Quotes from book
Semiotics and the Philosophy of Language

Semiotics and the Philosophy of Language

"Eco wittily and enchantingly develops themes often touched on in his previous works, but he delves deeper into their complex nature... this collection can be read with pleasure by those unversed in semiotic theory." —Times Literary Supplement


Umberto Eco photo

“Not every specific semiotics can claim to be like a natural science. In fact, every specific semiotics is at most a human science, and everybody knows how controversial such a notion still is.”

[O] : Introduction, 0.4
Semiotics and the Philosophy of Language (1984)
Context: Not every specific semiotics can claim to be like a natural science. In fact, every specific semiotics is at most a human science, and everybody knows how controversial such a notion still is. However, when cultural anthropology studies the kinship system in a certain society, it works upon a rather stable field of phenomena, can produce a theoretical object, and can make some prediction about the behavior of the members of this society. The same happens with a lexical analysis of the system of terms expressing kinship in the same society.

Umberto Eco photo

“Affected as they are by a constitutive solipsism, philosophies can say everything about the world they design and very little about the world they help to construct.”

[O] : Introduction, 0.7
Semiotics and the Philosophy of Language (1984)
Context: A philosophy does not play its role as an actor during a recital; it interacts with other philosophies and with other facts, and it cannot know the results of the interaction between itself and other world visions. World visions can conceive of everything, except alternative world visions, if not in order to criticize them and to show their inconsistency. Affected as they are by a constitutive solipsism, philosophies can say everything about the world they design and very little about the world they help to construct.

Umberto Eco photo

“As subjects, we are what the shape of the world produced by signs makes us become.
Perhaps we are, somewhere, the deep impulse which generates semiosis. And yet we recognize ourselves only as semiosis in progress, signifying systems and communicational processes.”

[I] Signs, 1.13 : Sign and subject
Semiotics and the Philosophy of Language (1984)
Context: !-- The subject is constantly reshaped by the endless resegmentation of the content. In this way (even though the process of resegmentation must be activated by someone, who is probably the collectivity of subjects), the subject is spoken by language (verbal and nonverbal), by the dynamic of sign-functions rather than by the chain of signifiers. --> As subjects, we are what the shape of the world produced by signs makes us become.
Perhaps we are, somewhere, the deep impulse which generates semiosis. And yet we recognize ourselves only as semiosis in progress, signifying systems and communicational processes. The map of semiosis, as defined at a given stage of historical development (with the debris carried over from previous semiosis), tells us who we are and what (or how) we think.

Umberto Eco photo

“Philosophical entities exist only insofar as they have been philosophically posited. Outside their philosophical framework, the empirical data that a philosophy organizes lose every possible unity and cohesion.”

[O] : Introduction, 0.6
Semiotics and the Philosophy of Language (1984)
Context: When semiotics posits such concepts as 'sign', it does not act like a science; it acts like philosophy when it posits such abstractions as subject, good and evil, truth or revolution. Now, a philosophy is not a science, because its assertions cannot be empirically tested … Philosophical entities exist only insofar as they have been philosophically posited. Outside their philosophical framework, the empirical data that a philosophy organizes lose every possible unity and cohesion.
To walk, to make love, to sleep, to refrain from doing something, to give food to someone else, to eat roast beef on Friday — each is either a physical event or the absence of a physical event, or a relation between two or more physical events. However, each becomes an instance of good, bad, or neutral behavior within a given philosophical framework. Outside such a framework, to eat roast beef is radically different from making love, and making love is always the same sort of activity independent of the legal status of the partners. From a given philosophical point of view, both to eat roast beef on Friday and to make love to x can become instances of 'sin', whereas both to give food to someone and to make love to у can become instances of virtuous action.
Good or bad are theoretical stipulations according to which, by a philosophical decision, many scattered instances of the most different facts or acts become the same thing. It is interesting to remark that also the notions of 'object', 'phenomenon', or 'natural kind', as used by the natural sciences, share the same philosophical nature. This is certainly not the case of specific semiotics or of a human science such as cultural anthropology.

Umberto Eco photo

“A philosophy has a practical power: it contributes to the changing of the world.”

