Quotes about art and science (page 16) | Quotes of famous people

“Certainly we are not going to say these things about the negro people publicly; we have no distinction between black or white, or demon or demigod, but at the same time, so long as one is demon or demigod, we have to behave in the proper way. Just like Caitanya Mahaprabhu; He had no distinction between a tiger and a man. He was so powerful that He could convert even a tiger to dance. But so far as we are concerned, we should not imitate and go to some tiger and try to make him dance! But still, tiger is equally eligible like a man. So, you can understand that these talks are not for the public, as they have not got the ability to understand. Basically we have not got hatred for anyone, but when one is demoniac or atheistic, we should try to avoid their company. A preacher’s business is to love God, to make friendship with devotees, to enlighten the innocent, and to avoid the demons. This principle we shall follow. But in higher devotional life, there is no such distinction.”

A.C. Bhaktivedanta Swami Prabhupada (1896–1977) Indian guru

Letter to Satsvarupa, San Francisco, 9 April, 1968 PrabhupadaBooks.com http://prabhupadabooks.com/letters/san_francisco/april/09/1968/satsvarupa?d=1
Quotes from other Sources, Quotes from other Sources: Racism and Homophobia

“And without music there can be no perfect knowledge, for there is nothing without it. For even the universe itself is said to have been put together with a certain harmony of sounds, and the very heavens revolve under the guidance of harmony.”
Itaque sine Musica nulla disciplina potest esse perfecta, nihil enim sine illa. Nam et ipse mundus quadam harmonia sonorum fertur esse conpositus, et coelum ipsud sub harmoniae modulatione revolvi.

Isidore of Seville book Etymologiae

Bk. 3, ch. 17, sect. 1; p. 137.
Etymologiae

“I think that the loss of the house call has been the biggest blow to the art of medicine in this century. Not only has the patient lost this precious attention, but the physician has not found a replacement for the lost intimacy.”

Patch Adams (1945) Physician, activist, diplomat, author

Source: House Calls: How we can all heal the world one visit at a time (1998), p. xi

“The mathematical thermology created by Fourier may tempt us to hope that, as he has estimated the temperature of the space in which we move, me may in time ascertain the mean temperature of the heavenly bodies: but I regard this order of facts as for ever excluded from our recognition. We can never learn their internal constitution, nor, in regard to some of them, how heat is absorbed by their atmosphere. We may therefore define Astronomy as the science by which we discover the laws of the geometrical and mechanical phenomena presented by the heavenly bodies.”

Auguste Comte (1798–1857) French philosopher

Book II: Astronomy, Ch. I: General View
The Positive Philosophy of Auguste Comte (1853)

“To understand a science it is necessary to know its history.”

Auguste Comte (1798–1857) French philosopher

A Course of Positive Philosophy (1832 - 1842) [Six volumes]

“Dilettantes have not achieved anything lasting even in the applied arts. But they have rendered some service to the highest of all disciplines: philosophy. Montaigne, La Rochefoucauld, Vauvenargues are proof of this.”

Marie von Ebner-Eschenbach (1830–1916) Austrian writer

Dilettanten haben nicht einmal in einer sekundären Kunst etwas Bleibendes geleistet, sich aber verdient gemacht um die höchste aller Wissenschaften, die Philosophie. Den Beweis dafür liefern: Montaigne, La Rochefoucauld, Vauvenargues.
Source: Aphorisms (1880/1893), p. 55.

“If art finds the temple closed, then it flees into the workshop.”

Marie von Ebner-Eschenbach (1830–1916) Austrian writer

Wenn der Kunst kein Tempel mehr offen steht, dann flüchtet sie in die Werkstatt.
Source: Aphorisms (1880/1893), p. 24.

“That which is not worth speaking they sing.”

Pierre Beaumarchais The Barber of Seville

Ce qui ne vaut pas la peine d'être dit, on le chante.
Act I, scene i. Reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 712-13.
Le Barbier de Séville (1773)

“This example illustrates the differences in the effects which may be produced by research in pure or applied science. A research on the lines of applied science would doubtless have led to improvement and development of the older methods—the research in pure science has given us an entirely new and much more powerful method. In fact, research in applied science leads to reforms, research in pure science leads to revolutions, and revolutions, whether political or industrial, are exceedingly profitable things if you are on the winning side.”

J. J. Thomson (1856–1940) British physicist

Cited from Lord Rayleigh, The Life of Sir J. J. Thomson (1943), p. 199.
Attributed

“Many are God so transforms the soul in Him that it knows nothing other than God; and He continues to draw it up into His fiery love until He restores it to that pure state from which it first issuedastonished at this, and since they do not know the reason, they are offended. And truly, if it were not that God stands by me, the world would often consider me mad, and that is because I almost always live outside myself.”

