Name: Woman in the Nineteenth Century
Author: Margaret Fuller

“The position I early was enabled to take was one of self-reliance. And were all women as sure of their wants as I was, the result would be the same. But they are so overloaded with precepts and guardians who think that nothing is so much to be dreaded for a woman as originality of thought or character, that their minds are impeded with doubts till they lose their chance of fair, free proportions. The difficulty is to get them to the point from which they shall naturally develop self-respect, and learn self-help.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)

“Let every woman, who has once begun to think, examine herself”

Margaret Fuller book Woman in the Nineteenth Century

Source: Woman in the Nineteenth Century

“The especial genius of Woman I believe to be electrical in movement, intuitive in function, spiritual in tendency.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)

“Nature provides exceptions to every rule.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)
Context: Male and female represent the two sides of the great radical dualism. But, in fact, they are perpetually passing into one another. Fluid hardens to solid, solid rushes to fluid. There is no wholly masculine man, no purely feminine woman.
History jeers at the attempts of physiologists to bind great original laws by the forms which flow from them. They make a rule; they say from observation what can and cannot be. In vain! Nature provides exceptions to every rule. She sends women to battle, and sets Hercules spinning; she enables women to bear immense burdens, cold, and frost; she enables the man, who feels maternal love, to nourish his infant like a mother.

“What Woman needs is not as a woman to act or rule, but as a nature to grow, as an intellect to discern, as a soul to live freely and unimpeded.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)

“Heroes have filled the zodiac of beneficent labors, and then given up their mortal part to the fire without a murmur. Sages and lawgivers have bent their whole nature to the search for truth, and thought themselves happy if they could buy, with the sacrifice of all temporal ease and pleasure, one seed for the future Eden. Poets and priests have strung the lyre with heart-strings, poured out their best blood upon the altar which, reare'd anew from age to age, shall at last sustain the flame which rises to highest heaven. What shall we say of those who, if not so directly, or so consciously, in connection with the central truth, yet, led and fashioned by a divine instinct, serve no less to develop and interpret the open secret of love passing into life, the divine energy creating for the purpose of happiness; — of the artist, whose hand, drawn by a preexistent harmony to a certain medium, moulds it to expressions of life more highly and completely organized than are seen elsewhere, and, by carrying out the intention of nature, reveals her meaning to those who are not yet sufficiently matured to divine it; of the philosopher, who listens steadily for causes, and, from those obvious, infers those yet unknown; of the historian, who, in faith that all events must have their reason and their aim, records them, and lays up archives from which the youth of prophets may be fed. The man of science dissects the statement, verifies the facts, and demonstrates connection even where he cannot its purpose·”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)

“Those who are not intimately and permanently linked with others, are thrown upon themselves; and, if they do not there find peace and incessant life, there is none to flatter them that they are not very poor, and very mean.
A position which so constantly admonishes, may be of inestimable benefit. The person may gain, undistracted by other relationships, a closer communion with the one. Such a use is made of it by saints and sibyls.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)

“There exists in the minds of men a tone of feeling toward women as toward slaves.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)

“Plants of great vigor will almost always struggle into blossom, despite impediments. But there should be encouragement, and a free genial atmosphere for those of more timid sort, fair play for each in its own kind.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)

“Let it not be said, wherever there is energy or creative genius, 'She has a masculine mind.'
This by no means argues a willing want of generosity toward Woman. Man is as generous towards her as he knows how to be. Wherever she has herself arisen in national or private history, and nobly shone forth in any form of excellence, men have received her, not only willingly, but with triumph.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)

“What I mean by the Muse is that unimpeded clearness of the intuitive powers, which a perfectly truthful adherence to every admonition of the higher instincts would bring to a finely organized human being.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)
Context: What I mean by the Muse is that unimpeded clearness of the intuitive powers, which a perfectly truthful adherence to every admonition of the higher instincts would bring to a finely organized human being. It may appear as prophecy or as poesy. … and should these faculties have free play, I believe they will open new, deeper and purer sources of joyous inspiration than have as yet refreshed the earth.
Let us be wise, and not impede the soul. Let her work as she will. Let us have one creative energy, one incessant revelation. Let it take what form it will, and let us not bind it by the past to man or woman, black or white.

“Always the soul says to us all, Cherish your best hopes as a faith, and abide by them in action. Such shall be the effectual fervent means to their fulfilment.”

Margaret Fuller book Woman in the Nineteenth Century

Though "the Bard" is often reference to William Shakespeare, Fuller here probably uses the term in a generic sense, and in tribute to the poet-philosopher she considered in some ways her mentor, Ralph Waldo Emerson, who may have made such a statement, which she elsewhere quotes as "I have witnessed many a shipwreck, yet still beat noble hearts".
Woman in the Nineteenth Century (1845)
Context: I stand in the sunny noon of life. Objects no longer glitter in the dews of morning, neither are yet softened by the shadows of evening. Every spot is seen, every chasm revealed. Climbing the dusty hill, some fair effigies that once stood for symbols of human destiny have been broken; those I still have with me show defects in this broad light. Yet enough is left, even by experience, to point distinctly to the glories of that destiny; faint, but not to be mistaken streaks of the future day. I can say with the bard,
"Though many have suffered shipwreck, still beat noble hearts."
Always the soul says to us all, Cherish your best hopes as a faith, and abide by them in action. Such shall be the effectual fervent means to their fulfilment.

