Camille Paglia: Woman

“Charisma is the radiance produced by the interaction of male and female elements in a gifted personality. The charismatic woman has a masculine force and severity. The charismatic man has an entrancing female beauty. Both are hot and cold, glowing with presexual self-love.”

Camille Paglia

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 521

Love , Beauty , Personality

“Pornography’s male-born explicitness renders visible what is invisible, woman’s chthonic internality. It tries to shed Apollonian light on woman’s anxiety-provoking darkness. The vulgar contortionism of pornography is the serpentine tangle of Medusan nature. Pornography is human imagination in tense theatrical action; its violations are a protest against the violations of our freedom by nature. The banning of pornography, rightly sought by Judeo-Christianity, would be a victory over the west’s stubborn paganism. But pornography cannot be banned, only driven underground, where its illicit charge will be enhanced.”

Camille Paglia

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 35

Imagination , Nature , Freedom , Light

“In pondering why a battered woman does not leave, we must remember that gay men with a taste for violent “rough trade” have always paid for this kind of sex.”

Camille Paglia

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 44
Context: In pondering why a battered woman does not leave, we must remember that gay men with a taste for violent “rough trade” have always paid for this kind of sex. Are women so perfect and angelic that we cannot imagine them having sadomasochistic impulses? When they are genuinely victimized, women deserve our pity. But victimization alone cannot explain everything in the tragicomedy of love.

Men , Sex

“I am saying that many of the problems between the sexes are coming from something prior to socialization, a turbulence that has to do with every boy’s origin in a woman’s body, and the way he is overwhelmed by this huge, matriarchal shadow of a goddess figure from his childhood.”

Camille Paglia

Source: Sex, Art and American Culture : New Essays (1992), Rape and Modern Sex War, p. 68
Context: I am saying that many of the problems between the sexes are coming from something prior to socialization, a turbulence that has to do with every boy’s origin in a woman’s body, and the way he is overwhelmed by this huge, matriarchal shadow of a goddess figure from his childhood. And I feel, after so many decades of studying this, that men are suffering from a sense of dependence on women, their sense that at any moment they could be returned to that slavery and servitude they experienced under a woman’s thumb, when they were a boy in the shadow of the mother. I got this from studying all world culture, and comparing and noticing how often there were these similar patterns in many different cultures. Many things that erupt in rape or violence, or battery and so on, are happening when a woman is pushing that button of fear and dependency.

Sex , Way , Boy , Problem

“Many things that erupt in rape or violence, or battery and so on, are happening when a woman is pushing that button of fear and dependency.”

Camille Paglia

Source: Sex, Art and American Culture : New Essays (1992), Rape and Modern Sex War, p. 68
Context: I am saying that many of the problems between the sexes are coming from something prior to socialization, a turbulence that has to do with every boy’s origin in a woman’s body, and the way he is overwhelmed by this huge, matriarchal shadow of a goddess figure from his childhood. And I feel, after so many decades of studying this, that men are suffering from a sense of dependence on women, their sense that at any moment they could be returned to that slavery and servitude they experienced under a woman’s thumb, when they were a boy in the shadow of the mother. I got this from studying all world culture, and comparing and noticing how often there were these similar patterns in many different cultures. Many things that erupt in rape or violence, or battery and so on, are happening when a woman is pushing that button of fear and dependency.

Fear , Dependency

“Men are run ragged by female sexuality all their lives. From the beginning of his life to the end, no man ever fully commands any woman. It's an illusion.”

Camille Paglia

As quoted in Sexuality and Gender (2002) by Christine R. Williams and Arlene Stein, p. 213
Context: Men are run ragged by female sexuality all their lives. From the beginning of his life to the end, no man ever fully commands any woman. It's an illusion. Men are pussy-whipped. And they know it. That's what the strip clubs are about; not woman as victim, not woman as slave, but woman as goddess.

Life , Men

“Feminism was always wrong to pretend that women could “have it all.” It is not male society but mother nature who lays the heaviest burden on woman.”

Camille Paglia

Source: Sex, Art and American Culture : New Essays (1992), p. 89
Context: Feminism was always wrong to pretend that women could “have it all.” It is not male society but mother nature who lays the heaviest burden on woman. No husband or day care can adequately substitute for a mother’s attention. My feminist heroes are the boldly independent and childless Amelia Earhart and Katherine Hepburn, who has been outspoken in her opposition to the delusion of “having it all.”

Women , Nature

“We have an evolutionary revulsion from slime, the site of our biologic origins. Every month, it is woman's fate to face the abyss of time and being, the abyss which is herself.”