Catherine of Genoa (1447–1510) Italian author and nurse

“I see without eyes, and I hear without ears. I feel without feeling and taste without tasting. I know neither form nor measure; for without seeing I yet behold an operation so divine that the words I first used, perfection, purity, and the like, seem to me now mere lies in the presence of truth…. Nor can I any longer say, “My God, my all.” Everything is mine, for all that is God’s seem to be wholly mine. I am mute and lost in God… God so transforms the soul in Him that it knows nothing other than God; and He continues to draw it up into His fiery love until He restores it to that pure state from which it first issued”

Catherine of Genoa (1447–1510) Italian author and nurse

Source: Life and Doctrine, p. 50

“When God sees the Soul pure as it was in its origins, He tugs at it with a glance, draws it and binds it to Himself with a fiery love that by itself could annihilate the immortal soul. In so acting, God so transforms the soul in Him that it knows nothing other than God; and He continues to draw it up into His fiery love until He restores it to that pure state from which it first issued. These rays purify and then annihilate. The soul becomes like gold that becomes purer as it is fired, all dross being cast out. Having come to the point of twenty-four carats, gold cannot be purified any further; and this is what happens to the soul in the fire of God’s love”

Catherine of Genoa (1447–1510) Italian author and nurse

Source: The Treatise on Purgatory, p. 79-80

“Experimental science is a craft and an art, and part of the art is knowing when to end a fruitless experiment. There is a danger of becoming obsessed with a fruitless experiment even if it goes nowhere.”

Martin Lewis Perl (1927–2014) American scientist

Nobel prize lecture

“Common elements of creativity are originality and imagination. Creativity is intertwined with the freedom to design, to invent and to dream. In engineering and science a creative idea is useful only if it meets three conditions: the constraint of the natural laws, the constraint of cost, and the constraint of technical feasibility.”

Martin Lewis Perl (1927–2014) American scientist

Essay on Creativity in Science and Engineering

“The purchaser draws boundaries, fences himself in, and says, “This is mine; each one by himself, each one for himself.” Here, then, is a piece of land upon which, henceforth, no one has a right to step, save the proprietor and his friends; which can benefit nobody, save the proprietor and his servants. Let these sales multiply, and soon the people — who have been neither able nor willing to sell, and who have received none of the proceeds of the sale — will have nowhere to rest, no place of shelter, no ground to till. They will die of hunger at the proprietor’s door, on the edge of that property which was their birthright; and the proprietor, watching them die, will exclaim, “So perish idlers and vagrants!””

Pierre Joseph Proudhon (1809–1865) French politician, mutualist philosopher, economist, and socialist

Ch. III: "Labor as the Efficient Cause of the Domain of Property" http://www.marxists.org/reference/subject/economics/proudhon/property/ch03.htm
What is Property? (1840)

“In order better to grasp the thought of Malthus, let us translate it into philosophical propositions by stripping it of its rhetorical gloss: —
"'"Individual liberty, and property, which is its expression, are economical data; equality and solidarity are not."
"Under this system, each one by himself, each one for himself: labor, like all merchandise, is subject to fluctuation: hence the risks of the proletariat."
"Whoever has neither income nor wages has no right to demand anything of others: his misfortune falls on his own head; in the game of fortune, luck has been against him."
From the point of view of political economy these propositions are irrefutable; and Malthus, who has formulated them with such alarming exactness, is secure against all reproach. From the point of view of the conditions of social science, these same propositions are radically false, and even contradictory.”

Pierre Joseph Proudhon (1809–1865) French politician, mutualist philosopher, economist, and socialist

Source: The Philosophy of Misery (1846), Chapter I

“Let's be guided by norms based on consensus and authority obvious as it is that any variation in the authority varies the consensus, You give no leeway, Because there can be no leeway, we live cooped up in a room and paint the world and the universe on its walls.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

Orientamo-nos por normas geradas segundo consensos, e domínios, mete-se pelos olhos dentro que variando o domínio varia o consenso, Não deixas saída, Porque não há saída, vivemos num quarto fechados e pintamos o mundo e o universo nas paredes dele.
Source: The History of the Siege of Lisbon (1989), p. 267

“Once the machine starts to fly, the heavens will be filled with music.”

José Saramago book Baltasar and Blimunda

Voando a máquina, todo o céu será música.
Source: Baltasar and Blimunda (1982), p. 165

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

José Saramago book Raised from the Ground

Source: Raised from the Ground (1980), pp. 172–174

“You don't understand music: you hear it. So hear me with your whole body.”

Clarice Lispector (1920–1977) Brazilian writer

Source: The Stream of Life