“Those who seem overladen with electricity frighten those around them.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)
Context: The electrical, the magnetic element in Woman has not been fairly brought out at any period. Everything might be expected from it; she has far more of it than Man. This is commonly expressed by saying that her intuitions are more rapid and more correct. You will often see men of high intellect absolutely stupid in regard to the atmospheric changes, the fine invisible links which connect the forms of life around them, while common women, if pure and modest, so that a vulgar self do not overshadow the mental eye, will seize and delineate these with unerring discrimination.
Women who combine this organization with creative genius are very commonly unhappy at present. They see too much to act in conformity with those around them, and their quick impulses seem folly to those who do not discern the motives. This is an usual effect of the apparition of genius, whether in Man or Woman, but is more frequent with regard to the latter, because a harmony, an obvious order and self-restraining decorum, is most expected from her.
Then women of genius, even more than men, are likely to be enslaved by an impassioned sensibility. The world repels them more rudely, and they are of weaker bodily frame.
Those who seem overladen with electricity frighten those around them.

“I stand in the sunny noon of life. Objects no longer glitter in the dews of morning, neither are yet softened by the shadows of evening. Every spot is seen, every chasm revealed.”

Margaret Fuller book Woman in the Nineteenth Century

Though "the Bard" is often reference to William Shakespeare, Fuller here probably uses the term in a generic sense, and in tribute to the poet-philosopher she considered in some ways her mentor, Ralph Waldo Emerson, who may have made such a statement, which she elsewhere quotes as "I have witnessed many a shipwreck, yet still beat noble hearts".
Woman in the Nineteenth Century (1845)
Context: I stand in the sunny noon of life. Objects no longer glitter in the dews of morning, neither are yet softened by the shadows of evening. Every spot is seen, every chasm revealed. Climbing the dusty hill, some fair effigies that once stood for symbols of human destiny have been broken; those I still have with me show defects in this broad light. Yet enough is left, even by experience, to point distinctly to the glories of that destiny; faint, but not to be mistaken streaks of the future day. I can say with the bard,
"Though many have suffered shipwreck, still beat noble hearts."
Always the soul says to us all, Cherish your best hopes as a faith, and abide by them in action. Such shall be the effectual fervent means to their fulfilment.

“We would have every arbitrary barrier thrown down. We would have every path laid open to Woman as freely as to Man.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)
Context: We would have every arbitrary barrier thrown down. We would have every path laid open to Woman as freely as to Man. Were this done, and a slight temporary fermentation allowed to subside, we should see crystallizations more pure and of more various beauty. We believe the divine energy would pervade nature to a degree unknown in the history of former ages, and that no discordant collision, but a ravishing harmony of the spheres, would ensue.
Yet, then and only then will mankind be ripe for this, when inward and outward freedom for Woman as much as for Man shall be acknowledged as a right, not yielded as a concession.

“Every relation, every gradation of nature is incalculably precious, but only to the soul which is poised upon itself, and to whom no loss, no change, can bring dull discord, for it is in harmony with the central soul.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)
Context: Every relation, every gradation of nature is incalculably precious, but only to the soul which is poised upon itself, and to whom no loss, no change, can bring dull discord, for it is in harmony with the central soul. If any individual live too much in relations, so that he becomes a stranger to the resources of his own nature, he falls, after a while, into a distraction, or imbecility, from which he can only becured by a time of isolation, which gives the renovating fountains time to rise up. With a society it is the same.

“When the intellect and affections are in harmony; when intellectual consciousness is calm and deep; inspiration will not be confounded with fancy.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)
Context: It is with just that hope that we welcome everything that tends to strengthen the fibre and develop the nature on more sides. When the intellect and affections are in harmony; when intellectual consciousness is calm and deep; inspiration will not be confounded with fancy.

“If nature is never bound down, nor the voice of inspiration stifled, that is enough.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)
Context: Harmony exists no less in difference than in likeness, if only the same key-note govern both parts. Woman the poem, man the poet; woman the heart, man the head; such divisions are only important when they are never to be transcended. If nature is never bound down, nor the voice of inspiration stifled, that is enough.

“Let us have one creative energy, one incessant revelation. Let it take what form it will, and let us not bind it by the past to man or woman, black or white.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)
Context: What I mean by the Muse is that unimpeded clearness of the intuitive powers, which a perfectly truthful adherence to every admonition of the higher instincts would bring to a finely organized human being. It may appear as prophecy or as poesy. … and should these faculties have free play, I believe they will open new, deeper and purer sources of joyous inspiration than have as yet refreshed the earth.
Let us be wise, and not impede the soul. Let her work as she will. Let us have one creative energy, one incessant revelation. Let it take what form it will, and let us not bind it by the past to man or woman, black or white.

“It is a vulgar error that love, a love, to Woman is her whole existence; she also is born for Truth and Love in their universal energy.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)
Context: Woman, self-centred, would never be absorbed by any relation it would be only an experience to her as to man. It is a vulgar error that love, a love, to Woman is her whole existence; she also is born for Truth and Love in their universal energy.