Quotes from work
Culture series

Iain Banks

The Culture series is a science fiction series written by Scottish author Iain M. Banks. The stories centre on the Culture, a utopian, post-scarcity space society of humanoids, aliens, and very advanced artificial intelligences living in socialist habitats spread across the Milky Way galaxy. The main theme of the novels is the dilemmas that an idealistic hyperpower faces in dealing with civilizations that do not share its ideals, and whose behaviour it sometimes finds repulsive. In some of the stories action takes place mainly in non-Culture environments, and the leading characters are often on the fringes of the Culture, sometimes acting as agents of Culture in its plans to civilize the galaxy.

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“Did the Doctor really imagine that everbody went around believing different things? One believed what one was told to believe, what it made sense to believe. Unless one was a foreigner, of course, or a philosopher.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 7 (pp. 125-126)

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“Maybe it wasn’t anything remotely to do with religion, mysticism or metaphilosophy after all; maybe it was more banal; maybe it was just…accounting.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 11 “Regarding Gravious” section VI (p. 364).

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““I’m very sorry,” the drone said, without a trace of contrition.”

Iain Banks Culture series

Source: Culture series, The Player of Games (1988), Chapter 3 (p. 308).

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“The combination of modern ordnance and outdated tactics had, as usual, created enormous casualties on both sides.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 3 “Uninvited Guests” section I (p. 66).

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“He had to give orders that meant men died, and sometimes sacrifice hundreds, thousands of them, knowingly sending them to their near-certain deaths, just to secure some important position or goal, or protect some vital position. And always, whether they liked it or not, the civilians suffered too; the very people they both claimed to be fighting for made up perhaps the bulk of the casualties in their bloody struggle.
He had tried to stop it, tried to bargain, from the beginning, but neither side wanted peace on anything except its own terms, and he had no real political power, and so had had to fight.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter I (p. 443).

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“He wanted to be who he was, not the person he would become if he lost the one trait that distinguished him from everybody else, no matter how perverse that decision seemed to others.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 4 “Dependency Principle” section V (p. 129).

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“What they had talked themselves into, they could be silent out of.”

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter IX (p. 157).

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“There came a point when if a conspiracy was that powerful and subtle it became pointless to worry about it.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 5 “Kiss the Blade” section III (p. 149).

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“Any such inklings were like a few scattered grains of truth dissolved in an ocean of nonsense, and were anyway generally inextricably bound up with patently paranoid ravings which served only to devalue the small amounts of sense and pertinence with which they were associated.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 11 “Regarding Gravious” section VI (p. 365).

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“Perhaps my certainty is misplaced.”

Iain Banks Culture series

Epilogue (p. 399)
Culture series, Inversions (1998)

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“Tishlin’s dubious look indicated he wasn’t totally convinced this phrase contributed enormously to the information-carrying capacity of the language.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 2 “Not Invented Here” section II (p. 58).

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“There is always the right of the strong to take the weak and the rich to take the poor and the powerful to take those who have no power. UrLeyn may have written down our laws and changed a few of them, but the laws that still bind us to the animals cut the deepest. Men compete for power, they strut and parade and they impress their fellows with their possessions and they take the women they can. None of that has changed. They may use weapons other than their hands and teeth, they may use other men and they may express their dominance in money, not other symbols of power and glamour, but…”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 20 (p. 335)

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“Some of us prefer history to legends, lady,” DeWar said heavily, “and sometimes everybody can be wrong.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 2 (p. 37)

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“That was how divorced from the human scale modern warfare had become. You could smash and destroy from unthinkable distances, obliterate planets from beyond their own system and provoke stars into novae from light-years off…and still have no good idea why you were really fighting.”

Iain Banks Culture series

Source: Culture series, Consider Phlebas (1987), Chapter 2 “The Hand of God 137” (p. 32).

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“You can draw the blinds in a brothel, but people still know what you’re doing.”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 4 (p. 69)

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“If you have any helpful suggestions I’d be pleased to hear them. If all you can do is make snide insinuations then it would probably benefit all concerned if you bestowed the fruits of your prodigious wit on someone with the spare time to give them the consideration they doubtless deserve.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 7 “Tier” section III (p. 219).

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“Look at these humans! How could such glacial slowness even be called life? An age could pass, virtual empires rise and fall in the time they took to open their mouths to utter some new inanity!”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 7 “Tier” section II (p. 212).

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““I think I know the real reason.”
“Which is?”
“Alcohol in the dust clouds. Goddamn stuff is everywhere. Any lousy species ever invents the telescope and the spectroscope and starts looking in between the stars, what do they find?” He knocked the glass on the table. “Loads of stuff, but much of it alcohol.” He drank from the glass. “Humanoids are the galaxy’s way of trying to get rid of all that alcohol.””

Iain Banks Culture series

Source: Culture series, Use of Weapons (1990), Chapter IX (p. 148).

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“Empires are synonymous with centralized—if occasionally schismatized—hierarchical power structures in which influence is restricted to an economically privileged class retaining its advantages through—usually—a judicious use of oppression and skilled manipulation of both the society’s information dissemination systems and its lesser—as a rule nominally independent—power systems. In short, it’s all about dominance.”

Iain Banks Culture series

Source: Culture series, The Player of Games (1988), Chapter 1 (p. 91).

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“All reality is a game. Physics at its most fundamental, the very fabric of our universe, results directly from the interaction of certain fairly simple rules, and chance; the same description may be applied to the best, most elegant and both intellectually and aesthetically satisfying games. By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains malleable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of its rules.”

Iain Banks Culture series

Source: Culture series, The Player of Games (1988), Chapter 1 (p. 48).