[O] : Introduction, 0.7
Semiotics and the Philosophy of Language (1984)
Context: A philosophy has a practical power: it contributes to the changing of the world. This practical power has nothing to do with the engineering power that in the discussion above I attributed to sciences, including specific semiotics. A science can study either an animal species or the logic of road signals, without necessarily determining their transformation. There is a certain 'distance' between the descriptive stage and the decision, let us say, to improve a species through genetic engineering or to improve a signaling system by reducing or increasing the number of its pertinent elements.
On the contrary, it was the philosophical position of the modern notion of thinking subject that led Western culture to think and to behave in terms of subjectivity. It was the position of notions such as class struggle and revolution that led people to behave in terms of class, and not only to make revolutions but also to decide, on the grounds of this philosophical concept, which social turmoils or riots of the past were or were not a revolution. Since a philosophy has this practical power, it cannot have a predictive power. It cannot predict what would happen if the world were as it described it. Its power is not the direct result of an act of engineering performed on the basis of a more or less neutral description of independent data.

Umberto Eco photo

“Every specific semiotics (as every science) is concerned with general epistemological problems.”

[O] : Introduction, 0.4
Semiotics and the Philosophy of Language (1984)
Context: Every specific semiotics (as every science) is concerned with general epistemological problems. It has to posit its own theoretical object, according to criteria of pertinence, in order to account for an otherwise disordered field of empirical data; and the researcher must be aware of the underlying philosophical assumptions that influence its choice and its criteria for relevance. Like every science, even a specific semiotics ought to take into account a sort of 'uncertainty principle' (as anthropologists must be aware of the fact that their presence as observers can disturb the normal course of the behavioral phenomena they observe). Notwithstanding, a specific semiotics can aspire to a 'scientific' status. Specific semiotics study phenomena that are reasonably independent of their observations.

Umberto Eco photo

“When semiotics posits such concepts as 'sign', it does not act like a science; it acts like philosophy when it posits such abstractions as subject, good and evil, truth or revolution.”

[O] : Introduction, 0.6
Semiotics and the Philosophy of Language (1984)
Context: When semiotics posits such concepts as 'sign', it does not act like a science; it acts like philosophy when it posits such abstractions as subject, good and evil, truth or revolution. Now, a philosophy is not a science, because its assertions cannot be empirically tested … Philosophical entities exist only insofar as they have been philosophically posited. Outside their philosophical framework, the empirical data that a philosophy organizes lose every possible unity and cohesion.
To walk, to make love, to sleep, to refrain from doing something, to give food to someone else, to eat roast beef on Friday — each is either a physical event or the absence of a physical event, or a relation between two or more physical events. However, each becomes an instance of good, bad, or neutral behavior within a given philosophical framework. Outside such a framework, to eat roast beef is radically different from making love, and making love is always the same sort of activity independent of the legal status of the partners. From a given philosophical point of view, both to eat roast beef on Friday and to make love to x can become instances of 'sin', whereas both to give food to someone and to make love to у can become instances of virtuous action.
Good or bad are theoretical stipulations according to which, by a philosophical decision, many scattered instances of the most different facts or acts become the same thing. It is interesting to remark that also the notions of 'object', 'phenomenon', or 'natural kind', as used by the natural sciences, share the same philosophical nature. This is certainly not the case of specific semiotics or of a human science such as cultural anthropology.

Umberto Eco photo
Umberto Eco photo

“A sign is not only something which stands for something else; it is also something that can and must be interpreted.”

[2] Dictionary vs. Encyclopedia, 2.1 : Porphyry strikes back, 2.1.1 : Is a definition an interpretation?
Semiotics and the Philosophy of Language (1984)
Context: A sign is not only something which stands for something else; it is also something that can and must be interpreted. The criterion of interpretability allows us to start from a given sign to cover, step by step, the whole universe of semiosis.

Umberto Eco photo

“A philosophy does not play its role as an actor during a recital; it interacts with other philosophies and with other facts, and it cannot know the results of the interaction between itself and other world visions.”

[O] : Introduction, 0.7
Semiotics and the Philosophy of Language (1984)
Context: A philosophy does not play its role as an actor during a recital; it interacts with other philosophies and with other facts, and it cannot know the results of the interaction between itself and other world visions. World visions can conceive of everything, except alternative world visions, if not in order to criticize them and to show their inconsistency. Affected as they are by a constitutive solipsism, philosophies can say everything about the world they design and very little about the world they help to construct.

Umberto Eco photo

“The principle of interpretation says that "a sign is something by knowing which we know something more"”

[O] : Introduction, 0.2
Semiotics and the Philosophy of Language (1984)
Context: The principle of interpretation says that "a sign is something by knowing which we know something more" (Peirce). The Peircean idea of semiosis is the idea of an infinite process of interpretation. It seems that the symbolic mode is the paramount example of this possibility.
However, interpretation is not reducible to the responses elicited by the textual strategies accorded to the symbolic mode. The interpretation of metaphors shifts from the univocality of catachreses to the open possibilities offered by inventive metaphors. Many texts have undoubtedly many possible senses, but it is still possible to decide which one has to be selected if one approaches the text in the light of a given topic, as well as it is possible to tell of certain texts how many isotopies they display.

