John Ruskin: Doing

John Ruskin was English writer and art critic. Explore interesting quotes on doing.
John Ruskin: 266   quotes 33   likes

“Education does not mean teaching people what they do not know. It means teaching them to behave as they do not behave.”

John Ruskin
People , Education

“What we think, or what we know, or what we believe is, in the end, of little consequence. The only consequence is what we do.”

John Ruskin

The Crown of Wild Olive, lecture IV: The Future of England, section 151 (1866).

Thinking

“In order that people may be happy in their work,
these three things are needed:
they must be fit for it;
they must not do too much of it;
and they must have a sense of success in it.”

John Ruskin
People , Sense , Success , Happiness

“All you have really to do is to keep your back as straight as you can; and not think about what is upon it. The real and essential meaning of "virtue" is that straightness of back.”

John Ruskin

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 170.

Thinking

“And besides; the problem of land, at its worst, is a bye one; distribute the earth as you will, the principal question remains inexorable, —Who is to dig it? Which of us, in brief word, is to do the hard and dirty work for the rest, and for what pay?</b”

John Ruskin

Sesame and Lilies, lecture II: Lilies http://www.fullbooks.com/Sesame-and-Lilies3.html

Question , Problem

“In all base schools of art, the craftsman is dependent for his bread on originality; that is to say, on finding in himself some fragment of isolated faculty, by which his work may be distinct from that of other men. We are ready enough to take delight in our little doings, without any such stimulus; — what must be the effect of the popular applause which continually suggests that the little thing we can separately do is as excellent as it is singular; and what the effect of the bribe, held out to us through the whole of life, to produce — it being also in our peril not to produce — something different from the work of our neighbors?”

John Ruskin

Lecture II, section 32.
The Eagle's Nest (1872)

Life , Men , School , Art

“We have much studied and much perfected, of late, the great civilized invention of the division of labour; only we give it a false name. It is not, truly speaking, the labour that it divided; but the men: — Divided into mere segments of men — broken into small fragments and crumbs of life; so that all the little piece of intelligence that is left in a man is not enough to make a pin, or a nail, but exhausts itself in making the point of a pin or the head of a nail. Now it is a good and desirable thing, truly, to make many pins in a day; but if we could only see with what crystal sand their points were polished, — sand of human soul, much to be magnified before it can be discerned for what it is — we should think that there might be some loss in it also. And the great cry that rises from our manufacturing cities, louder than their furnace blast, is all in very deed for this, — that we manufacture everything there except men; we blanch cotton, and strengthen steel, and refine sugar, and shape pottery; but to brighten, to strengthen, to refine, or to form a single living spirit, never enters into our estimate of advantages. And all the evil to which that cry is urging our myriads can be met only in one way: not by teaching nor preaching, for to teach them is but to show them their misery, and to preach at them, if we do nothing more than preach, is to mock at it. It can only be met by a right understanding, on the part of all classes, of what kinds of labour are good for men, raising them, and making them happy; by a determined sacrifice of such convenience or beauty, or cheapness as is to be got only by the degradation of the workman; and by equally determined demand for the products and results of healthy and ennobling labour.”

John Ruskin book The Stones of Venice

Volume II, chapter VI, section 16.
The Stones of Venice (1853)

Life , Men , Beauty , Way

“The zealous care with which J. M. W. Turner endeavoured to do his duty, is proved by a large existing series of drawings, exquisitely tinted, and often completely coloured, all by his own hand, of the most difficult perspective subjects—illustrating not only directions of line, but effects of light - with a care and completion which would put the work of any ordinary teacher to utter shame. In teaching generally — he would neither waste time nor spare it - he would look over a student's drawing at the Academy, point to a defective part, make a scratch on the paper at the side, say nothing. If the student saw what was wanted, and did it, Turner was delighted; but if the student could not follow. Turner left him.”

John Ruskin

Quote, c. 1850's; describing Turner's perspective lectures; as quoted in The life of J.M.W. Turner, Volume II, George Walter Thornbury; Hurst and Blackett Publishers, London, 1862, p. 108

Light , Teachers , Time , Parting

“God is a kind Father. He sets us all in the place where He wishes us to be employed; and that employment is truly "our Father's business." He chooses work for every creature which will be delightful to them, if they do it simply and humbly. He gives us always strength enough, and sense enough, for what He wants us to do; if we either tire ourselves, or puzzle ourselves, it is our own fault. And we may always be sure, whatever we are doing, that we cannot be pleasing Him, if we are not happy ourselves.”

John Ruskin

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 123.

God , Business , Sense , Happiness

“I do not believe that ever any building was truly great, unless it had mighty masses, vigorous and deep, of shadow mingled with its surface.”

John Ruskin book The Seven Lamps of Architecture

Source: The Seven Lamps of Architecture (1849), Chapter III: The Lamp of Power, section 13.

“Work first and then rest. Work first, and then gaze, but do not use golden ploughshares, nor bind ledgers in enamel.”

John Ruskin book The Seven Lamps of Architecture

Source: The Seven Lamps of Architecture (1849), Chapter IV: The Lamp of Beauty, section 19.

