“I can no longer work outside because of the intensity of the light.”
in the Summer of 1920, to Gustave Geffroy. Monet in the 20th Century, by Paul Hayes Tucker.
1920 - 1926
Quote in Monet's letter from Etretat to his second [future] wife Alice Hoschedé, 1883; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 51
1870 - 1890
In his letter from Normandy to art-critic and friend Gustave Geffroy, 24 April 1889; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 129
1870 - 1890
remark by Monet – between 1900 and 1920 – on his 'Water lilies' paintings; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 132
1900 - 1920
Quote of Monet, 1859 in a letter to his mentor Eugène Boudin; as cited in: John Rewald (1961) The History of Impressionism - Volume 1. p. 48
1850 - 1870
Quote from Monet's letter to art-critic and his friend Gustave Geffroy, Giverny 1890; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 56
1890 - 1900
in his letter, 15 February 1889, (L. 911); as cited in Steven Z. Levine, Claude Monet (1994), Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. p. 93
1870 - 1890
in a letter to his second wife Alice Hoschedé, 1884; as cited in: Christoph Heinrich, Monet, (2000), p. 64
1870 - 1890
in a letter to Frédéric Bazille; as cited in: Edward B. Henning, Cleveland Museum of Art. Creativity in art and science, 1860-1960. (1987), p. 95
1850 - 1870
Claude Monet, in an interview, 1895; as quoted in: Paul Hayes Tucker et al. (eds). (1999) Monet in the Twentieth Century. London: Royal Academy of Arts/Boston: Museum of Fine Arts. As cited in: Steven Connor, " About There, or Thereabouts http://www.stevenconnor.com/aboutthere/aboutthere.pdf." talk given at the Catalysis conference on Space and Time, Downing College, Cambridge, 23rd March 2013.
1890 - 1900
“Zaandam is particularly remarkable and there is enough here to paint for a life-time.”
Quote of 1871, in Monet's letter to Camille Pissarro, 2 June 1871; as cited in Van Gogh Museum Journal 2001 http://www.dbnl.org/tekst/_van012200101_01/_van012200101_01_0012.php Van Gogh Museum, Amsterdam 2001. p. 140
1870 - 1890
In a letter to Ernest Hoschedé, May 15, 1879 (W, letter, 158); as cited in: Mary M. Gedo (2013) Psychoanalytic Perspectives on Art. p. 123
1870 - 1890
“It's quite beyond my powers at my age, and yet I want to succeed in expressing what I feel.”
his remark in 1908; as quoted in The Private Lives of the Impressionists Sue Roe; Harper Collins Publishers, New York, 2006, p. 269
1900 - 1920
as quoted in Discovering Art, – The life time and work of the World’s greatest Artists, MONET; K.E. Sullivan, Brockhamptonpress, London 2004, p. 10
after Monet's death
Quote in a letter to Boudin, 1892; as cited in Monet and His Muse: Camille Monet in the Artist's Life, Mary Mathews Gedo; University of Chicago Press, Sept. 2010, p. 10
1890 - 1900
in his letter from Dieppe; as quoted in: Howard F. Isham (2004) Image of the Sea: Oceanic Consciousness in the Romantic Century. p. 336 : About his 1880s travels
1870 - 1890
“Once settled, I hope to produce masterpieces, because I like the countryside very much.”
in a letter to Paul Durand-Ruel: as quoted in: Daniel Wildensteijn "Monet's Giveny" in: Monet's Years at Giverny: Beyond Impressionism http://books.google.nl/books?id=H76Nl_fNgOUC, (1978) p. 16: About the countryside in Giverny
1870 - 1890
in a letter from Zaandam, The Netherlands, to Camille Pissarro (still in England), 17 June 1871; Cited in: Marianne Alphant (1994), Claude Monet en Holland, p. 87
1870 - 1890
in a letter from Sandviken to Gustave Geffroy, 26 February 1895 (L. 1274); as cited in: Steven Z. Levine, Claude Monet (1994), Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. p. 93
1890 - 1900