George Orwell: Trending quotes (page 3)

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“Before, he had fought against the money code, and yet he had clung to his wretched remnant of decency. But now it was precisely from decency that he wanted to escape. He wanted to go down, deep down, into some world where decency no longer mattered; to cut the strings of his self-respect, to submerge himself—to sink, as Rosemary had said. It was all bound up in his mind with the thought of being under ground.”

He liked to think of the lost people, the under-ground people: tramps, beggars, criminals, prostitutes. It is a good world that they inhabit, down there in their frowzy kips and spikes. He liked to think that beneath the world of money there is that great sluttish underworld where failure and success have no meaning; a sort of kingdom of ghosts where all are equal. That was where he wished to be, down in the ghost-kingdom, below ambition. It comforted him somehow to think of the smoke-dim slums of South London sprawling on and on, a huge graceless wilderness where you could lose yourself forever.
Source: Keep the Aspidistra Flying (1936), Ch. 10

“The thing that I think very striking is that no one, or no one I can remember, ever writes of an execution with approval.”

The dominant note is always horror. Society, apparently, cannot get along without capital punishment—for there are some people whom it is simply not safe to leave alive—and yet there is no one, when the pinch comes, who feels it right to kill another human being in cold blood. I watched a man hanged once. There was no question that everybody concerned knew this to be a dreadful, unnatural action. I believe it is always the same—the whole jail, warders and prisoners alike, is upset when there is an execution. It is probably the fact that capital punishment is accepted as necessary, and yet instinctively felt to be wrong, that gives so many descriptions of executions their tragic atmosphere. They are mostly written by people who have actually watched an execution and feel it to be a terrible and only partly comprehensible experience which they want to record; whereas battle literature is largely written by people who have never heard a gun go off and think of a battle as a sort of football match in which nobody gets hurt.
"As I Please" column in The Tribune (3 November 1944)<sup> http://alexpeak.com/twr/oocp/</sup>
As I Please (1943–1947)

“[E]ven stupidity is better than totalitarianism.”

"As I Please," Tribune (10 March 1944)<sup> http://alexpeak.com/twr/orwell/quotes/</sup>
As I Please (1943–1947)

“Not to have a national anthem would be logical.”

"As I Please," Tribune (31 December 1943)<sup> http://www.telelib.com/words/authors/O/OrwellGeorge/essay/tribune/AsIPlease19431231.html</sup>
As I Please (1943–1947)

“[Man] is not likely to salvage civilization unless he can evolve a system of good and evil which is independent of heaven and hell.”

"As I Please," Tribune (3 March 1944)<sup> http://alexpeak.com/twr/orwell/quotes/</sup>
As I Please (1943–1947)

“The outstanding, unmistakable mark of Dickens's writing is the unnecessary detail.”

"Charles Dickens" (1939)
Charles Dickens (1939)

“One cannot really be Catholic & grown-up.”

"Extracts from a Manuscript Notebook" (1949), The Collected Essays, Journalism and Letters of George Orwell, vol. 4 (1968)