as excellent as it is singular; and what the effect of the bribe, held out to us through the whole of life, to produce — it being also in our peril not to produce — something different from the work of our neighbors?”

John Ruskin

Lecture II, section 32.
The Eagle's Nest (1872)

Life , Men , School , Art

“God is a kind Father. He sets us all in the place where He wishes us to be employed; and that employment is truly "our Father's business." He chooses work for every creature which will be delightful to them, if they do it simply and humbly. He gives us always strength enough, and sense enough, for what He wants us to do; if we either tire ourselves, or puzzle ourselves, it is our own fault. And we may always be sure, whatever we are doing, that we cannot be pleasing Him, if we are not happy ourselves.”

John Ruskin

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 123.

God , Business , Sense , Happiness

“For this dead Venice once taught us to be merchants, sailors and gentlemen; and this dying England taught the Americans all they have of speech, or thought, hitherto. What thoughts they have not learned from England are foolish thoughts; what words they have not learned from England, unseemly words; the vile among them not being able even to be humorous parrots, but only obscene mocking birds.”

John Ruskin book Fors Clavigera

Fors Clavigera,, letter xlii, ( 1 June 1874 https://archive.org/stream/forsclavigera02ruskiala#page/204/mode/2up; quoted by William Archer in America To-Day).
Fors Clavigera (1871-1878 and 1880-1884)

Bird , Learning , Dead

“Work first and then rest. Work first, and then gaze, but do not use golden ploughshares, nor bind ledgers in enamel.”

John Ruskin book The Seven Lamps of Architecture

Source: The Seven Lamps of Architecture (1849), Chapter IV: The Lamp of Beauty, section 19.