Camille Paglia

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 11

Fate , Time

“The reason Wilde did his best work after turning homosexual is that women simply reinforced his own feminine sentimentality. … Heterosexuality inhibited his imagination because woman is physically and psychologically internal.”

Camille Paglia

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 571

Women , Imagination

“We must philosophically strengthen feminist theory so that it can admit that abortion is an aggressive act, that it is a form of extermination. Modern woman has become an agent of Darwinian triage. It is or should be ethically troubling: abortion pits the stronger against the weaker, and only one survives. The feminist coat-hanger symbol, prophesying the return of back-alley butchery if abortion is regulated or banned, is dishonest. A small number of women may die in botched procedures, but in successful abortions, the fetus death rate is 100 percent.</b”

Camille Paglia

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 40

Death , Women , Success

“One of feminism’s irritating reflexes is its fashionable disdain for “patriarchal society,” to which nothing good is ever attributed. But it is patriarchal society that has freed me as a woman. It is capitalism that has given me the leisure to sit at this desk writing this book. Let us stop being small-minded about men and freely acknowledge what treasures their obsessiveness has poured into culture.”

Camille Paglia

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 37

Men , Books , Fashion

“Woman's sexuality is disruptive of the dully mechanical workaday world, in which efficiency means uniformity. The problems of woman's entrance into the career system spring from more than male chauvinism. She brings nature into the social realm, which may be too small to contain it.”

Camille Paglia

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 52

World , Spring , Nature , Problem

“The Gothic tradition was begun by Ann Radcliffe, a rare example of a woman creating an artistic style.”

Camille Paglia

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 265

“In America, the best model yet for the first woman president can be found among the Texas feminists, notably Governor Ann Richards. East Coast feminists, like Gloria Steinem, who created the smug, superior feminist smirk (done to an unctuous turn by NOW president Patricia Ireland), have failed to produce a credible persona for national leadership, partly because of their juvenile, jeering attitude towards men. The irony is that the legal and media world inhabited by Steinem and her cronies is filled with bookish white-collar men who are the only ones in the world who actually listen to feminists rhetoric and can be guilt-tripped into trying to obey it. … In Texas, unlike the urban Northeast, men are men. Women politicians in that state have the toughness and grit to handle men at their most macho. Southern women, particularly those of the plantation-belt, “iron magnolia” school, are able to get what they want and still retain their graceful femininity.”

Camille Paglia

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 55

Women , Men , World , School

“Men knew that if they devirginized a woman, they could end up dead within twenty-four hours. These controls have been removed.”

Camille Paglia

Source: Sex, Art and American Culture : New Essays (1992), The Rape Debate, Continued, p. 71

Men , Dead

“Nature is a Darwinian spectacle of the eaters and the eaten. All phases of procreation are ruled by appetite: sexual intercourse, from kissing to penetration, consists of movements of barely controlled cruelty and consumption. The long pregnancy of the human female and the protracted childhood of her infant, who is not self-sustaining for seven years or more, have produced the agon of psychological dependency that burdens the male for a lifetime. Man justifiably fears being devoured by woman, who is nature’s proxy.</b”

Camille Paglia

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 16

Fear , Kiss , Nature , Childhood

“Any woman who stays with her abuser beyond the first incident is complicitous with him.”

Camille Paglia

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 43

“The instant myth of Amy Fisher turned feminist dogma on on is head: as in the hit films Fatal Attraction, Basic Instinct, and The Hand That Rocks the Cradle, woman rules and destroys. The femme fatale is for real.”

Camille Paglia

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 134

“Every male copulating with a woman returns to his origins in the womb. Goethe postponed intercourse until he was forty. This must be related to his self-imposed distance from his forceful mother. To refuse phallic penetration is to refuse surrender to the female matrix.”

Camille Paglia

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 257

“Women have been discouraged from genres such as sculpture that require studio training or expensive materials. But in philosophy, mathematics, and poetry, the only materials are pen and paper. Male conspiracy cannot explain all female failures. I am convinced that, even without restrictions, there still would have been no female Pascal, Milton, or Kant. Genius is not checked by social obstacles: it will overcome. Men's egotism, so disgusting in the talentless, is the source of their greatness as a sex. […] Even now, with all vocations open, I marvel at the rarity of the woman driven by artistic or intellectual obsession, that self-mutilating derangement of social relationship which, in its alternate forms of crime and ideation, is the disgrace and glory of the human species.”

Camille Paglia

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 653

Women , Men , Sex , Mathematics