Giorgio Morandi: Quotes about life

“I have been fortunate enough to lead.... an uneventful life. Only on very rare occasions have I ever left Bologna, my native city, and the surrounding province of Emilia. Only twice, for instance, have I been abroad... Besides, I speak only my native language, as you see, and read only Italian periodicals... When I was in my early twenties, my highest ambition was to go abroad study art in Paris.... the material difficulties involved were too great, and I was obliged to remain in Italy. Later I had too many responsibilities, with my teaching and my family [his sisters he lived with] and never managed to go abroad.”

Giorgio Morandi

Source: 1945 - 1964, Interview, 1960, p. 106

Life , Family , Art , Sister

“… [enabled] to touch the core, the essence of things. Even in as simple a subject, a great painter can achieve a majesty of vision and an intensity of feeling to which we immediately respond. [1937, referring to a still life by Cézanne and a river-sight with sandbank by Monet ]”

Giorgio Morandi

in Giorgio Morandi, E. Roditi; p. 63
1925 - 1945

Life , Feeling

“Perhaps I will have photographs taken of the still life with the round table and of the other with oranges and the [piece of] furniture behind.”

Giorgio Morandi

in his letter to the Bolognese writer Raimondi of September 11, 1919; as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 102
Morandi was referring to some still life paintings he recently made, and he pressed Raimondi to lend him the monograph of Cézanne (written by Vollard and published in 1914).
1925 - 1945

Life

“.. my own paintings of that period (1916 – 1919) remain pure still-life compositions and never suggest any metaphysical, surrealist, psychological, or literary considerations at all [reacting on similarities with the art of Carrà, and de Chirico, suggested by the interviewer]. My milliners' dummies, for instance, are objects like others and have not been selected to suggest symbolic representations of human beings of legendary or mythological characters. The only titles that I chose for these paintings were conventional, like 'Still Life, Flowers or Landscape', without any implications of strangeness of an unreal world”

Giorgio Morandi

as in Surrealism or in 'Pittura Metafisica' of De Chirico
Source: 1945 - 1964, Interview, 1960, pp. 106-107

Life , World , Art , Flowers

“I am now working on a still life with a bottle and other objects spread out on a plane and it seems to be turning out well.”

Giorgio Morandi

1925 - 1945

Life

“.. my favorite artist, when I first began to paint, was actually Cézanne. Later, between 1920 – 1930, I developed a great interest in Chardin [famous for his still-life], w:Vermeer and Corot, too.... that's why you have been able to detect in my works of between 1912 – 1916 some recognizable influences of the early Paris cubists and above all, of Cézanne.”

Giorgio Morandi

Source: 1945 - 1964, Interview, 1960, p. 106