
Canto III, lines 22–30 (tr. Mandelbaum).
The Divine Comedy (c. 1308–1321), Inferno
Inferno is the first part of Italian writer Dante Alighieri's 14th-century epic poem Divine Comedy. It is followed by Purgatorio and Paradiso. The Inferno tells the journey of Dante through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm ... of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen". As an allegory, the Divine Comedy represents the journey of the soul toward God, with the Inferno describing the recognition and rejection of sin.
Canto III, lines 22–30 (tr. Mandelbaum).
The Divine Comedy (c. 1308–1321), Inferno
“Thence we came forth to rebehold the stars.”
Canto XXXIV, line 139 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno
Canto XXVIII, line 107 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno
“Necessity brings him here, not pleasure.”
Canto XII, line 87 (tr. Sinclair).
The Divine Comedy (c. 1308–1321), Inferno
Canto XI, lines 91–93 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno
Canto VII, lines 64–66 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno
“To be rude to him was courtesy.”
Canto XXXIII, line 150 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno
Canto I, lines 1–3 (tr. Mandelbaum).
Longfellow's translation:
: Midway upon the journey of our life
I found myself within a forest dark,
For the straight-forward pathway had been lost.
The Divine Comedy (c. 1308–1321), Inferno
Canto III, lines 34–36 (tr. John D. Sinclair).
The Divine Comedy (c. 1308–1321), Inferno
Canto XIII, lines 58–60 (tr. C. E. Norton).
The Divine Comedy (c. 1308–1321), Inferno
Canto XXXIII, lines 94–96 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno
Canto III, lines 85–87 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno
“I wept not, I within so turned to stone.”
Canto XXXIII, line 49 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno
Canto V, lines 100–105 (tr. Sinclair).
The Divine Comedy (c. 1308–1321), Inferno
“He listens well who takes notes.”
Canto XV, line 99 (tr. Clive James).
The Divine Comedy (c. 1308–1321), Inferno
Henry Powell Spring in 1944; popularized by John F. Kennedy misquoting Dante (24 June 1963) http://www.bartleby.com/73/1211.html. Dante placed those who "non furon ribelli né fur fedeli" [were neither for nor against God] in a special region near the mouth of Hell; the lowest part of Hell, a lake of ice, was for traitors.
According to the John F. Kennedy Presidential Library & Museum http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx President Kennedy got his facts wrong. Dante never made this statement. The closest to what President Kennedy meant is in the Inferno where the souls in the ante-room of hell, who "lived without disgrace and without praise," and the coward angels, who did not rebel but did not resist the cohorts of Lucifer, are condemned to continually chase a banner that is forever changing course while being stung by wasps and horseflies.
See Canticle I (Inferno), Canto 3, vv 35-42 for the notion of neutrality and where JFK might have paraphrased from.
Misattributed
“I looked, and I beheld the shade of him
Who made through cowardice the great refusal.”
Canto III, lines 59–60 (tr. Longfellow).
The decision of Pope Celestine V to abdicate the Papacy and allow Dante's enemy, Pope Boniface VIII, to gain power.
The Divine Comedy (c. 1308–1321), Inferno
“Day was departing, and the embrowned air
Released the animals that are on earth
From their fatigues.”
Canto II, lines 1–3 (tr. Longfellow)
The Divine Comedy (c. 1308–1321), Inferno
“No and Yes within my head contend.”
Canto VIII, lines 111 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno