Georgia O'Keeffe: Likeness

Georgia O'Keeffe was American artist. Explore interesting quotes on likeness.
Georgia O'Keeffe: 118   quotes 34   likes

“Nobody sees a flower - really - it is so small it takes time - we haven't time - and to see takes time, like to have a friend takes time.”

Georgia O'Keeffe

O'Keeffe's contribution (1939) to the exhibition catalogue of the show An American place (1944)
1930 - 1950
Source: Georgia O'Keeffe
Context: A flower is relatively small. Everyone has many associations with a flower - the idea of flowers. You put out your hand to touch the flower — lean forward to smell it — maybe touch it with your lips almost without thinking — or give it to someone to please them. Still — in a way — nobody sees a flower — really — it is so small — we haven't time — and to see takes time, like to have a friend takes time... So I said to myself — I'll paint what I see — what the flower is to me but I'll paint it big and they will be surprised into taking time to look at it — I will make even busy New-Yorkers take time to see what I see of flowers... Well — I made you take time to look at what I saw and when you took time to really notice my flower, you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower — and I don't.

Flowers , Time

“I do not like the idea of happiness — it is too momentary — I would say that I was always busy and interested in something — interest has more meaning to me than the idea of happiness.”

Georgia O'Keeffe

In notes to Anita Pollitzer, Abiquiu, New Mexico, (after February, 1968); as quoted in The Complete Correspondence of Georgia O’Keeffe & Anita Pollitzer, ed. Clive Giboire, Touchstone Books, Simon & Schuster Inc., New York, 1990, p. 324
1960s

Idea , Business , Happiness

“I have things in my head that are not like what anyone taught me — shapes and ideas so near to me, so natural to my way of being and thinking.”

Georgia O'Keeffe
Way , Idea , Nature , Thinking

“I got a new Ford and learned to drive it – I even painted – and I laughed a great deal – I went every place that I had time for – and I am ready to go back East as long as I have to go sometime – If it were not for the Stieglitz [her husband then]] call I would probably never go – but that is strong – so I am on the way... I hope a little of it stays with me till I see you – It is my old way of life – you wouldn't like it – it would seem impossible to you as it does to Stieglitz, probably – but it is mine – and I like it – I would just go dead if I couldn't have it..”

Georgia O'Keeffe

Source: 1917 - 1929, Letter to Ettie Stettheimer' (August 1929), p. 227

Life , Hope , Way , Strong

“On the way I stood a moment looking out across the marshes with tall cattails, a patch of water, more marsh, then the woods with a few birch trees shining white at the edge on beyond. In the darkness it all looked just like I felt. Wet and swampy and gloomy, very gloomy. In the morning I painted it. My memory of it is that it was probably my best painting that summer..”

Georgia O'Keeffe

About the summer of Art Students League, New York 1913/14
1970s, Some Memories of Drawings (1976)

Way , Tree , Water , Memory

“Those perilous climbings [with her sister Claudia, in the Palo Duro Canyon, 1916] were frightening, but it was wonderful to me and not like anything I had known before. The fright of the day was still with me in the night and I would often dream that the foot of my bed rose straight up into the air — then just as it was to fall I would wake up. Many drawings came from days like that, and later some oil paintings.”

Georgia O'Keeffe

About climbing the Palo Duro Canyon, 1916
1970s, Some Memories of Drawings (1976)

Dreams , Sister , Drawing , Painting

“Today I walked into the sunset — to mail some letters —... But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept walking - The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and some times sheet lightning with a sharp bright zigzag flashing across it -. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at — the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon. Well I just sat there and had a great time by myself — Not even many night noises — just the wind —... I wondered what you were doing - It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldn't tell which house was home - I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful”

Georgia O'Keeffe

Canyon, Texas (September 11, 1916), pp. 183-184
1915 - 1920, Letters to Anita Pollitzer' (1916)

Love , Way , Home , Tree

“The clean clear colours [of a Shanty farm] were in my head. But one day as I looked at the brown burned wood of the Shanty, I thought 'I can paint one of those dismal-coloured paintings like the men. I think just for fun I will try — all low-toned and dreary with the tree besides the door.' In my next show [c. 1923], 'The Shanty' went up. The men seemed to approve of it. They seemed to think that maybe I was beginning to paint…. that was my only low-toned dismal-coloured painting.”