Umberto Eco photo

“Philosophies can be judged, at most, on the grounds of the perspicacity with which they decide that something is worthy of becoming the starting point for a global explanatory hypothesis.”

[O] : Introduction, 0.8
Semiotics and the Philosophy of Language (1984)
Context: I am not saying that philosophies, since they are speculative, speak of the nonexistent. When they say 'subject' or 'class struggle' or 'dialectics', they always point to something that should have been defined and posited in some way. Philosophies can be judged, at most, on the grounds of the perspicacity with which they decide that something is worthy of becoming the starting point for a global explanatory hypothesis. Thus I do not think that the sign (or any other suitable object for a general semiotics) is a mere figment.

Umberto Eco photo

“The unlimitedness of the sense of a text is due to the free combinations of its signifiers, which in that text are linked together as they are only accidentally but which could be combined differently.”

[4] Symbol, 4.4 : The symbolic mode, 4.4.4 : The Kabalistic drift
Semiotics and the Philosophy of Language (1984)
Context: Scholem … says that Jewish mystics have always tried to project their own thought into the biblical texts; as a matter of fact, every unexpressible reading of a symbolic machinery depends on such a projective attitude. In the reading of the Holy Text according to the symbolic mode, "letters and names are not conventional means of communication. They are far more. Each one of them represents a concentration of energy and expresses a wealth of meaning which cannot be translated, or not fully at least, into human language" [On the Kabbalah and Its Symbolism (1960); Eng. tr., p. 36]. For the Kabalist, the fact that God expresses Himself, even though His utterances are beyond any human insight, is more important than any specific and coded meaning His words can convey.
The Zohar says that "in any word shine a thousand lights" (3.202a). The unlimitedness of the sense of a text is due to the free combinations of its signifiers, which in that text are linked together as they are only accidentally but which could be combined differently.

Umberto Eco photo

“No algorithm exists for the metaphor, nor can a metaphor be produced by means of a computer's precise instructions, no matter what the volume of organized information to be fed in.”

[3] Metaphor, 3.12. Conclusions
Semiotics and the Philosophy of Language (1984)
Context: No algorithm exists for the metaphor, nor can a metaphor be produced by means of a computer's precise instructions, no matter what the volume of organized information to be fed in. The success of a metaphor is a function of the sociocultural format of the interpreting subjects' encyclopedia. In this perspective, metaphors are produced solely on the basis of a rich cultural framework, on the basis, that is, of a universe of content that is already organized into networks of interpretants, which decide (semiotically) the identities and differences of properties. At the same time, content universe, whose format postulates itself not as rigidly hierarchized but, rather, according to Model Q, alone derives from the metaphorical production and interpretation the opportunity to restructure itself into new nodes of similarity and dissimilarity.

Umberto Eco photo

“A general semiotics transforms, for the very fact of its theoretical claim, its own object.”

[O] : Introduction, 0.8
Semiotics and the Philosophy of Language (1984)
Context: A general semiotics studies the whole of the human signifying activity — languages — and languages are what constitutes human beings as such, that is, as semiotic animals. It studies and describes languages through languages. By studying the human signifying activity it influences its course. A general semiotics transforms, for the very fact of its theoretical claim, its own object.

Umberto Eco photo

“What is frequently appreciated in many so-called symbols is exactly their vagueness, their openness, their fruitful ineffectiveness to express a 'final' meaning, so that with symbols and by symbols one indicates what is always beyond one's reach.”

[4] Symbol
Semiotics and the Philosophy of Language (1984)
Context: What is a symbol? Etymologically speaking, the word σύμβολον comes from σνμβάλλω, to throw-with, to make something coincide with something else: a symbol was originally an identification mark made up of two halves of a coin or of a medal. Two halves of the same thing, either one standing for the other, both becoming, however, fully effective only when they matched to make up, again, the original whole. … in the original concept of symbol, there is the suggestion of a final recomposition. Etymologies, however, do not necessarily tell the truth — or, at least, they tell the truth, in terms of historical, not of structural, semantics. What is frequently appreciated in many so-called symbols is exactly their vagueness, their openness, their fruitful ineffectiveness to express a 'final' meaning, so that with symbols and by symbols one indicates what is always beyond one's reach.