“What do you suppose makes all men look back to the time of childhood with so much regret (if their childhood has been, in any moderate degree, healthy or peaceful)? That rich charm, which the least possession had for us, was in consequence of the poorness of our treasures.”

John Ruskin

Lecture V, section 82.
The Eagle's Nest (1872)

Men , Peace , Time , Childhood

“It's unwise to pay too much, but it's worse to pay too little. When you pay too much, you lose a little money — that is all. When you pay too little, you sometimes lose everything, because the thing you bought was incapable of doing the thing it was bought to do. The common law of business balance prohibits paying a little and getting a lot — it can't be done. If you deal with the lowest bidder, it is well to add something for the risk you run, and if you do that you will have enough to pay for something better.”

John Ruskin

Known as the Common Law of Business Balance, this quotation has been widely attributed to Ruskin but has never been sourced to any of his works.
[Shapiro, Fred R., The Yale Book of Quotations, 2006, Yale University Press, New Haven, 657]
Disputed

Money , Law , Business

“Ask a great money-maker what he wants to do with his money, — he never knows. He doesn't make it to do anything with it. He gets it only that he may get it. "What will you make of what you have got?" you ask. "Well, I'll get more," he says. Just as at cricket, you get more runs. There's no use in the runs, but to get more of them than other people is the game. So all that great foul city of London there, — rattling, growling, smoking, stinking, — a ghastly heap of fermenting brickwork, pouring out poison at every pore, — you fancy it is a city of work? Not a street of it! It is a great city of play; very nasty play and very hard play, but still play.”

John Ruskin

The Crown of Wild Olive, lecture I: Work, sections 23-24 (1866).

Money , People , Game

“To invent a story, or admirably and thoroughly tell any part of a story, it is necessary to grasp the entire mind of every personage concerned in it, and know precisely how they would be affected by what happens; which to do requires a colossal intellect: but to describe a separate emotion delicately, it is only needed that one should feel it oneself; and thousands of people are capable of feeling this or that noble emotion, for one who is able to enter into all the feelings of someone sitting on the other side of the table.”

John Ruskin book Modern Painters

Volume III, part IV, chapter XVI (1856).
Modern Painters (1843-1860)

People , Feeling , Parting

“"The work of men" — and what is that? Well, we may any of us know very quickly, on the condition of being wholly ready to do it. But many of us are for the most part thinking, not of what we are to do, but of what we are to get; and the best of us are sunk into the sin of Ananias, and it is a mortal one — we want to keep back part of the price; and we continually talk of taking up our cross, as if the only harm in a cross was the weight of it — as if it was only a thing to be carried, instead of to be — crucified upon. "They that are Christ's have crucified the flesh, with the affections and lusts."”

John Ruskin

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 405.

Men , Thinking , Christ , Parting

“Primarily, which is very notable and curious, I observe that men of business rarely know the meaning of the word 'rich'. At least, if they know, they do not in their reasoning allow for the fact, that it is a relative word, implying its opposite 'poor' as positively as the word 'north' implies its opposite 'south'. Men nearly always speak and write as if riches were absolute, and it were possible, by following certain scientific precepts, for everybody to be rich. Whereas riches are a power like that electricity, acting only through inequalities or negations of itself. The force of the guinea you have in your pockets depends wholly on the default of a guinea in your neighbour's pocket. If he did not want it, it would be of no use to you; the degree of power it possesses depends accurately upon the need or desire he has for it,— and the art of making yourself rich, in the ordinary mercantile economist's sense, is therefore equally and necessarily the art of keeping your neighbour poor.”

John Ruskin book Unto This Last

Essay two: 'The Veins of Wealth'.
Unto This Last (1860)

Men , Art , Business , Sense

“You must either make a tool of the creature, or a man of him. You cannot make both. Men were not intended to work with the accuracy of tools, to be precise and perfect in all their actions. If you will have that precision out of them, and make their fingers measure degrees like cog-wheels, and their arms strike curves like compasses, you must unhumanize them. All the energy of their spirits must be given to make cogs and compasses of themselves….On the other hand, if you will make a man of the working creature, you cannot make him a tool. Let him but begin to imagine, to think, to try to do anything worth doing; and the engine-turned precision is lost at once. Out come all his roughness, all his dulness, all his incapability; shame upon shame, failure upon failure, pause after pause: but out comes the whole majesty of him also; and we know the height of it only when we see the clouds settling upon him.”

John Ruskin book The Stones of Venice

Volume II, chapter VI, section 12
The Stones of Venice (1853)

Imagination , Perfection , Thinking , Making love

“Ask a great money-maker what he wants to do with his money, — he never knows. He doesn't make it to do anything with it. He gets it only that he may get it. "What will you make of what you have got?"”

John Ruskin

you ask. "Well, I'll get more," he says. Just as at cricket, you get more runs. There's no use in the runs, but to get more of them than other people is the game. So all that great foul city of London there, — rattling, growling, smoking, stinking, — a ghastly heap of fermenting brickwork, pouring out poison at every pore, — you fancy it is a city of work? Not a street of it! It is a great city of play; very nasty play and very hard play, but still play.

The Crown of Wild Olive, lecture I: Work, sections 23-24 (1866)

Money , Making love