Quotes from work
Culture series

Iain Banks

The Culture series is a science fiction series written by Scottish author Iain M. Banks. The stories centre on the Culture, a utopian, post-scarcity space society of humanoids, aliens, and very advanced artificial intelligences living in socialist habitats spread across the Milky Way galaxy. The main theme of the novels is the dilemmas that an idealistic hyperpower faces in dealing with civilizations that do not share its ideals, and whose behaviour it sometimes finds repulsive. In some of the stories action takes place mainly in non-Culture environments, and the leading characters are often on the fringes of the Culture, sometimes acting as agents of Culture in its plans to civilize the galaxy.

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““Don’t you have a religion?” Dorolow asked Horza.
“Yes,” he replied, not taking his eyes away from the screen on the wall above the end of the main mess-room table. “My survival.””

Iain Banks Culture series

Source: Culture series, Consider Phlebas (1987), Chapter 5 “Megaship” (p. 102).

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“Well, he sighed to no one in particular, and looked up into yet another alien sky. Here we are again.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter Six (p. 178).

Iain Banks photo

“Even the pain of what had felt on occasion like an irretrievably broken heart had consistently proved less lasting than she’d initially imagined and expected; the revelation that a boy’s taste was so grotesquely deficient he could prefer somebody else to her always reduced both the intensity and the duration of the anguish her heart demanded be endured to mark such a loss of regard.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 6 “Pittance” section III (p. 180).

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“In all the human societies we have ever reviewed, in every age and every state, there has seldom if ever been a shortage of eager young males prepared to kill and die to preserve the security, comfort and prejudices of their elders, and what you call heroism is just an expression of this fact; there is never a scarcity of idiots.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter Thirteen (p. 434).

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““Is all this serious?” Gurgeh said, turning, amused, from the screen to the drone.
“Deadly serious,” Flere-Imsaho told him.
Gurgeh laughed and shook his head. He thought the common people must be remarkably stupid if they believed all this nonsense.”

Iain Banks Culture series

Source: Culture series, The Player of Games (1988), Chapter 2 (p. 225).

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“Of course, she does seem to be a rather good doctor. At the very least she has done the King no obvious harm, and that in my experience is far more than one might reasonably expect from a court physician.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 7 (p. 130)

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“What is all your studying worth, all your learning, all your knowledge, if it doesn’t lead to wisdom? And what’s wisdom but knowing what is right, and what is the right thing to do?”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter Ten (p. 316).

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“"What, now?" "Soon equates to good, later to worse, Uagen Zlepe, scholar. Therefore, immediacy."”

Iain Banks Culture series

Look to Windward page 213.
Culture series, Look to Windward (2000)

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“He suspected the troops felt closer to somebody who spoke a different language but asked them questions than they did to somebody who shared their language and only ever used it to give orders.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter Twelve (p. 394).

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““I had formed the impression the Protector valued your counsel.”
“It is most valued when it most closely accords with his own view.””

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 8 (p. 140)

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“It looks perverted and wasteful to us, but then one thing that empires are not about is the efficient use of resources and the spread of happiness; both are typically accomplished despite the economic short-circuiting—corruption and favoritism, mostly—endemic to the system.”

Iain Banks Culture series

Source: Culture series, The Player of Games (1988), Chapter 1 (p. 91).

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“He looked up from it at the stars again, and the view was warped and distorted by something in his eyes, which at first he thought was rain.”

Iain Banks Culture series

Source: Culture series, The Player of Games (1988), Chapter 4 “The Passed Pawn” (p. 390).

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“I am told he is something of a scholar, which is no bad thing in a king, providing it is not taken to excess.”

Iain Banks Culture series

Epilogue (p. 402)
Culture series, Inversions (1998)

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“We only become beasts—we become worse than beasts—when we torment others.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 11 (p. 197)

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“Truth, I have learned, differs for everybody. Just as no two people ever see a rainbow in exactly the same place—and yet both most certainly see it, while the person seemingly standing right underneath it does not see it at all—so truth is a question of where one stands, and the direction one is looking in at the time.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 2 (p. 22)

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“Such a stupid act. Sometimes heroics revolted him; they seemed like an insult to the soldier who weighed the risks of the situation and made calm, cunning decisions based on experience and imagination, the sort of unshowy soldiering that didn’t win medals but wars.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter VIII (p. 183).

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“How depressing, the Sleeper Service thought. That it should all come down to this; the person with the biggest stick prevails.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 11 “Regarding Gravious” section X (p. 372).

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““I’m from out of town,” he said breezily. This was true. He’d never been within a hundred light-years of the place.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter IX (p. 147).

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“More than anything else now, though, he wanted to save Darckense. He had seen too many dead, dry eyes, too much air-blackened blood, too much fly-blown flesh, to be able to relate such ghastly truths to the nebulous ideas of honor and tradition that people claimed they were fighting for. Only the well-being of one loved person seemed really worth fighting for now; it was all that seemed real, all that could save his sanity.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter I (p. 444).

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“Pain, or even just discomfort, is like the warning sent by a frontier guard, sir. You are free to choose to ignore it, but you should not be unduly surprised if you are subsequently over-run by invaders.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 3 (p. 51)