Umberto Eco photo

“The interpretation of metaphors shifts from the univocality of catachreses to the open possibilities offered by inventive metaphors.”

[O] : Introduction, 0.2
Semiotics and the Philosophy of Language (1984)
Context: The principle of interpretation says that "a sign is something by knowing which we know something more" (Peirce). The Peircean idea of semiosis is the idea of an infinite process of interpretation. It seems that the symbolic mode is the paramount example of this possibility.
However, interpretation is not reducible to the responses elicited by the textual strategies accorded to the symbolic mode. The interpretation of metaphors shifts from the univocality of catachreses to the open possibilities offered by inventive metaphors. Many texts have undoubtedly many possible senses, but it is still possible to decide which one has to be selected if one approaches the text in the light of a given topic, as well as it is possible to tell of certain texts how many isotopies they display.

Umberto Eco photo

“The sign is a gesture produced with the intention of communicating, that is, in order to transmit one's representation or inner state to another being.”

[I] Signs, 1.2.2
Semiotics and the Philosophy of Language (1984)
Context: The sign is a gesture produced with the intention of communicating, that is, in order to transmit one's representation or inner state to another being. The existence of a certain rule (a code) enabling both the sender and the addressee to understand the manifestation in the same way must, of course, be presupposed if the transmission is to be successful; in this sense, navy flags, street signs, signboards, trademarks, labels, emblems, coats of arms, and letters are taken to be signs.<!-- Dictionaries and cultivated language must at this point agree and take as signs also words, that is, the elements of verbal language. In all the cases examined here, the relationship between the and that for which it stands seems to be less adventurous than for the first category.

Umberto Eco photo

“Semiosis is, according to Peirce, "an action, or influence, which is, or involves, an operation of three subjects, such as a sign, its object, and its interpretant, this tri-relative influence not being in any way resolvable into an action between pairs".”

[O] : Introduction, O.I.
Semiotics and the Philosophy of Language (1984)
Context: The sign is usually considered as a correlation between a signifier and a signified (or between expression and content) and therefore as an action between pairs. Semiosis is, according to Peirce, "an action, or influence, which is, or involves, an operation of three subjects, such as a sign, its object, and its interpretant, this tri-relative influence not being in any way resolvable into an action between pairs".

Umberto Eco photo

“Scholem … says that Jewish mystics have always tried to project their own thought into the biblical texts; as a matter of fact, every unexpressible reading of a symbolic machinery depends on such a projective attitude.”

[4] Symbol, 4.4 : The symbolic mode, 4.4.4 : The Kabalistic drift
Semiotics and the Philosophy of Language (1984)
Context: Scholem … says that Jewish mystics have always tried to project their own thought into the biblical texts; as a matter of fact, every unexpressible reading of a symbolic machinery depends on such a projective attitude. In the reading of the Holy Text according to the symbolic mode, "letters and names are not conventional means of communication. They are far more. Each one of them represents a concentration of energy and expresses a wealth of meaning which cannot be translated, or not fully at least, into human language" [On the Kabbalah and Its Symbolism (1960); Eng. tr., p. 36]. For the Kabalist, the fact that God expresses Himself, even though His utterances are beyond any human insight, is more important than any specific and coded meaning His words can convey.
The Zohar says that "in any word shine a thousand lights" (3.202a). The unlimitedness of the sense of a text is due to the free combinations of its signifiers, which in that text are linked together as they are only accidentally but which could be combined differently.

Similar authors

Umberto Eco photo
Umberto Eco 120
Italian semiotician, essayist, philosopher, literary critic… 1932–2016
Cesare Pavese photo
Cesare Pavese 137
Italian poet, novelist, literary critic, and translator
Marcel Proust photo
Marcel Proust 41
French novelist, critic, and essayist
Walter Benjamin photo
Walter Benjamin 70
German literary critic, philosopher and social critic (1892…
Jean Paul Sartre photo
Jean Paul Sartre 321
French existentialist philosopher, playwright, novelist, sc…
Fernando Pessoa photo
Fernando Pessoa 288
Portuguese poet, writer, literary critic, translator, publi…
Emil M. Cioran photo
Emil M. Cioran 531
Romanian philosopher and essayist
Paul Valéry photo
Paul Valéry 89
French poet, essayist, and philosopher
Christopher Morley photo
Christopher Morley 30
American journalist, novelist, essayist and poet
José Ortega Y Gasset photo
José Ortega Y Gasset 85
Spanish liberal philosopher and essayist