Georgia O'Keeffe

1970 - 1986, Some Memories of Drawings (1976)

Men , Thinking , Tree , Painting

“As I opened the door — I heard cattle — many — in the pens over by the track — lowing — I wonder if you ever heard a whole lot of cattle lowing — it sounds different here — too — just ground and sky — and the lowing cattle — you hardly see — either them or the pens — the pens are of weather beaten boards — take on the color of the ground it seems — I like it and I don't like it — its like music — I made up a tune this morning — Well — I heard the cattle — as I opened the door — and I liked it and I didn't liked it — then I read your letter as I walked to breakfast — a great letter — Anita”

Georgia O'Keeffe

Canyon, Texas, (November, 1916), p. 216
1915 - 1920, Letters to Anita Pollitzer' (1916)

Music , Color , Reading , Weather

“I am on the train going back to Stieglitz – and in a hurry to get there – I have had four months west and it seems to be all that I needed – It has been like the wind and the sun – there doesn't seem to have been a crack of the waking day or night that wasn’t full – I haven't gained an ounce in weight but I feel so alive that I am apt to crack at any moment..”

Georgia O'Keeffe

Source: 1920s, Letter to Ettie Stettheimer' (August 1929), p. 226

Feeling , Sun , Training , Night

“Anita, I have just come the comforting conclusion that I'll have to paint acres and acres of water color landscapes before I will look for even a passably fair one. After about ten attempts — I certainly have to laugh at myself — It's like feeling around in the dark — thought I knew what I was going to try to do but I find I don't — and guess I'll only find out by slaving away at it. I feel — like a wreck — Have been working like mad all day — and you know how deliciously disgusted with every thing one can be — when the sun begins to go down — and one has been working ones head off all day. It gives me the sensation I used to have when I was a youngster and was going away from home on the train — It is a very special sort of sick feeling.”

Georgia O'Keeffe

New York City (February 1916), p. 145
1910s, Letters to Anita Pollitzer' (1916)

Color , Feeling , Home , Water

“Your letter became before I was up this morning – Yes nice to get. I recognize two of the drawings you speak of – Number one is the first of the dozen or more you speak of – number 2 came next The last – It didn't quite satisfy me so I tried again – the last one was so much worse than the one you like that I thought I had just about worn the idea out so quit... You ask me what I did with the rest of myself when I made number 2 -... I sat up almost all night one night this week and made the most infernally ugly little shape you ever saw – I wanted to break it when I got through – but didn't then next afternoon when I had time to look at it, it amused me so that I didn't – really its laughable – it's so ugly – and still some way it's quite beautiful – I don't know – I may break it up – or I may try to cast it just for fun – I have another idea that I'm in an awful stew to model – I am going to get a lot of patience so I can make all the little do-dangles I want to and won't have to break one up so I can make another – I want to make a big one..”

Georgia O'Keeffe

Canyon, Texas, (September, 1916), p. 198
1915 - 1920, Letters to Anita Pollitzer' (1916)

Beauty , Way , Idea , Time

“Anita – I am so glad I'm out here – I can't tell you how much I like it. I like the plains – and I like the work [her painting] – everything is so ridiculously new – and there is something about it that just makes you glad you're living here – You understand – there is nothing here – so maybe there is something wrong with me that I am liking it so much.”

Georgia O'Keeffe

Canyon, Texas, (September, 1916), p. 187
1910s, Letters to Anita Pollitzer' (1916)

Understanding , Painting

“The plains are very wonderful now – like green gold and yellow gold and red gold – in patches – and the distance blue and pink and lavender strips and spots – May sounds like a Dow Canyon but really its wonderful – specially in the evening – I usually go alone – Yesterday rode home on a hay wagon – no it was clover with a funny old man – His mules and wagon blocked my path so we started talking... We had a great time riding toward the sunset. He was little and dried up and weather beaten – but he likes living..”

Georgia O'Keeffe

Canyon, Texas, (October 30), 1916, pp. 209, 210
1915 - 1920, Letters to Anita Pollitzer' (1916)

Home , Time , Weather